Ergebnis für "Ran" in Fantasy

Henrietta Doryn has never enjoyed fighting. She'd rather be in the kitchen baking cookies. But it's her duty as Warrior Princess to face off against the forces of evil. As such, she's unceremoniously shooed from her kingdom to go eliminate the all-powerful Dark Lord next door. Keith Monfort has never enjoyed ruling with an iron fist. He'd prefer to be in his workroom tinkering with practical magic. But it's his duty to lead the Dark Enchanted Forest and the forces of evil. So when Henrietta shows up at his door, he's only too happy to invite her in for tea to talk it out instead.

Cmdr. Gen. Rufus Triever is known throughout Valaria for his dogged bravery and unwavering loyalty to his master, Dark Lord Keith Monfort. What the golden retriever shapeshifter is less known for is his love of music, particularly that of renowned bard Bronwynn Lyriel. And when he's tasked with shadowing her to discover whether or not she's secretly an international spy and murderer, his interest goes beyond professional intrigue.

Gerda Jones is no average bridge troll. Sure, she can create riddles like the best of them, but she has skills up her sleeve that no one would expect . . . and a backstory that no one would believe. She uses her fortune-telling talents to change the fate of everyone around her, but avoids getting too close to anyone herself. All of that changes when Gerda catches the eye of Duke Julian von Slyke at his sister's wedding. The tall, dark, and handsome half-elf is making her let down her guard—and inviting a royal heap of trouble into her life.

When four isolated elderly people die back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. But her colleagues at the police force dismiss the case as a series of unfortunate suicides due to the patients’ loneliness. But Su-Yeon doesn’t have the privilege of looking away: her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.

Beginning the Star Force Phase 2 timeline, the Mak'to'ran serial details the defeated V'kit'no'sat fleet commander's days following the attack on Earth and the fallout within the Dinosaur empire that results from it. For as bad as the treason regarding the Humans and the bastardized Hadarak is, and the implications that one of the two founding V'kit'no'sat races are behind it, a much larger rift within the empire is being exposed that has the potential to do what neither the Zak'de'ron culling nor the Rit'ko'sor rebellion accomplished. A full Dinosaur civil war.

When four isolated elderly people die back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. But her colleagues at the police force dismiss the case as a series of unfortunate suicides due to the patients’ loneliness. But Su-Yeon doesn’t have the privilege of looking away: her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.

Quando Suyeon, una giovane investigatrice alle prese con una serie di apparenti suicidi all'interno di un ospedale, incontra Wanda, una donna avvolta in un cappotto nero che si aggira sul luogo delle morti misteriose, non immagina certo di trovare in lei un valido aiuto per condurre le indagini. Wanda, infatti, non ha dubbi: le vittime non si sono gettate dal sesto piano, ma sono state uccise. Ed è convinta che il vero responsabile sia un vampiro. Wanda conosce fin troppo bene il mondo dei vampiri: sa che agiscono nel cuore della notte e che si nutrono del sangue di persone sole.

Değişen Kafalar’da Thomas Mann, kadim bir Hint hikâyesinden yola çıkarak kimliğin en kırılgan yerini hedef alır: “Ben” dediğimiz şey, akılda mı yaşar, bedende mi? Bir kaza sonucu başlar yer değiştirir; sevgi, sadakat ve tutku ise bu beklenmedik değişimin içinde yönünü kaybeder. Aynı yüz, başka bir zihinle; aynı zihin, başka bir bedenle yaşamak zorunda kalınca, aşk bile kendi gerçeğini sorgulamaya başlar. Mann’ın ironisi, anlatının her kıvrımında hissedilir: Kahramanlar “doğru” olanı ararken, okur da bir sorunun etrafında dönüp durur. Seçim kime aittir?