With Shakespeare's plays collected, John Hemminges and Henry Condell set out to do the unthinkable - print the complete works of William Shakespeare in the First Folio and preserve his legacy. In this episode we talk about the twists and turns the printing of the First Folio took.

After the chaos of the 1619 “False Folio,” Shakespeare’s friends John Heminges and Henry Condell decided enough was enough. If anyone was going to collect Will’s plays properly, it would be the men who’d spent over twenty years in the trenches with him.

In this episode, we trace their likely first steps, from digging through the King’s Men’s prompt books and cue scripts to tracking down the “good” quartos of Hamlet and Romeo and Juliet. Along the way: bootlegs, brand management in the 1590s, and the thorny business of negotiating publishing rights in a world without copyright as we know it.

They pulled off the unthinkable and gathered the plays. But collecting them was only half the battle.

After Shakespeare’s death, his plays didn’t immediately become sacred texts, they became commodities. In this episode, we dive into the publishing chaos of the early 1600s, where bad quartos, cash grabs, and loose copyrights threatened to fracture his legacy. Enter John Heminges and Henry Condell, two friends determined to wrestle Shakespeare’s work back from the mess. Along the way, we unpack how Ben Jonson’s audacious move to publish his own complete works, the original literary box set, helped light the fuse.