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The Serial Crimes Unit are called in to investigate when a local pastor is found stabbed to death. As DI Henley assesses the crime scene, she discovers a hidden door that conceals a room set up for torture—and bound to the bed in the middle of the room is the body of a man. When another body is found, also tied down, Henley realises there's someone out there torturing innocent people and leaving them for dead. But why?

A New York Times bestselling author delivers a tantalizing, courageous story about mothers and daughters, guilt and innocence, and the lengths we go for love. As a teenager, for a moment, Ella Fitchburg found love—yearning, breathless love—that consumed both her and her boyfriend, Jude, as...

Emily has worked hard to be the chic city girl she always dreamed of being. She's definitely not still thinking about Andy, her last boyfriend who ghosted her completely out of the blue. She's got her eyes on the new guy at work. He's much better suited to her new image. When a séance goes haywire, Andy barges back into her life, switching off lights, moving through furniture and moaning about his untimely death. He didn't ghost her, he died...and he's a bit miffed she's trying to move on. And if Emily is going to stop Andy's ghost ruining her love life, she's got to get rid of him.

NEW YORK TIMES EDITORS’ CHOICE An exhilarating debut novel following members of a Dominican family in New York City who take radically different paths when faced with encroaching gentrification “Strikes all the right notes—captivating characters, lyrical language, and a storyline that...

Nell'incanto evanescente delle notti pietroburghesi tra maggio e giugno, un giovane vagabondeggia in solitudine...

Shani Akilah's stunning collection brings to life the stories of Black-British Londoners as they explore friendship and romance, community and independence, and navigate their way through the relationships that make them who they are.

Amalia Berger è un affermato avvocato newyorkese, nota nel foro come "la regina di ghiaccio". I ricchissimi genitori però le riservano da sempre poche attenzioni. Ryan, di origini irlandesi, è il maggiore di quattro figli maschi e la sua caotica famiglia gestisce un tipico pub nel cuore della Grande Mela. I due si sono conosciuti alla scuola di legge di Yale, dove è nata la loro reciproca antipatia. Amalia è poi rimasta a New York, mentre Ryan ha fatto carriera a Chicago.

The narrator of The Pages is not a human but a book: a first edition of Joseph Roth’s masterpiece Rebellion, rescued from a Nazi book-burning in 1933. In recounting its history, it tells a multitude of stories: of Andreas, the character who lives in its pages; of its current owner, a woman whose discovery of a hand-drawn map in the book begins a thrilling mystery; and of Roth himself, a writer on the run. Together, they form a compelling story about art, nationalism, the weight of history, and the strange connections between us. 

My reputation with women stinks. I'll admit I haven't always treated them with the respect they deserve. That's not to say I'm a bad guy or anything. What my sisters and cousin would call toxic, I prefer to think of as selfish. But I'm ready to change everything if it means I'll have a chance with the lovely, sweet, wounded Sofia Diaz—and her adorable son Mateo. They've been through a lot with her ex—and she's still dealing with him far more often than I'd like—but I'm prepared to be there for both of them, to do whatever it takes to make them happy.

Banneker Homes is a low-income high rise in Harlem where gentrification weighs on everyone's mind. There is Swan in apartment 6B, whose excitement about his friend's release from prison jeopardises the life he's been trying to lead. Mimi, in apartment 14D, who hustles to raise the child she had with Swan, waitressing at Roscoe's and doing hair on the side. And Quanneisha B. Miles, a former gymnast with a good education who wishes she could leave Banneker for good, but can't seem to escape the building's gravitational pull. 

In this witty and romantic debut novel, Jane Austen’s Emma meets the misadventures of Manhattan’s modern dating scene as two lifelong friends discover that, in the search for love, you sometimes don’t have to look any further than your own backyard—perfect for fans of Bridget Jones’s...

In the wake of the 1967 Six Day War, Tamar Abadi's world collapses when her sister-in-law is killed in what appears to be a terror attack but what is really the result of a secret relationship with a Palestinian poet. Tamar's husband, Salim, is an Arab and a Jew. Torn between the two identities, and mourning his sister's death, he uproots the family and moves them to the US.

Perfect for fans of Jojo Moyes, David Nicholls and Nick Hornby, ON WE GO is a funny, moving and powerful story about love, loss and what it truly means to be a family. 'Moving and uplifting' THE SUN 'Told with warmth and charm' WOMAN & HOME 'Has all the feels' HEAT 'Mike is the master of...

Worn down by a job he hates and a stressful family life, middle-aged, middle-class Bradley picks up a teenage escort and commits an unspeakable crime. Now she's tied up in his warehouse and he doesn't know what to do. Max is homeless, sleeping rough and barely existing - known for cadging a cigarette from anyone passing and occasionally even the footpath. Nobody really sees Max - but he has one friend, and she's gone missing. In order to find her, Max is going to have to call on some people from his past and reopen wounds that have remained unhealed for a very long time.

Strange things are afoot in the city of Lviv, western Ukraine. Seagulls are circling and the air smells salty, though Lviv is a long way from the sea. A ragtag group gathers round a mysterious grave in Lychakiv Cemetery - among them an ex-KGB officer and an ageing hippy he used to spy on. Before long, Captain Ryabtsev and Alik Olisevych are teaming up to discover the source of the "anomalies". Meanwhile, Taras ­- who makes a living driving kidney-stone patients over cobblestones in his Opel Vectra - is courting Darka, who works nights at a bureau de change despite being allergic to money.

1936, September 17th, 1am… In the middle of Harlem, in the dead of night, a woman falls from a second storey window. In her hand, she holds a passport and the name written on it is Lena Aldridge… Nine days earlier… Lena arrived in Harlem less than two weeks ago, full of hope for her burgeoning romance with Will Goodman, the handsome musician she met on board the Queen Mary. Will has arranged for Lena to stay with friends of his, and this will give her the chance to find out if their relationship is going anywhere. But there is another reason she's in Harlem.

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.

Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s ‘kill list’ of victims was found in his home, and he was convicted of all five crimes. Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked that DI Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong twenty-five years ago.

Set in post- World War I America, Fitzgerald’s dazzling debut novel follows the life of Amory Blaine, a charming but self-absorbed Princeton student. As Amory drifts in and out of love affairs, experiences intellectual awakenings and navigates heartbreak, he becomes increasingly desperate to uncover a sense of identity and meaning. Fitzgerald captivatingly reproduces the restless spirit of the Jazz Age with lyrical prose and a profound existential yearning.

It's 1967 in Montreal, the Expo is in full swing, and Audrey Parker has just moved with her dad to Notre-Dame-de-Grâce, a whole new neighbourhood full of different kinds of people to spy on. Audrey is a lot of things: articulate, disarming, forthright. And, as her father reminds her often, indecently nosy. Audrey scribbles every observation down in her notebooks—from which foods her new teacher eats for lunch, to how blue the water is in Greece, to what time the one-legged man across the street gets home. She is certain she will soon root out a murderer or uncover a mystery.