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Lexie Gallagher is starting to think she’s better off alone. Her family fell apart years ago. Her relationships all end in disaster. Is she the common denominator who causes everyone to leave - everyone but her best friend, Gabe, who whisks her away from the scene of the latest breakup? As a human resources VP, Gabe North understands people, and how to meet their needs. What Lexie’s always needed is a true-blue friend, doubly so when she’s left at the altar. Of course, he’ll be her shoulder to cry on - even though he’s wanted to be more than friends for years.

NEW YORK TIMES EDITORS’ CHOICE An exhilarating debut novel following members of a Dominican family in New York City who take radically different paths when faced with encroaching gentrification “Strikes all the right notes—captivating characters, lyrical language, and a storyline that...

Fresh out of college in New England, a young woman returns home to New Orleans and is quickly pulled back into the city’s “wastrel-youth contingent” in this cult-classic novel of love and decadence, now with a new introduction. Nancy Lemann’s voice is one of the most unusual in American...

An electrifying new novel from Leslie Jamison, one of our most beloved contemporary voices: the epic story of three women connected by the haunting power of an ancient myth Every monster has two mothers—the woman who bore him, and the pain that shapes him. They raise him together. Knossos...

After years of braving the Arctic’s frigid temperatures or endless hours tracking the Spirit Bear to capture the perfect shot for National Geographic, Meg Jeffries decides to move back to the city — San Francisco. Westin Drake is famous for fast cars and box office sales. When the public mistakes a simple kiss on the cheek for a budding romance, Meg and West are caught in a media frenzy. Somewhere amid the backseat getaways and plastered smiles, Meg discovers the man behind the glossy photographs, and West wonders how he’ll ever let her go once the cameras stop rolling.

Loner Cole North has always been the odd guy out. His IQ is sky-high, but he’s not so bright when it comes to people or relationships. Years ago, he spurned expectations, shunned his family’s business, and embraced a career in construction, instead. Now, he values his job above everything, in part because of his secret feelings for his boss Sierra.

Dopo aver perso il padre in quello che ha tutta l'aria di essere stato un doppio suicidio d'amore, Yoshie si trasferisce dalla sua casa di Meguro a un minuscolo e vecchio appartamento a Shimokitazawa, un quartiere di Tokyo famoso per le sue stradine chiuse al traffico, i ristoranti, i negozietti, nonché meta degli alternativi della capitale. Qui Yoshie spera, aiutata dall'atmosfera vivace, di superare il dolore e dare una nuova direzione alla sua vita. Un giorno, però, sua madre le si presenta a casa all'improvviso con una borsa Birkin di Hermès e qualche sacchetto.

Trois destins parallèles s'entrecroisent, trois vies dont le seul point commun est le manque d'amour : Marie, une jeune Californienne d'une beauté rare, Caroline, une Parisienne trentenaire, enfin Marcus Marcus, le salaud, le mégalo, le parano. Construit par séquences, dans une écriture et sur un rythme qui varient selon les personnages, cette "comédie humaine" dresse de manière drôle, critique et profondément attachante, un portrait captivant de nos contemporains.

Based in the little town of Bridgeford, High-Lites salon boasts the most misanthropic hairdresser in Britain: sharp-tongued, mean-minded Bev. With the help of her soft-hearted (though slightly dim) assistant, Shirley, she tends to the tresses of a motley crew of local characters. As she cuts their hair, she finds out everything that's going on in their lives - and wastes no time in spreading some gossip of her own.

In 16-year-old Abida's small Pakistani village, there are age-old rules to live by and her family's honour to protect. And, yet, her spirit is defiant, and she yearns to make a home with the man she loves. When the unthinkable happens, Abida faces the same fate as other young girls who have chosen unacceptable alliances - certain public death.

In Hysteria, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, but who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week - hooking up with her parents' colleague and her roommate's brother - she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past.

'A gift I didn't know I needed' Leone Ross 'Wonderful' Marcia Hutchinson 'Jamaica Road exudes love . . . with a wisdom and warmth that jumps off the page' Vanessa Chan South London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book...

"This is a surreal and hilarious insight into millennial dating with a big twist, and the narrator will have you hooked from the very beginning." -Buzzfeed "Crosley reads with an incisive understanding of Lola's psyche. She hits all of the notes of sarcasm and reluctant self-reflection, and...

In the ruthless world of Boston's Irish mafia, I shield the Callahan legacy, no matter the cost. Now my brother has tasked me with ruining Ruby Marquez, the prosecutor running for District Attorney. She’s clean, untouchable, and a threat we can’t afford. But Ruby isn’t just any enemy. She’s the one I can’t forget—I shouldn't have touched her years ago. If Tristan uncovers my past with her, I'm as good as dead. I know she's hiding something, though. Something that could destroy everything. And God help me, I might torch everything for her—and torch us both in the process.

Giappone, inizi degli anni '70. In un paese già scosso dagli effetti dei violenti moti studenteschi del '68, Ryū, Lily e il loro gruppo di amici gravitano nei dintorni della base militare americana di Yokota, a poche decine di chilometri da Tokyo, di cui frequentano alcuni dei soldati lì di stanza. Vivono una quotidianità scombinata, fatta di un uso costante e ossessionato di qualsiasi sostanza stupefacente si ritrovino a portata di mano, di sesso estremo, di piccoli furti e di qualunque altro comportamento vada a costituire un'anomalia e una sfida alle regole.

Twenty-three-year-old Yosoye arrives in Lagos ready to start her life. Working for a slick architectural firm, she finds a city of adventure and opportunity. Her new world is one of fancy gallery openings, glamorous friends, and all the shiny potential of the future, encapsulated in projects like Omi City, the ultra-luxury development her company is building, a symbol of the dawn of a brighter Lagos. But Yosoye’s idyllic vision of Lagos soon begins to seem naive, and its darker, stranger layers trouble her.

'Acutely smart' - Elizabeth Day 'Completely addictive' – Taylor Jenkins Reid 'Funny, sexy, unafraid, completely unputdownable' – India Knight Jess first meets Josh at their Ivy League college. He is an entitled white guy in chinos, ready to inherit the world. She is almost always the only...

Netflix’s Inventing Anna and Hulu’s The Dropout meets Catch Me If You Can in this captivating novel about an ambitious young woman who gets trapped in a charismatic con artist’s scam. A Most Anticipated Book by Entertainment Weekly, Marie Claire, Parade, New York Post, Shondaland, E!...

In una piccola strada di Parigi, percorrendo rue Bonaparte fino a scorgere la Senna e girando due volte l'angolo, si trova un luogo incantato: il Cinéma Paradis. È questo il regno di Alain Bonnard, l'appassionato e nostalgico proprietario del locale. Ed è qui che ogni mercoledì, al secondo spettacolo, va in scena "Les amours au Paradis", una rassegna dei migliori film d'amore del passato. In quelle sere il Cinéma Paradis è avvolto da una magia particolare.

Questa famosa raccolta di racconti vuole offrire uno spaccato dell’esperienza dublinese di Joyce. I quindici racconti restano sospesi nella nebbia della città, cogliendo delle istantanee nella vita dei suoi personaggi, offerte così, senza un inizio o una fine nel senso stretto della parola. Dal racconto più lungo, I morti, è stato tratto un film.