Ergebnis für "Ma" in Rassismus & Diskriminierung

"Dieses Buch hilft mir, meine Mutter besser zu verstehen, und dir, Deutschland besser zu verstehen." Noch bevor Tahsim Durgun die Grundschule abschließt, muss er für seine Mutter die Abschiebebescheide entziffern, begleitet sie als Dolmetscher zu intimen Arztbesuchen und verliest Aldi-Kataloge am Fliesentisch. So wie Tahsim geht es vielen jungen Menschen mit Migrationsgeschichte, die früh Verantwortung für ihre Eltern übernehmen und gleichzeitig einen Platz finden müssen in einem oft feindseligen Land.

Em sua estreia na dramaturgia, Dani Balbi traz ao público um texto marcado pela urgência e pela força. Mãe, preta, reincidente põe em cena a violência contra a população periférica brasileira a partir de um invejável manejo cênico. É dessa maneira que a obra se constrói através de camadas múltiplas: a violência dos fatos é construída a partir da violência presente nas palavras, nas marcações teatrais e nas rubricas.

As society shifts its perspective on allyship—moving from being "not racist" to "anti-racist"—White allies are being called upon to work toward changing the status quo. However, the vast majority of resources on this topic emphasize educating allies about anti-racism without teaching them how to do anti-racism work. This leaves well-meaning allies feeling stuck, frustrated, and afraid of getting it wrong. Beyond Fragility fills this gap by providing a step-by-step approach to effective anti-racism allyship.

"Non sono razzista, ma" illustra un meccanismo psicologico tanto elementare quanto diffuso, che mira a prendere le distanze dalle parole e dagli atti che ci tradiscono e contraddicono ciò che pensiamo di essere, o che magari vogliamo far intendere di essere. Ma ormai è entrata in crisi l'interdizione morale nei confronti di parole e atti xenofobi, che aveva costituito una sorta di presidio linguistico e culturale, ma anche sociale e politico, rispetto al ricorso a pratiche di esclusione e discriminazione. Forse davvero sta cadendo il tabù del razzismo nella società italiana.

If you're Irish American or African American or Eastern European Jewish American, there's a rich literature to give you a sense of your family's arrival-in-America story. Until now, that hasn't been the case for Chinese Americans. From noted historian Mae Ngai, The Lucky Ones uncovers the three-generational saga of the Tape family. It's a sweeping story centered on patriarch Jeu Dips' (Joseph Tapes') self-invention as an immigration broker in post-gold rush San Francisco, and the extraordinary rise it enables.

Sam Louie grew up torn between cultures as part of a first-generation Chinese immigrant family from Hong Kong living in a predominantly African American neighborhood in the United States. He experienced the duality of existence with the tension of two vastly different worldviews, his identity intertwined with the country he lives in and his ancestral ties. What traditions and cultural beliefs get preserved, what gets discarded, and what gets lost in translation? Beneath it all was the presence of three generations of addiction, trauma, and shame.

As China undertakes historic economic reforms, a little girl in the southern city of Guangzhou immerses herself in a world of fantasy and foreign influences while grappling with the mundane vagaries of Communist rule. She happily immigrates to Oakland, California, expecting her new life to be far better. Instead, she discovers crumbling schools, unsafe streets, and racist people. In the land of the free, she comes of age amid the dysfunction of a city's brokenness and learns to hate in the shadows of urban decay. This is the unforgettable story of her journey from China to an American ghetto and how she prevailed.