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Es ist heiß. Glühend heiß. In der flirrenden Tankstellenluft wartet Alex Böhm auf einen gelben Kombi...

Nell'estate del 1940, un ragazzo di undici anni ascoltò il padre che leggeva e spiegava ai fratelli maggiori "l'Inferno" di Dante; le due estati seguenti toccò a "Purgatorio" e "Paradiso". Proprio quel ragazzo, che all'epoca capiva meglio il concerto delle cicale che non le terzine del poeta, mezzo secolo più tardi avrebbe spiegato e letto Dante ai microfoni della radio e in più di cinquecento letture pubbliche.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

La vie d'une jeune fille italienne après la Seconde Guerre mondiale. Graziella Ponti naît dans les années 1930 en Italie, au sein d'une famille aimante, dans un petit village de Lombardie, Pieve Santa Clara. Ses parents ne sont pas riches, mais la petite fille connaît une vie douce, jusqu'à ce qu'un accident de chantier rende son père invalide, et que la guerre frappe à la porte. Réformé, son père ne part pas au front, contrairement aux autres hommes du village, mais l'arrivée de soldats nazis entraîne les adultes à prendre en 1944 une décision difficile.

Italy, 1937. In a tiny village in rural Lombardy, Graziella Ponti is born into a loving family. Though they are not rich and life is full of challenges, Graziella and her family are content and safe, surrounded by the tightly knit community of Pieve Santa Clara. But when the shadow of World War Two falls across the village with the arrival of Nazi soldiers, nothing in young Graziella’s life will ever be the same again.

Le “brave ragazze” sono disponibili, modeste, gentili, generose, non si arrabbiano, sanno ascoltare e mettere sempre gli altri a loro agio. Quante di noi riconoscono in queste parole ciò che ci insegnano sin da piccole? Quello che non ci insegnano è che una “brava ragazza” è spesso una ragazza che ha paura. Ansia di non piacere, di non essere abbastanza, o di non essere come gli altri la vogliono. Timore di dire di no, per non scontentare il partner, i figli, gli amici, i colleghi, persino gli sconosciuti.

#1 NEW YORK TIMES BEST SELLER From the award-winning, best-selling author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE...

Harte Landung: Die Freunde aus dem Camp Kreidezeit sind nun zwar im Besitz von Bumpys Ei. Brooklynns Handlungen wirken aber noch immer nach. Die Crew trifft auf einen Agenten namens Barry Sembène, den Darius von früher zu kennen glaubt. In seinem Flugzeug machen sich die Jugendlichen auf den Weg nach München. Ein Zwischenfall mit einem Dinosaurier zieht eine Bruchlandung nach sich. Die Gruppe fasst eine neuen Plan.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

A brand-new dramatised retelling of Milton’s epic poem about the fall of man, with Milton as the narrator, adapted by one of the leading poets and thinkers of our generation: Michael Symmons Roberts. Paradise Lost was first published in 1667 and tells the story of Satan’s plot to bring about the fall of man by tempting Adam and Eve in the Garden of Eden. This brand-new adaptation begins in the midst of the action and follows the exploits of a hero (or antihero) taking in warfare and the supernatural and expressing the ideals and traditions of a people. Milton himself is the blind narrator, grieving the loss of his wife, whose eyesight worsens as the drama develops.

Someone is cleaning up the badlands, removing the major pirate clans from the most developed worlds. Captain Scott and the Free Fleet must determine who is behind the liberations, and if they are an ally, or just another threat to humanity.

Deutschland in der Zukunft. Die Küsten sind überschwemmt, weite Teile des Landes sind entvölkert, und die Natur erobert sich verlassene Ortschaften zurück. Berlin ist nur noch eine Kulisse für Touristen. Regierungssitz ist Frankfurt, das mit dem gesamten Rhein-Main-Gebiet zu einer einzigen Megacity verschmolzen ist. Dort, wo es eine Infrastruktur gibt, funktioniert sie einwandfrei. Nahezu das gesamte Leben wird von Algorithmen gesteuert. Allen geht es gut - solange sie keine Fragen stellen.

A BBC Radio 4 dramatisation of Milton's epic poem telling the story of the fall of man and also its sequel, Paradise Regained. First published in 1667, Paradise Lost describes Satan's plot to ruin God's new and most favoured creation, mankind, and recounts the temptation of Adam and Eve and their banishment from the Garden of Eden. Paradise Regained, published in 1671, tells of the temptation of Christ by Satan as he wanders in the wilderness for 40 days and nights.

Paradiso gives our imagination a hint of the beauty to come, by uncovering the deepest reality of the life we are living now. God is the same, eternity past to eternity future; He is the same God today. The great crescendo that is His beauty, dance, song, joy, holiness, and glory we hear but dimly, as from a distance land; but it undergirds and gives meaning to everything we know and experience.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.

"Rumors had been whispered for more than a year. Outrages that had been accumulating all along took shape as evidence. A mother was knocked down the stairs by her cold-eyed daughter. Four damaged infants were born in one family. Daughters refused to get out of bed. Brides disappeared on their...

Benjamin Malaussène ha uno strano lavoro, è il capro espiatorio dell'Ufficio Reclami del Grande Magazzino di Parigi. Una cliente è appena uscita dalla sua stanza quando si sente un forte boato. Una bomba, poi due, nel dipartimento giocattoli! Il sospettato numero uno dell'ondata di oscuri attentati è proprio Benjamin. E allora per scoprire chi sia il vero responsabile delle esplosioni si mobiliteranno la sua tumultuosa famiglia e una esilarante banda di personaggi: Thérèse la sorella sensitiva, Jérémy il geniale e pestifero fratello, il Piccolo visionario.

In this final chapter to The Mistress of Auschwitz, Eleonore struggles with the consequences of her actions at Mrs. Meyers' manor. While in a foreign land, Eleonore begins to hope for what she thought had been lost forever. She begins to find healing through a wonderfully chaotic but passionate family, learning to use her gifts again, and an unsought romance with a man that she once despised. But all is not as it seems.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.