Ergebnis von "Barry Pain" in Alle Kategorien

A wonderful selection of some of the most bizarre and unsettling stories ever written.

The Giraffe Problem tells the story of an evening at the Problem Club, a secret society of gentlemen in London who meet once a month in a private room above a restaurant, where one of the waiters is the admirable Leonard. Every month Leonard sets the members a problem or challenge. The one who is able to complete the feat successfully wins that month's share of the membership fees.

A glorious collection of some of the finest British short stories ever written. The Dog – Arnold Bennet, Not On The Passenger List – Barry Pain, The Old Man’s Tale About The Queer Client – Charles Dickens, The Half Brothers – Elizabeth Gaskell, The Veiled Portrait – James McGovan, Markheim – Robert Louis Stevenson, The Bottle Imp – Robert Louis Stevenson, The Adventures Of The Kind Mr. Smith – William J. Locke, The Man Of Mystery – Barry Pain, The Brazilian Cat – Sir. Arthur Conan Doyle.

Delve into the gripping tale of a dying man, a concealed diamond, a murder conspiracy, and spectral visitations in this unique narrative crafted in a round-robin style by renowned authors of yesteryears. This riveting tale, woven together by the likes of Jerome K. Jerome, Eden Phillpotts, E. F. Benson, F. Frankfort Moore, and Barry Pain, offers an unparalleled storytelling experience. Join us as we unravel the Mystery of Black Rock Creek. (Summary by Ben Tucker)

A collection of 45 short stories which threaten to unhinge the listener's mind. Strange phenomena, insane genius, inexplicable happenings and the inability to deal with life and death are all themes which run through this brilliant selection.

The short story is considered to be one of the most challenging genres because of the need for compact plotlines and the ability to conjure up atmosphere and character in a few sentences and to engage the reader instantly. This collection presents 66 of the greatest examples of the genre - many of them well known, some hidden literary treasures, all of them exquisite examples of the short story at its finest.

Fifty of the greatest classic horror stories ever written: 1. "The Beast with Five Fingers" by W. F. Harvey 2. "The Well" by W. W. Jacobs 3. "The Nightmare Room" by Sir Arthur Conan Doyle 4. "The End of a Show" by Barry Pain 5. "Bagnell Terrace" by E. F. Benson 6. "Fingers of a Hand" by H. D. Everett 7. "The Interruption" by W. W. Jacobs 8. "Gavon’s Eve" by E. F. Benson 9. "The Ring of Thoth" by Sir Arthur Conan Doyle 10. "Moon’s Gibbet" by Egerton Castle 11. "The Mystery of Sasassa Valley" by Sir Arthur Conan Doyle

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.