Ergebnis für "Mozart und ich" in Kunst & Unterhaltung

Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: A man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.

Was ist noch Musik und was bloß ein Geräusch? Musikwissenschaftlerin Prof. Dr. Melanie Unseld erklärt anschaulich, was eine Oper von Kammermusik unterscheidet und zeigt, wie sich unsere Musikkultur entwickelt hat. Spannende Interviews im Anschluss an jede Lektion mit renommierten Musik-Akteuren geben zudem exklusive Einblicke hinter die Kulissen. Warum klingen dieselben Stücke immer wieder anders? Lernen Sie wie Interpreten arbeiten und wie die Töne in der neuen Musik anders gedacht werden.

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him, "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.

Verführung zu Mozart: Das bewährte Konzept des "Klassik(ver)führers" erstmals angewendet auf das Gesamtwerk eines einzigen Komponisten...

In a book that inspired the Amazon original series starring Gael Garcia Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional career as a classical musician, from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, trading sexual favors for plum jobs and assignments in orchestras across the city.

Nowhere is Mozart's maturity and mastery more apparent than in the chamber music he wrote during the last 10 years of his life. These 16 lectures take you deep inside the structure of Mozart's chamber masterworks to reveal his hand at work. This is an amazing opportunity to hear, study, and enjoy a selection of immortal musical compositions that Professor Greenberg calls "a blessing of inconceivable richness". You will learn the basic "language" that all 18th-century composers used to write Classical music. You'll also explore the subtleties of Mozart's technique as a composer: his ability to make art "artless".

Ambition and jealousy - all set to music. Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards?

Wolfgang Amadeus Mozart vermochte wie keine Zweiter seiner Zeit, die Stärken und Schwächen seiner Opernfiguren suggestiv und plakativ zu modellieren. Durch seine Musik entdeckt er uns zugleich ihre Empfindungen und geheimen Absichten. Durch die Verbindung von tönenden Beispielen und erklärendem Text ermöglicht es dieser klingende Opernführer, die spannende Beziehung zwischen subtiler Innenseite und turbulenter Bühnenhandlung zu erfassen und beim Opernbesuch zu genießen.

Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive 20-year period.

Der Musikwissenschaftler Dr. Stefan Schaub erläutert anschaulich und mit zahlreichen Klangbeispielen, was sich hinter dem Fachbegriff Sonatenform verbirgt...

Many opera-lovers would name The Marriage of Figaro as their favorite opera. It appeals to the most intellectual listener, but also to music-lovers seeking great melodies and ensembles (while it remains accessible through its fascinating plot and memorable characters) and to those seeking only entertainment. One of three operas by Mozart to libretti by Lorenzo da Ponte, it represents one of the pinnacles not just of operatic but of human achievement.