Ergebnis für "The Museum" in Historische Krimis

1895. Former Scotland Yard detective Daniel Wilson, made famous from his days working the Jack the Ripper case, and his archaeologist sidekick Abigail Fenton are summoned to investigate the murder of a young woman at the Manchester Museum. Though staff remember the woman as a recent and regular visitor, no one appears to know who she is, and she has no possessions which identify her. Seeking help from a local journalist, Daniel hopes to unravel this mystery, but the journey to the truth is fraught with obstacles.

17th May 1899. Queen Victoria lays the foundation stone on the site of a new museum being built in South Kensington, which she names as The Victoria and Albert Museum. Shortly after, Daniel Wilson and Abigail Fenton are called to the site because the dead body of a man, Andrew Page, has been found in one of the trenches. The more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications for the royals and the government.

In 1885, Abigail Wilson participated in an archaeological excavation at Rome's Colosseum. Fifteen years later, now a distinguished archaeologist and one half of the Museum Detectives with her husband, Daniel, she returns to Rome as a speaker at the Conference on Ancient Roman Civilization. Their visit takes a perilous turn when a fellow archaeologist and his wife are discovered murdered within the Colosseum, propelling the Wilsons into a complex investigation amidst the Eternal City's historic backdrop.

Kitty Worthington couldn’t be happier. Her marriage to CDI Robert Crawford Sinclair is glorious, her detective agency is thriving, and her brother Richard is on the mend after a close brush with death. Now permanently home from his archeological excavations, Richard has taken a position at the British Museum. His lectures on Egyptian antiquities and the mummification process draw patrons like moths to a flame.

London, 1895. Daniel Wilson and Abigail Fenton have been hired by the Natural History Museum to find out who deliberately smashed the fossilised skeleton of a small dinosaur. At first Daniel is reluctant to take the case, pointing out that they deal in murders, not vandalism. But then one of the attendants in the dinosaur room is murdered, his body found tied to a dinosaur skeleton and a note pinned to him saying 'The price of betrayal'. As Daniel and Abigail investigate, they must negotiate a web of legal and professional tensions.

London, 1899. Daniel Wilson and Abigail Fenton, the museum detectives, are called upon to investigate a bizarre murder at the White Tower, the heart of the Tower of London. The dead body of a Yeoman is found inside a suit of armour belonging to Henry VIII, having been run through with a sword. When details of this suspicious outrage are reported to the Prince of Wales, he fears this may be an expression of Republican unrest and calls upon Wilson and Fenton to investigate further.

London im Jahre 1829 - ein dreckiger Moloch voller finsterer Geheimnisse und unerklärlicher Phänomene. Die neugegründete Polizeitruppe des Scotland Yard soll Licht ins Dunkel bringen. Constable Graham Cluskey ist Feuer und Flamme - doch die mysteriösen Fälle führen ihn an die Grenzen des Vorstellbaren... Folge 6 - Der Fluch des Museums. Spuk im Museum: In einer Depesche berichtet der Direktor des Yorkshire-Museums von ungewöhnlichen Vorkommnissen, körperlosen Gestalten und grauenhaften Geräuschen aus dem Gemäuer. Er ist überzeugt: Ein Fluch liegt auf den Exponaten!

1894. A well-respected academic is found dead in a gentlemen’s convenience cubicle at the British Museum, the stall locked from the inside. Professor Lance Pickering had been due to give a talk promoting the museum’s new 'Age of King Arthur' exhibition when he was stabbed repeatedly in the chest. Having forged a strong reputation working alongside the inimitable Inspector Abberline on the Jack the Ripper case, Daniel Wilson is called in to solve the mystery, and he brings his expertise and archaeologist Abigail Fenton with him.

London, 1873. Madeleine Brewster's marriage to Dr. Lucius Everley was meant to be the solution to her family's sullied reputation. After all, Lucius is a well-respected collector of natural curiosities. His 'Small Museum' of bones and specimens in jars is his pride and joy, although firmly kept under lock and key. His sister Grace's philanthropic work with fallen women is also highly laudable. However, Maddie soon finds herself unwelcome in what is meant to be her new home.

Retired police chief Edmund DeCleryk finds Emily Bradford's body on the beach below where the local museum and historical society stands. At the same time, a break-in has been reported at the museum, and Emily's coat and purse are found hanging on a peg in the gift shop, where she worked. When the police chief is called out of town for a family emergency, he hires Ed to assist with the murder investigation. After several leads don't pan out, the chief decides to close the case. Confident that with more time the murder can be solved, Ed is determined to continue investigating.

En el año del bicentenario del Museo del Prado, las celebraciones se ven drásticamente alteradas por una serie de violentos asesinatos que reproducen algunas de las pinturas más famosas que allí se exponen. Una copista aficionada y un estrafalario experto en simbología serán los únicos capaces de resolver los crímenes. El museo de los espejos es un inquietante thriller que gira alrededor de una de las pinacotecas más importantes del mundo y de los misterios que encierran sus obras de arte.

For years her explorer father promised Dr. Lauren Westlake she'd accompany him on one of his Egyptian expeditions. But as the empty promises mounted, Lauren determined to earn her own way. Now the assistant curator of Egyptology for the Metropolitan Museum of Art, Lauren receives two unexpected invitations. The first is her repentant father's offer to finally bring her to Egypt as his colleague on a new expedition. The second is a chance to enter the world of New York's wealthiest patrons who have been victims of art fraud.