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After ten years, Peter leaves Gillian for Laura. Distraught, Gillian goes round to Peter's parents to be consoled. They take her in - then things go a little weird. This rousing audio dramatisation stars Diane Morgan, Colin Hoult, Janine Duvitski, John Henshaw, Zoe Gardner, Zahra Barri, John Biddle, Tony Marshall, Christine Hall, and Sean Grundy. It was directed by Alison Crawford.

In the not-so-distant future, America has been subjugated by the fanatical followers of Dr. Theo Fell, who have instituted a fascist religious regime that stifles all dissent and monitors all expression. But all regimes have their breaking points, both personally and generally, and the Fellian States of America are no exception. The nameless narrator of this terrifying tale descends into paranoia and despair even as he rises rapidly through the academic ranks of the California Saints University system.

While waiting in a bus station, Millicent Barnes has the strange feeling that her doppelganger is trying to take over her life.

Melissa and Paul: Five years after they split he's still looking for love in all the wrong places while all she wants is him. Chris and Vicky: They are deliriously happy, so why is Chris risking it all for an affair? Cooper and Laura: He wants to settle down, she wants to take a gap year - can their relationship survive a year apart?

“Peter Beinart has written a vivid, empathetic, and convincing history of the men and ideas that have shaped the ambitions of American foreign policy during the last century—a story in which human fallibility and idealism flow together. The story continues, of course, and so his book is not...

James Conaway's remarkable bestseller delves into the heart of California's lush and verdant Napa Valley, also known as America's Eden. Long the source of succulent grapes and singular wines, this region is also the setting for the remarkable true saga of the personalities behind the winemaking empires. This is the story of Gallos and Mondavis, of fortunes made and lost, of dynasties and destinies.

The Good Fail is part business story, part guilty pleasure, exploring Richard Keith Latman's very public missteps and the painful lessons he learned as a result, presented to fellow entrepreneurs, in his own words, for the first time. Written in a lively, conversational style, the book answers questions many computer-industry veterans have been asking for more than a decade about what went wrong at Microworkz, the failed former free PC enterprise.

An innovative communication method for making change happen in any organization, Getting Change Right presents a new view of leadership communication that says change doesn't flow top-down, bottom-up, or sideways, but inside out. This is how change spreads through a complex system successfully - the other options are force or failure.

How do brand names differ from other names, and what goes into making a good name great and a bad name ghastly? Knowing this can spell the difference between bankruptcy and marketplace triumph. In this indispensable guide, the authors share the secrets of successful brand names--how they've indelibly stamped cultures around the world; who makes them; why they're made; and how they're compiled, bought, sold, and protected.

An unparalleled collection of Full-Cast BBC Drama adaptations of Sean O’Casey’s powerful, poignant works One of Ireland’s foremost playwrights, Sean O’Casey is renowned for his groundbreaking plays depicting the lives of poor, working-class Dubliners struggling with social and political...

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

James Sallis moves with ease among genres and modes: novels, stories, poetry, criticism, musicology, biography, translation. Best known perhaps as a crime writer—author of Drive and the six Lew Griffin novels along with others—his first acclaim came in the 1960s from groundbreaking short stories in science fiction publications like Michael Moorcock’s New Worlds, for which he served for a time as editor, and Damon Knight’s Orbit anthologies.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.