In the second half of our series with Gregory Orr, the conversation turns to grief, tenderness, and the healing power of the lyric. We talk about Emily Dickinson’s role and the role of the lyric in contemporary poetry. If part one asks what the lyric is, part two asks what it’s for—and how it helps us endure what can’t be said any other way.

At the Table:

Gregory Orr

Katie Dozier

Timothy Green

Dick Westheimer

Brian O'Sullivan

Joe Barca

What does it mean to write the kind of poem that saves your life? In the first half of our two-part conversation on lyric poetry, we're joined by Gregory Orr to explore that urge to capture private emotion in a single, shining moment. We read and unpack Orr’s poems and look to the past to tracing how feeling becomes a form in itself. Join us as we ask what lyric poetry can do in a noisy world—and why it keeps calling us back. Inevitably, Katie brings up haiku again!

At the Table:

Gregory Orr

Katie Dozier

Timothy Green

Dick Westheimer

Brian O'Sullivan

Joe Barca

Katie and Tim crack open their college-era poems—complete with awkward workshop moments, zany titles, and even Tim’s hilarious old pseudonym. From Katie's days at Florida State University with tutelage from Barbara Hamby and David Kirby, to Tim stumbling into an "Intro to Poetry" course with James Longenbach, this episode is fueled by memories. We rip apart our regretful diction, and explore just how far our poetry has come. Or at least, how far we hope it has!

At the Table:

Katie Dozier