Ergebnis von "Henry Fielding" in Alle Kategorien

Penguin Classics presents Henry Fielding's Joseph Andrews, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by the actor Sean Barrett. 'Kissing, Joseph, is but a prologue to a Play. Can I believe a young fellow of your Age and Complexion...

An Apology for the Life of Mrs. Shamela Andrews, commonly known as Shamela, is a biting satirical novel penned by Henry Fielding and first released in April 1741 under the pseudonym Mr. Conny Keyber. Although Fielding never officially claimed authorship, the work is widely attributed to him. This novel serves as a scathing critique of the then-cherished Pamela by Samuel Richardson, Fieldings literary rival. Presented in the epistolary format, Shamela reveals an astonishing twist on the life of Pamela Andrews, unraveling her true identity as Shamela—a cunning and immoral character intent on ...

In a tangled web of manipulation and desire, young Laroon is set to marry Isabel, but Father Martin has other plans. He cunningly influences Isabels father, Jourdain, to pursue his own lustful ambitions. As the plot thickens, both Laroon men resort to disguises and guilt tactics to sway Jourdain to their favor. Meanwhile, Isabel, wise to the unfolding schemes, crafts her own clever trap for Father Martin. When she finally exposes his true intentions, the stakes rise, leading to a dramatic confrontation and consequences for the devious priest. (Summary by Wikipedia)

Dive into the whimsical yet poignant world of Life and Death of Tom Thumb the Great, a satirical play that parodies the grand narratives of heroic biographies. Follow the journey of Tom Thumb, a mighty little hero with a big heart, as he navigates love, ambition, and the absurdities of court life. With a blend of biting humor and clever footnotes by the fictitious H. Scriblerus Secundus, this play offers a unique take on the events and personalities of its time. Beware, as the title suggests, this is not your typical fairy tale with a happy ending. Rumor has it that Jane Austen even performed ...

In this timeless classic, first published in 1749, we delve into the captivating story of Tom Jones, a foundling raised by a kind-hearted squire. Amidst the backdrop of Somersetshire, two neighboring squires—one affable and generous, the other a fiery lover of the hunt and drink—embark on a comedic scheme to marry the formers nephew to the latters daughter, much to her dismay. For her heart belongs to Tom, whose charming yet reckless nature has led him into a series of misadventures, both real and perceived. With a cast of characters who fervently believe in their own righteousness, the ...

In this delightful adaptation, we find Don Quixote and his loyal squire Sancho transported to the English countryside. At a quaint inn, the Knight of the Woeful Countenance encounters a host of eccentric characters, each as mad as he is. Join us for a whimsical journey filled with humor and adventure, as these beloved characters navigate the quirks of their new surroundings.

In a twist of fate, Henry Fielding found himself unable to publish his plays, leading him to craft a farcical masterpiece about his very struggle. This play culminates in an entertaining third act that features a mock Puppet Show, delightfully performed by actors, titled The Pleasures of the Town. Join us for a humorous and insightful exploration of the trials of authorship, brought to life by a talented cast, including Luckless, the beleaguered author, and a colorful ensemble of characters. - Summary by ToddHW

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 16: I have heard of a dramatic writer who used to say, he would rather write a play than a prologue; in like manner, I think, I can with less pains write one of the books of this history than the prefatory chapter to each of them.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 15: There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

We are now, reader, arrived at the last stage of our long journey. As we have, therefore, travelled together through so many pages, let us behave to one another like fellow-travellers in a stage coach, who have passed several days in the company of each other; and who, notwithstanding any bickerings or little animosities which may have occurred on the road, generally make all up at last, and mount, for the last time, into their vehicle with chearfulness and good humour; since after this one stage, it may possibly happen to us, as it commonly happens to them, never to meet more.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 17: When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

As several gentlemen in these times, by the wonderful force of genius only, without the least assistance of learning, perhaps, without being well able to read, have made a considerable figure in the republic of letters; the modern critics, I am told, have lately begun to assert, that all kind of learning is entirely useless to a writer; and, indeed, no other than a kind of fetters on the natural sprightliness and activity of the imagination, which is thus weighed down, and prevented from soaring to those high flights which otherwise it would be able to reach.

Among other good uses for which I have thought proper to institute these several introductory chapters, I have considered them as a kind of mark or stamp, which may hereafter enable a very indifferent reader to distinguish what is true and genuine in this historic kind of writing, from what is false and counterfeit. Indeed, it seems likely that some such mark may shortly become necessary, since the favourable reception which two or three authors have lately procured for their works of this nature from the public, will probably serve as an encouragement to many others to undertake the like.

In our last initial chapter we may be supposed to have treated that formidable set of men who are called critics with more freedom than becomes us; since they exact, and indeed generally receive, great condescension from authors. We shall in this, therefore, give the reasons of our conduct to this august body; and here we shall, perhaps, place them in a light in which they have not hitherto been seen.

Peradventure there may be no parts in this prodigious work which will give the reader less pleasure in the perusing, than those which have given the author the greatest pains in composing. Among these probably may be reckoned those initial essays which we have prefixed to the historical matter contained in every book; and which we have determined to be essentially necessary to this kind of writing, of which we have set ourselves at the head.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 8: As we are now entering upon a book in which the course of our history will oblige us to relate some matters of a more strange and surprizing kind than any which have hitherto occurred, it may not be amiss, in the prolegomenous or introductory chapter, to say something of that species of writing which is called the marvellous.

It is impossible we should know what sort of person thou wilt be; for, perhaps, thou may'st be as learned in human nature as Shakespear himself was, and, perhaps, thou may'st be no wiser than some of his editors. Now, lest this latter should be the case, we think proper, before we go any farther together, to give thee a few wholesome admonitions; that thou may'st not as grossly misunderstand and misrepresent us, as some of the said editors have misunderstood and misrepresented their author.

As truth distinguishes our writings from those idle romances which are filled with monsters, the productions, not of nature, but of distempered brains; and which have been therefore recommended by an eminent critic to the sole use of the pastry-cook; so, on the other hand, we would avoid any resemblance to that kind of history which a celebrated poet seems to think is no less calculated for the emolument of the brewer, as the reading it should be always attended with a tankard of good ale.

In our last book we have been obliged to deal pretty much with the passion of love; and in our succeeding book shall be forced to handle this subject still more largely. It may not therefore in this place be improper to apply ourselves to the examination of that modern doctrine, by which certain philosophers, among many other wonderful discoveries, pretend to have found out, that there is no such passion in the human breast.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 12: The learned reader must have observed that in the course of this mighty work, I have often translated passages out of the best antient authors, without quoting the original, or without taking the least notice of the book from whence they were borrowed.