Ergebnis für "Märchen" in Mittelalter

People have always been afraid of the dead. Since the dawn of humanity, people have both cared for those who are deceased yet also tried to keep them away. There are a myriad of legends and beliefs about the dead coming back, and one of the more persistent ones is of the vampire.

A one-eyed old man, with a gray cloak and a wide-brimmed hat leaning on a staff. A wanderer who appears when least expected, bringing triumph or doom. The god of prophecy, poetry and fate. A shape changer. A sorcerer. The god Odin cuts a dramatic figure in Norse mythology and is still a part of the popular imagination. He is the inspiration for figures like J.R.R. Tolkien's Gandalf the Grey, and he still appears in modern literature as varied as Marvel Comics and Neil Gaiman's novel American Gods.

Um homem caolho, com uma capa cinza e um chapéu de abas largas apoiando-se em uma bengala. Um andarilho que aparece quando menos esperado, trazendo triunfo ou perdição. O deus da profecia, poesia e destino. Um metamorfo. Um feiticeiro. O deus Odin representa uma figura dramática na mitologia nórdica e permanece uma parte da imaginação popular. Ele é a inspiração para personagens como Gandalf o Cinza de J.R.R. Tolkien, e ainda faz parte de literatura moderna tão variada quanto histórias em quadrinhos da Marvel bem como o romance de Neil Gaiman Deuses Americanos.

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as “Lawspeakers” who recited them at the “Thing.” The Thing was the legislative assembly in Scandinavia “held for judicial purposes”. One of the most famous of these lawspeakers was the Icelander Snorri Sturluson.

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. Freyr: The Origins and History of the Norse God of Love and Fertility looks at the stories about the legendary Norse deity. You will learn about Freyr like never before.

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the 13th century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes". One of the most famous of these Lawspeakers was the Icelander Snorri Sturluson, a masterful writer who wrote the Prose Edda in the 13th century. There are other sources for the Norse myths, namely the later "Poetic Edda", a collection of poems and prose work, and other sagas but the Snorri's Prose Edda is the most complete work whose attribution is known to modern scholars.

Um martelo que mortal algum pode levantar. Um deus da tempestade com cabelos de fogo. Um alienígena-herói-deus de histórias em quadrinho que defende a humanidade. A suástica. Até mesmo o dia da semana, “Thursday” - quinta feira em inglês - tem seu nome (“Thor’s Day”, o dia de Thor). Apesar do virtual desaparecimento da religião e mitologia nórdica vários séculos atrás, a sociedade moderna ainda frequentemente depara-se com o deus da tempestade Thor, que continua a ser trazido de volta à vida na forma da literatura, e foi recentemente o protagonista de filmes de grande orçamento de Hollywood.

Um homem caolho, com uma capa cinza e um chapéu de abas largas apoiando-se em uma bengala. Um andarilho que aparece quando menos esperado, trazendo triunfo ou perdição. O deus da profecia, poesia e destino. Um metamorfo. Um feiticeiro. O deus Odin representa uma figura dramática na mitologia nórdica e permanece uma parte da imaginação popular. Ele é a inspiração para personagens como Gandalf o Cinza de J.R.R. Tolkien, e ainda faz parte de literatura moderna tão variada quanto histórias em quadrinhos da Marvel bem como o romance de Neil Gaiman Deuses Americanos.

Un anciano con un solo ojo, con un manto gris y sombrero de ala ancha, apoyándose de un bastón. Un vagabundo que aparece cuando menos se le espera, trayendo triunfo o perdición. El dios de la profecía, la poesía y el destino. Un cambiaformas. Un hechicero. El dios Odín es una figura dramática en la mitología nórdica y es aún parte del imaginario popular. Ha sido la inspiración para figuras como Gandalf el Gris, de J.R.R. Tolkien, y todavía figura en literatura moderna tan variada como los cómics de Marvel o la novela de Neil Gaiman American Gods (2001).

Un martillo que ningún mortal puede levantar. Un flamante dios de la tormenta, con cabello cual llamas. Un héroe-dios-alienígena que defiende a la humanidad. La esvástica. Incluso el nombre Thursday [jueves en inglés] es “Thor’s Day” [el día de Thor]. A pesar de la virtual desaparición de la religión autóctona y mitología nórdica siglos atrás, aún se encuentra con regularidad en la sociedad moderna al dios de la tormenta, Thor, quien continúa siendo traído de vuelta a la vida en forma de literatura y más recientemente, como protagonista de películas taquilleras de Hollywood.

One of the most fascinating elements of Norse cosmology is the fact that its end is foretold in crushing detail. This end of times will come about in a mighty battle called "Ragnarök", an event translated as either "the Fate of the Gods" or (in Richard Wagner's re-imagining) "the Twilight of the Gods." Ragnarök: The Origins and History of the Apocalypse in Norse Mythology looks at the story and the legendary Norse mythology behind it.

For centuries, beautifully illustrated fairy-tale volumes have rested innocently on kids' night tables around the world, long ago relegated to the dubious honor of being branded as "children's literature". But every story is a file packed with information, and Cinderella, Snow White, Puss in Boots, and Bluebeard have always intimated that perhaps they have more to tell besides "beautiful" stories, the same ones that animated the minds of several generations of children.