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When a down-on-his-luck journalist inherits a mysterious Chelsea house and a modest fortune from his Aunt Dorcas, he thinks he’s escaped the drudgery of Fleet Street forever. But hidden in the attic lies a forgotten painting — one that will change his life, and his afterlife, forever. Behind the ornate curves of an ebony frame, he uncovers a portrait of a woman with mesmerizing eyes and haunting beauty — eyes that seem to follow him, to plead, to command. When he calls out to her, she answers.

The Ebony Frame was first published in Longman's Magazine (1891) and later in Grim Tales (1893), a collection of E. Nesbit’s romantic horror stories. A young man, who has come into possession of his deceased aunt’s house, discovers a strange portrait of a beautiful woman.

A young man’s inheritance includes more than a house when an ebony-framed painting of a beautiful woman starts to exert a strange hold over its new owner. Could this lead to his tragic demise?

Emiko Soong belongs to one of the eight premier magical families of the world. But Emiko never needed any magic. Because she is the Blade of the Soong Clan. Or was. Until she’s drenched in blood in the middle of a market in China, surrounded by bodies and the scent of blood and human waste as a lethal perfume. The Butcher of Beijing now lives a quiet life in San Francisco, importing antiques. But when a shinigami, a god of death itself, calls in a family blood debt, Emiko must recover the Ebony Gate that holds back the hungry ghosts of the Yomi underworld.

"Her arms rested on a table beside her, and her head on her hands; but her face was turned full forward, and her eyes met those of the spectator bewilderingly." One day, a man who has recently enherited his aunt's house, discovers a portait of a woman in the attic. He brings it downstairs and becomes so infatuated by the woman it portrays that he prays she will come to life. By some mysterious power she does, and he learns that the two of them have a daunting history.

Facing boredom after his long-postponed knee surgery, Jack volunteers at Fitz Morton Manor to serve as steward, chatting with visitors about the long history of the house. And when the retired volunteer Cyril Roebuck is found dead in the Great Hall, one morning, it seems at first that the dear old man must have suffered a heart attack. But the room was locked from the inside - and it quickly becomes clear that Cyril could not have bolted it. Soon Jack and Sarah are confronting the odd mystery of the locked room... and what must be - in fact - a case of foul play.