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Two Composers, Two Continents

Two Composers, Two Continents

Von: Jeff Meegan & David Tobin
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Two Composers, Two Continents throws open the doors on the world of Film and TV composers Jeff Meegan and David Tobin.


In this light-hearted podcast, the long-time music collaborators share stories from their careers, break down their production music albums, and are joined by guests from all corners of the music industry.


Expect behind-the-scenes insights, tales from recording sessions, album deep-dives, composing mishaps and plenty of laughs from over 20 years in the industry!


Whether you’re an aspiring composer for sync, a film-music enthusiast, a music student, or just curious about the music industry, this one’s for you.


© 2026 Two Composers, Two Continents
Kunst Musik
  • Nik Kershaw on Live Aid, Writing ‘The One and Only’ & Life After Fame
    Sep 17 2026

    In this episode, we’re honoured to welcome 80s pop icon Nik Kershaw, whose four-decade career spans chart-topping hits like “Wouldn’t It Be Good” and the massive number-one single “The One And Only” which he wrote for Chesney Hawkes.

    We explore Nik’s upbringing in a musically rich family, channeling teenage angst into dramatic lyrics, and journeying through prog-fusion and jazz bands before launching his solo career with agent Micky Modern.

    Nik reflects on his whirlwind rise to fame, culminating in his iconic Live Aid performance alongside legends like Queen and David Bowie, sharing the nerves, out-of-body moments and the one artist who left him starstruck…

    But fame wasn’t the end of Nik’s story! Beyond the 80’s spotlight, we discuss his pivot into a sought-after songwriter for icons like Elton John, writing tracks for commercials, TV and Film, and how imposter syndrome and creative hunger still fuels him today.

    Chapters
    00:00 Intro
    02:27 Nik’s musical background
    09:09 Early songwriting
    19:53 Joining bands
    24:32 Becoming a solo artist
    33:00 Performing at Live Aid
    40:50 Writing ‘The One and Only’ for Chesney Hawkes
    50:41 Writing music for Film, TV and Adverts
    57:09 Collaborating with Elton John
    1:04:19 What’s next for Nik?


    #nikkershaw #80spop #80smusic #liveaid #eltonjohn #chesneyhawkes #composer #songwriting

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    1 Std. und 11 Min.
  • Recording a Soul Album in Nashville: Stories, Surprises, and Lessons
    Sep 3 2026

    We’re taking you behind the scenes of our recent trip to Nashville, where we recorded an album of sizzling soul grooves designed for use in Film & TV.

    This time, we’re skipping the writing process to focus on the recording sessions at the iconic Sound Emporium Studios, complete with it’s rich musical history and quirky tiki-bar studio charm!

    From a horn section with lips of steel to the slightly humbling moment the rhythm section rewrote all our charts using the Nashville Number System, we share the stories, surprises and lessons from the sessions. We also look at how recording in different cities across the world can shape the feel of the music, comparing London’s precision with Nashville’s soulful behind-the-beat groove.

    This episode is perfect for composers, soul music enthusiasts, and anyone curious about the world of production music!


    You can listen to the finished album here (and it will be available on streaming platforms soon!) - https://www.audionetwork.com/browse/m/album/soul-control_4829


    Chapters

    0:00 Intro

    2:21 The brief

    5:06 Sound Emporium Studios

    8:45 The recording process

    10:47 The Nashville Number System

    15:27 The way brass and rhythm players interact

    19:00 Recording styles across different cities

    24:25 How we record - linear vs in chunks

    26:56 Our thoughts on Nashville

    29:17 How did it turn out?


    #nashvillemusic #recordingsession #composer #tvcomposer #soulmusic

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    35 Min.
  • Sync Licensing 101: What Every Composer Needs to Know
    Aug 20 2026

    Are you new to composing for sync, but overwhelmed by the jargon? In this episode, we sit down with Emmy-winning composer and sync expert Brad Hatfield to cut through the confusion.

    Brad teaches Songwriting for Film & TV and Music Supervision at Berklee, drawing from decades of experience in the industry. From understanding contracts and ownership to knowing what to expect once your track is synced, this episode provides a thorough breakdown of sync licensing, publishing, royalties, and beyond.

    We define essential terms such as ‘master recording’, ‘writer’ and ‘neighbouring rights’, and explain why getting your splits and agreements in order can make or break a placement…

    We also explore what ‘useful music’ means for Film and TV, and how AI is reshaping the future of sync.

    Whether you’re a songwriter, composer, or musician looking to break into sync, this episode will help you confidently navigate the production music world!

    Chapters

    0:00 Intro
    3:38 What is Sync Licensing?
    5:55 The three T’s: Term, Territory & Type of Media
    9:14 What is a Publisher?
    12:43 What is a Writer?
    15:14 What is the Master Recording?
    21:49 What is a Producer?
    25:57 What are Mechanical Royalties?
    31:01 What are Neighbouring Rights?
    36:25 What is a Needle Drop?
    38:45 What actually happens when a song is licensed for use in Film?
    45:55 Writing ‘useful’ music and the importance of Outros
    50:10 Why you should provide stems
    54:00 AI and the future of Sync Music

    Brad’s website - https://www.bradhatfieldmusic.com

    Brad Hatfield Music Collective - https://www.bradhatfieldmusiccollective.com

    #sync #syncliensing #syncmusic #synccomposer #composer #songwriter #productionmusic #librarymusic #filmcomposer #tvcomposer #filmmusic #tvmusic #synclicensing101 #productionmusic101 #neighbouringrights #royalties #publisher

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    1 Std. und 5 Min.
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