Ergebnis für "Reality TV" in Medienwissenschaften

When fame rewrites your life in real time, what’s real, what’s a lie, and what’s just good television? Vanderpump Rules proved that reality TV doesn’t just observe chaos; it creates it. As influencer culture evolved alongside the show, Stassi, Scheana, Jax, Katie, Kristen, the Toms, and...

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump. 

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

Bloomsbury presents Capone's Vault by William Elliott Hazelgrove, read by John Moraitis. Coinciding with the 40th anniversary of the broadcast, an inside look at the historic televised reveal of Al Capone’s vaults that would define Geraldo Rivera’s career and change television forever. In...