In this 1962 classic, a novelistic exploration of modern crime and punishment, Alex is the 15-year-old leader of his gang of "droogs" thriving in the ultraviolent future as prophetically imagined by Burgess. Speaking a bizarre Russian-derived slang, Alex and his friends freely pillage and slash their way across a nightmarish urban landscape until Alex is captured by the judicial arm of the state. He then becomes their prized guinea pig in a scientific program to completely "redeem" him for society.
Inside Mr. Enderby introduced to a captivated audience Burgess's dyspeptic poet, whose uniquely idiosyncratic, scatological brand of verse even won the genuine approval of T. S. Eliot. In his first clash with the outside world, Enderby is extracted from his lavatorial sanctuary by the professional widow Vesta Bainbridge in a most peculiar romance.
Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.
Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.
A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover, and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen, and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.
Anthony Burgess - translator adaptor
Spieldauer: 1 Std. und 58 Min.
5 out of 5 stars
4.5 out of 5 stars
5 out of 5 stars
Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous and gigantic - his nose. How can the curiously-snouted Cyrano ever hope to win the affections of the beautiful Roxane?
A BBC Radio 4 full-cast dramatisation of Anthony Burgess' novel which became a controversial film in the 1970s. In a nightmare world of the near future, packs of teenagers run wild, beyond the control of their families or the police. Alex is a gang leader, addicted to drug-fuelled assault, torture, and rape.
Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.
'The situation as far as I'm concerned', says the young narrator-hero of MF, 'is an interesting one. In two days in a strange country I've acquired a mother in the form of a Welsh-speaking Bird Queen who scares me. I've spent some hours in prison, I've discovered the works of an unknown superlative artist in a garden shed and I've been shot at by a riddling lion-faced expert on Bishop Berkeley. Most interesting of all I'm due tonight to be married by a circus clown to my own sister.'
A novel in verse form, Byrne echoes and takes further many of the preoccupations of Burgess's earlier fiction. It tells the story of a rampant Irish artist who, in the early days of the century, goes rapidly to the bad and ends up within Hitler's Third Reich.