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"The Literary Regimen" by H. G. Wells is a short essay. H. G. Wells once different, humorous social satire and ironic. At the risk of offending the young beginner's illusions, he must be reminded of one or two homely but important facts bearing upon literary production. Homely as they are, they explain much that is at first puzzling.

What exactly is the Western literary canon? Why does it contain certain works and not others? And what do particular works in the Western canon tell us about the development of literature and civilization? Explore these and other thought-provoking lectures with a thorough investigation of more than 30 key works of the Western canon and the critical roles they played-and continue to play-in the development of Western literature.

The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, TWR can make a dramatic difference.

Professor Perl invites you in these eight lectures to abandon your preconceptions and consider some of the most controversial authors of the 20th century: the Modernists.Who were they? How did "classical" Modernists like Ezra Pound, T.S. Eliot, and James Joyce differ from "neo-Modernists" like Gertrude Stein and William Carlos Williams? What made them believe and write as they did? Why were political extremism, war, and self-destructive behavior such defining forces in their writing (and their personal demons)? What do they have to say to us today in the 21st century?These lectures place literary Modernism within the wide-ranging context of the philosophy, literature, politics, and morality of its time. In doing so, they allow you to look more clearly at the writers and works who have contributed to the definition of human culture. You'll see Eliot, Joyce, Pound, Yeats, James, Lawrence, and others spring to life with their radical beliefs about art and their unforgettable novels and stories. These lectures do not shrink from the challenges imposed by exploring Modernism, or from challenging the answers that scholars have routinely accepted. Nor do they shy away from the difficulties of literary Modernism itself; a literary genre that intimidates many. But despite all this, these lectures are brilliantly organized, crystal clear, and an invaluable tool for finally wrapping your brain around a dramatic roster of authors and an enduring canon of literature.