Ergebnis für "Gothic" in Unterhaltung & Darstellende Künste

The woman behind the icon known as Elvira, Mistress of the Dark, the undisputed Queen of Halloween, reveals her full story filled with intimate bombshells—told by the bombshell herself. On Good Friday in 1953, at only 18 months old, 25 miles from the nearest hospital in Manhattan, Kansas...

Adapted from Mary Shelley's masterpiece, THE DEVIL I MADE is a musical audiodrama charting Victor Frankenstein's cautionary journey: from creating new life... to living with the terrible consequences of it. Written by Logan Reynolds, with music by Timothy Brunskill. CAST: Victor...

The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all.

Bloomsbury Presents The Night of the Hunter, read and written by Simon Callow The Night of the Hunter (1955) was Charles Laughton's only film as director. Part expressionist horror movie, part luminous fairy tale, it contains some of the most haunting images in cinema. Willa (Shelley Winters)...

This is a collection of 20 short stories and long-form poetry by American women writers. (Summary by BellonaTimes)

Ann and John Hayward’s honeymoon at Collinwood slowly turns into a series of nightmares. Soon after their arrival, John, who is recovering from a war injury, falls victim to strange, violent spells. Meanwhile, a series of attacks on her life frighten Ann into believing John is trying to kill her. Though tormented by doubts of John’s sanity, she believes his warning that Barnabas is a vampire. Ann nevertheless accepts help from Barnabas - and unknowingly becomes the prey to the evil forces at Collinwood!

Harriet Turnbridge asks Barnabas Collins for help after her husband, her brother-in-law, and father-in-law are found dead, their throats savagely ripped open. The police insist the killer is a mad beast. Harriet thinks that the phantom recently seen at Collinwood is responsible. Barnabas suspects that Quentin Collins, disguised as a wealthy hippie, is guilty. ​Where will they find the murderer? In the nightmare world of Harriet’s dreams? In the haunted cave beneath the Collins’ family cemetery? Or in another century - when witchcraft and demonology threatened Collinwood?

Carolyn Stoddard is knocked unconscious when the sports car she and Barnabas are riding in skids on a patch of ice. She regains consciousness in Collinwood with Barnabas and Quentin Collins at her side - but the year is 1870! And Collinwood is being terrorized by a savage killer. Carolyn likes Quentin and refuses to believe that even in werewolf form, he could be the murderer.

When the jury of which Roger Collins is chairman finds Harriet Barnes guilty of murder, she swears vengeance on the entire Collins family, then kills herself. Soon, Celia Dalton, a guest at Collinwood, starts suffering strange spells. Each time she does, someone at Collinwood is violently attacked. Has Harriet Barnes taken over her spirit, making the innocent girl a bloodthirsty killer? Can Barnabas and Quentin save Celia - and the Collins family - from this menace out of the crypt?

When Quentin Collins invited Lara Balfour to Collinwood, they knew each other only from the correspondence that had grown out of Quentin’s admiration for the haunting waltz her father had composed. Soon Quentin professes to love Lara - but is his love really a threat? His first wife’s throat was torn out by a wolflike creature who escaped capture. Since then, other young women have died in the same grisly fashion…in the full of the moon, when Quentin’s mysterious “attacks” occur. Lara faces the terrifying possibility that her brooding, sensitive host is a werewolf.

Collinwood is plagued with a series of menacing events when a ballet troupe arrives there to perform for the summer tourists. One girl in particular, the beautiful Diana Samson, whom Barnabas has come to love, is repeatedly attacked by a mysterious, invisible presence. When the star of the ballet is murdered, everyone is suspect - including Diana and Barnabas. And when several graves are found opened, the old legend of the invisible ghost of Collinwood is revived. As the attacks on Diana continue, Barnabas must find a way to stop them before she is murdered.

David Collins and Amy Jennings, two charming, innocent children are suddenly turned into demons. At first their pranks only annoy Maggie Evans, their governess. But soon she realizes they have become malicious, bent on destroying all of Collinwood. Convinced the children are possessed by a mysterious, supernatural power, and frightened for her life, Maggie turns for help to Barnabas Collins.

While searching for the woman who will replace his long-lost Josette, and thus end the terrible curse upon him, Barnabas meets lovely Clare Duncan. The story, set in 1870, of their romance - and of the terror it brings to the beautiful young noblewoman - is a tale of gothic suspense which will chill and delight the legions of Barnabas Collins fans.

The indispensable pocket guide to the world of vampire movies, from Nosferatu to A Girl Walks Home Alone At Night. ALSO AVAILABLE: Close-Ups: Wes Anderson Close-Ups: New York Movies When F. W. Murnau brought Nosferatu to the screen in 1922 he ushered in the bloody reign of cinema’s most...