Ergebnis für "Lost" in Essays

'I loved every page of Emily's punchy, provocative, energised, joyful musings.' - MATT HAIG 'Emily's words are why we all need to get off the internet.' - AJA BARBER, in her Patreon newsletter 'What follows is not a tidy narrative. I am not a tidy person. These pages are made of fragments...

A collection of insightful and uproariously funny non-fiction by the bestselling author of INFINITE JEST - one of the most acclaimed and adventurous writers of our time. A SUPPOSEDLY FUN THING... brings together Wallace's musings on a wide range of topics, from his early days as a nationally...

The Indian subcontinent was the scene of dramatic upheavals a few thousand years ago. The Northwest region entered an arid phase, and erosion coupled with tectonic events played havoc with river courses. One of them disappeared. Celebrated as -Sarasvati' in the Rig Veda and the Mahabharata, this...

Journey through an evocative travel anthology and historical fiction where interconnected lives ride the currents of time. Perfect for a relaxing evening escape or an engaging daily commute, these ten immersive narratives transport you from misty Swiss headwaters to the vast Dutch delta. Let the...

Before the global financial meltdown of 2008, India's economy was thriving and its GDP growth was cruising at an impressive 8.8 per cent. The economic boom impacted a large section of Indians, even if unequally. With sustained high growth over an extended period, India could have achieved what...

I Love Russia takes us to places that non-Russians have never seen and brings us voices we have never heard. It is Elena Kostyuchenko’s courageous attempt to document Russia as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doc­tors at a Ukrainian maternity ward, and reporters like herself. At once uncompromising and deeply humane, it stitches reportage and personal essays into a kaleidoscopic, often other-worldly journey. Here is Russia as it is, not as we imagine it.

Estamos cansados de amar con vergüenza, de engendrar con miedo, de trabajar sin ganas, de luchar sin fuerzas, de morir sin gracia. Y estamos cansados de ser los cómplices de nuestros verdugos, de elegir a los que nos matan, de alimentar a los que nos roban, de admirar a los que nos desprecian. Estamos cansados de que cueste tanto una educación que nada resuelve. Cansados de que nos sigan diciendo que al crimen se lo combate con criminales, que a la pobreza se la combate con jueces y cárceles; cansados de que las soluciones sigan siendo las mismas que nunca solucionaron nada.

Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of...

Faux history of North Carolina's outer banks.

Rahul Pandita was fourteen years old when he was forced to leave his home in Srinagar along with his family. They were Kashmiri Pandits- the Hindu minority within a Muslim-majority Kashmir that was by 1990 becoming increasingly agitated with the cries of ?Azaadi? from India. Our Moon Has Blood...

What shapes our sense of place, our sense of time, and our memory? How is technology changing the way we make sense of the world and of ourselves? Our screens offer us connection, especially now in the wake of the COVID-19 pandemic, but there are certain depths of connection our screens can’t...

With Mountain Madness, Clinton Crockett Peters chronicles his travels and personal transformation from a West Texas evangelical to mountain guide to humbled humanist after a near-fatal injury in Japan's Chichibu Mountains. From 2007 to 2010, Peters lived in Kosuge Village, nestled in central Japan's peaks, where he was the only foreigner in town. This essay collection profiles who he was before Japan, why he became obsessed with mountains, and his fallout from mountain obsession. Ultimately, the collection asks, how can landscape create and end identities?