Zeigt Titel in Briefromane

""Funny, relatable fiction for anyone who thinks they're above the fray but still want to read all about it.""—People ""Heavenly hilarity for readers.""—Good Housekeeping A whip-smart, satirical romp through the minefield of modern motherhood, in the vein of Where’d You Go, Bernadette and...

On August 22, 1791, the Haitian war of independence began in flames. On that night, known as the “Night of the Fire”, more than 100,000 slaves rose up against their hated French overlords, burning every plantation, and executing every French man, woman, and child they could find. One slave, named Saturday, dared save the lives of his master’s two young White children, smuggled them to safety, and fostered them over a period of 40 years.

«He leído lo que publicaste en tu cuenta de Insta. Eres como si una paloma se me cagara en el hombro: una guarrada asquerosa. Buáá buáá buáá soy una mierdecilla que no le interesa a nadie y berreo como un chihuahua para ver si me hago notar. Vivan las redes sociales: has logrado tus quince minutos de gloria. La prueba: te estoy escribiendo». Rebecca, una actriz en la cincuentena con una carrera en declive, responde con estas duras palabras a Oscar, un novelista cuarentón que acaba de insultarla en redes sociales.

A teenage girl writes in her diary, similar to any other girl her age, except her experiences are like no other. Fifteen-year-old Sophie Smyth bought her diary to express the devastating tragedy of her past. She's spent her life being judged for what she looks like on the outside, and not for who she is on the inside. From being trampled on from an early age, to losing close relatives, to the reality of life, all she wants is to find happiness and to be an inspiration to other people. Will Sophie finally find that sense of security she's always dreamed of?

Aos 15 anos, o personagem Kevin mata 11 pessoas, entre colegas no colégio e familiares. Enquanto ele cumpre pena, a mãe Eva amarga a monstruosidade do filho. Entre culpa e solidão, ela apenas sobrevive. A vida normal se esvai no escândalo, no pagamento dos advogados, nos olhares tortos. Transposto o primeiro estágio da perplexidade, um ano e oito meses depois, ela dá início a uma correspondência com o marido, único interlocutor capaz de entender a tragédia, apesar de ausente. Cada carta é uma ode e uma desconstrução do amor.

A pair of romantic flameouts meet at a dull wedding and wind up entwined in a deserted coatroom. Shockingly, Jane and John decide not to have sex. Instead, they embark on a far more dangerous endeavor: sharing the stories of their past love affairs. They tell each other everything, aiming for radical honesty over polished seduction. Jaded as they may be, these two sense that they just might be soulmates.

Teacher and single mom Naomi is always biting off more than she can chew. Naomi knows what it's like to grow up in hard times and still manage a decent education, so when it comes to her online, at-promise (not "at-risk," thank you very much) high school students, she goes the extra mile.

Retribution begins in 1620. A grieving Isaac Stanfield heads out across the Atlantic Ocean. After the Mayflower sails for the New World, Isaac has been sent to explore the potential for trade and further settlements in New England. His efforts are frustrated by the incompetence and duplicity of the people with whom he has to deal. This second book in the Stanfield Chronicles series continues with Isaac’s love of adventure, his courage and ingenuity being fully tested, and his fascination with and respect for the native peoples he meets.

In this sweet, low-spice rom-com, an eternally sunshiny woman attempts to pull a hardened grump out of the shadows and find love again within a fun musical theater backdrop. The world could do with a little more kindness and positivity and random acts of singing, don't you think? Dear Reader, My...

It’s 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure. Increasingly distant from what used to be at arm’s reach—writerly ambitions, tight knit friendships, a place to call home—Leyla attempts to find solace in the techno beats of Berlin’s nightlife, with little success.

In Now I Am Here, we begin at the end. The armies of the National Defence Movement have been crushed and our unnamed narrator and his unit are surrounded. Prepared for defeat at the hands of the enemy and with only his sins for company, he turns to confession. As he recounts the events leading...

When Belle started writing to Enrico, she certainly wasn't looking to fall in love! Everything about his life in southern Italy is so different to hers - but somehow, across half the world, a magical friendship forms. And so, when Enrico signs off one of his messages, P.S. Come to Italy, Belle decides to follow her heart!

'What an emotional, twisty, rollercoaster of a novel! It kept me guessing all the way through.' Alice Hunter, author of The Serial Killer's Wife Sometimes the past is best left buried Since the birth of baby Joe five weeks ago, Ali Baker has been struggling to cope. Starved of sleep and haunted...

Antes de morir, Hélène le hizo prometer a su marido, Julien, que le escribiría treinta y tres cartas, una por cada año de su vida. Para su asombro, Julien se da cuenta de que esta correspondencia, que deja en un compartimento secreto de su tumba en el cementerio de Montmartre, se ha convertido en una suerte de consuelo. Le habla de la vida que ahora ha de vivir sin ella; de su amor, ya no recíproco; de su hijo Arthur, que no quiere un padre que se siente desgraciado. Hasta que un día descubre que las cartas han desaparecido y en su lugar empieza a encontrar pequeñas respuestas.

Luis Alfredo J. A. vive en un edificio verde, cubierto enteramente por enredadera. De alguna forma, es un edificio invisible o, al menos, demasiado sutil. Sin duda: se trata de un edificio elusivo al servicio postal. Luis Alfredo J. A. escribe cartas, una todos los días. Es un epistolero profesional. Luis Alfredo J. A. es también un esquizofrénico paranoide.

Werther es un joven de carácter sensible y pasional que se enamora perdidamente de Charlotte, una mujer que se halla comprometida a otro hombre. Werther es un hombre apuesto que suscita el interés de muchas otras mujeres, pero él está enamorado de Charlotte, quien no lo ama, y a pesar del intenso dolor que le causa el amor no correspondido, Werther desarrolla una amistad íntima con ella.

Two women Two wars A secret that threatens to tear them apart 1916 At the onset of war, Nurse Pru le Cuirot left her home in Jersey to care for injured soldiers at Ashbury Manor, Dorset. She wanted to do her bit but she never expected to meet American pilot, Jack Garland, so unlike any man she...

Ecoutez Lire propose une sélection des textes emblématiques des prises de parole publiques d’Albert Camus effectuées entre 1946 et 1957. D’une conférence à l’autre, Camus explicite et manifeste son engagement d’homme, qui vise à redonner voix, figure et dignité à ceux qui en ont été privés par un demi-siècle de bruit et de fureur.

It’s 2084, and Aldus, an elderly robot repairman, is writing the history of the 21st century for his grandson, Luca. Born in 2010, Aldus lived through it all—the War on the Warming, the repair of the planet, the rise of true artificial intelligence, automation everywhere, and much more. Aldus also fears his time is short. Unlucky members of his generation sometimes experience long-delayed side effects from childhood infection with COVID. Aldus could be among them, and so his writing may have a literal deadline.

Love letters, born from high school dances, stereoscopic slides of toddlerhood, Ferris wheels, suntan oil, the streets of Hollywood and Toronto, 1980s music, driving too fast, Hershey bars, and bottles of Molson Golden ale. First real kisses and broken hearts. Our 11th birthday parties, our first cars, our true loves, and our monsters. Getting old. Falling in love. A dash of each, and all together. Letters to all of us, from all of us—the things we remember and the things we’ve lost.