Ergebnis für "Anna" in Literatur des Absurden

Silverville’s St. Patrick’s Day goes sideways when Nana O’Shea’s Pot of Gold display disappears, along with antique gold nugget boxes that may—or may not—hide a treasure map. Then her main competitor’s famous Irish cream pie is sabotaged, and security footage points straight to Nana.

Cupid has terrible aim. Valentine’s Day should bring romance, flying hearts, and one quiet dinner with Anna Albertini’s sexy, secretive boyfriend, Aiden Devlin. Instead, Anna gets a misplaced Cupid, a gang of thieving arrow shooters, and a murder charge against Nick Basanelli, her stubborn almost-brother-in-law. At least, she hopes the charge is bogus. With Aiden hiding something, the Albertini family launching its own investigation, and danger aiming straight for Valentine’s dinner, Anna has to save Nick, crack the case, and survive the season of love in one piece.

Anna Albertini never expected to have one nemesis, much less three. But between a hostile reporter, a rival lawyer, and Aiden Devlin’s ex-girlfriend, enemies are suddenly everywhere. Then one of them turns up dead.

Jest grudzień 2012 roku. Zbliża się data zapowiedzianego przez kalendarz Majów końca świata. Pięćdziesięcioletni Jan jest redaktorem w niewielkim czasopiśmie. Jego praca polega na prowadzeniu korespondencji z czytelnikami. Ponieważ rubryka cieszy się małym powodzeniem, czasem musi pisać listy do samego siebie. W wolnym czasie prowadzi blog kulinarny, tytułową „Zupę z gwoździa”, i fascynuje się małpami z Borneo – nosaczami. Od dwudziestu lat jest w związku małżeńskim z Marysią. Ich życie jest przepełnione rutyną, marazmem i frustracją.

A missing laptop, a critic, a sojourn in communal living - Eleanor, or, The Rejection of the Progress of Love is a bracingly intelligent examination of grief, autonomy, aging, desire, information overload, and the condition of being a thinking and feeling inhabitant of an often unthinkable, numbing world. Anna Moschovakis’s debut novel bristles with honesty, humor, and the hungers that propel us to revise and again revise our lives.

Uno sceneggiatore di Tangeri che soffre gravemente di insonnia scopre che per poter finalmente dormire deve uccidere qualcuno. Incomincia da sua madre. Sembra assurdo, anzi è assurdo - è sempre stato un uomo onesto, rispettoso, gentile - ma solo uccidendo, come in un gioco surreale, guadagna dei punti-sonno. Per minimizzare il problema, decide di limitarsi a persone già in fin di vita; la sfida è riuscire a essere lì, al loro capezzale, un attimo prima che spirino da sé. Il protagonista dà così il via a imprese rocambolesche per infilarsi nelle camere di ospedale.