Ergebnis für "The Bell" in Soziologie

In Teaching Critical Thinking, renowned cultural critic and progressive educator Bell Hooks addresses some of the most compelling issues facing teachers in and out of the classroom today. In a series of short, accessible, and enlightening essays, Hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgress and Teaching Community.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

Ten years ago, Bell Hooks astonished readers/listeners with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites listeners to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. Bell Hooks writes candidly about her own experiences.

In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of Whites do not see their own wellbeing threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress.

Paris in the Belle Époque is remembered as a golden age of cultural flourishing and political progress. The period between the revolutionary 1870s and the outbreak of war in 1914 saw the modern French capital take shape: by day Parisians could admire the rising Eiffel Tower and Sacré-Coeur Basilica, while at night they roamed the Bohemian world of the Moulin Rouge. But as Mike Rapport reveals in this authoritative and beautifully written new history, City of Light, City of Shadows, beneath the elegant veneer Paris was at war with itself.

The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking East, right into the heart of a metropolis in the making, on a terrain inscribed indelibly with trauma.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

Great Britain? is a much-needed antidote to the pervading sense that Britain is going backwards rather than forwards. It is both a clear-eyed and rigorous diagnosis of the problems facing our country – a unique toxicity of huge inequality and stagnant economic growth – and a hopeful case for reclaiming a different future: by building an investment nation of good work, resilient communities and secure homes, a society in which both burdens and prosperity are shared.

bell hooks, aclamada crítica cultural, continúa su exploración del significado del amor y nos ofrece una visión crítica e innovadora que sana la herida provocada por una sociedad carente de afecto. El amor nos afecta a todos, pero cada uno lo representa y lo experimenta de manera diferente debido a sus circunstancias personales. En este libro, bell hooks analiza cómo la experiencia del amor en las personas negras ha sido influenciada por factores sociales más amplios, como el racismo y la deshumanización que han sufrido por parte de otras razas.

You may know W. Kamau Bell from his new Emmy-nominated hit show on CNN, United Shades of America. Or maybe you've read about him in The New York Times, which called him "the most promising new talent in political comedy in many years." Or maybe from The New Yorker fawning over his brand of humor writing: "Bell's gimmick is intersectional progressivism: he treats racial, gay, and women's issues as inseparable."

"Respondona" trata sobre el significado de la conciencia feminista en la vida diaria, la recuperación personal, la superación de la supremacía blanca y masculina, las relaciones íntimas y, todo ello, explorando el punto donde lo público y lo privado se encuentran. Cuando era niña, bell hooks aprendió que dirigirse de igual a igual a una figura de autoridad y atreverse a estar en desacuerdo o a dar una opinión significaba ser "respondona". En esta colección de ensayos tan personales como teóricos, hooks reflexiona sobre sus temas clásicos.

Doing Time: For the prison writers whose work is included in this anthology, it means more than "serving a sentence"; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. The contest honors the best short stories, plays, essays, and poems among hundreds submitted annually by men and women nationwide.

Íntima, reveladora y provocadora, Comunión es una obra que desafía a todas las mujeres a que asumamos el valor de reclamar la búsqueda del amor como el viaje heroico que todas debemos escoger para liberarnos de verdad.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

Mary Ellen Pleasant and William Henry Ellis. What do these two have in common? They were both former slaves who became millionaires. Back then, Black entrepreneurs had to worry about slave catchers and lynch mobs. Today, “microaggressions” are enough to discourage young Blacks...according to liberals. Our ancestors would be ashamed of us. They would expect more of us. Black Snowflakes provides a brand-new perspective for those Americans who still believe it is impossible for Blacks to be successful unless they get that “White man’s stamp of approval”.

Shepherd Mead's hilarious and timely Male Manifesto takes a fresh look at the issues and perils of the coming sexual war and exhorts his comrades-in-arms to rally 'round this book, boys, in one of the most delightfully chauvinistic satires to come along in years.