When we don't know much about some genius playwright's life, why not make up some things based on the contents of his plays? Maybe put Shakespearean dialogue right in character's mouths, so the audience will say, "hey, I remember that line!"

Mark, Lawrence, Sarahlyn, and Al talk through the Chloe Zhao Oscar-bait historical drama, Hamnet, and its source, the 2020 novel by Maggie O'Farrell. Is the film great, or just "grief porn"? Plus, Shakespeare in Love and other biopics.

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An interview with Graham in light of his new book, Waves and Stones: On the Ultimate Nature of Reality, which elaborates and adds to issues that the gang previously studied in Object-Oriented Ontology.

Graham argues that in addition to objects (which have parts), there are continua, such as space and time, and these continua are the links that allow otherwise forever separated objects to touch each other.

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Folky singer/songwriter and psychotherapist Robert started in the '80s but considers 1994 his professional debut and has now released his seventh album since then, The Space Between Us.

We discuss "Attic of Desire" (and the intro is "The Forest From the Tree") from that album, plus "Uncertain" from Beloved (2017), the title track from Earthside Down (1998). End song: "Rock A Bye" feat. Victoria Williams from Days Like These (1994). More at robertdeeble.com.

Watch Robert's video for "The Forest From the Tree." The previous version of "Attic of Desire" was called "A Formal Apology" from Thirteen Stories (2003). Watch Robert and his band play "Earthside Down" live in 2002.

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We consider chapter 2, "Aesthetics Is the Root of All Philosophy," where Harman describes how art can help us see behind the veil to things-in-themselves. Art is "theatrical" in that it's really the spectator who is standing in like an actor for the object encountered in art.

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Vancouver philosophy prof Elijah was an evangelical Christian who turned liberal and then atheistic, and his latest book, "Unbelieving God: A Skeptics Guide," considers and debunks the various arguments for the existence of God.

Mark and Mary chat with him about his journey and about the degree to which we should care about others' beliefs in this area so as to engage them in debate. In the course of this, as you'd expect, God makes a personal appearance (with Mary), and there's an aborted sketch about a brainwashing service.

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We're discussing Trey Parker and Matt Stone's Comedy Central show that premiered in 1997 and has just finished its politically relevant 28th season, featuring the usual crew: Mark, Lawrence, Sarahlyn, and Al.

How can a show be so juvenile yet so apparently well thought out?e get into the evolution of the show,, the equal-opportunity offensive humor, the use of child characters to deliver it, their ambiguous politics, the quick turnaround production, the excellent music, and more.

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Continuing on Object-Oriented Ontology: A New Theory of Everything (2018), finishing up ch. 1 (discussing what's so bad about reductionism) and moving to ch. 4, "Indirect Relations," which is about causality.

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We're within the Self-Consciousness chapter of The Phenomenology of Spirit, specifically starting at sec. 206 on the Unhappy Consciousness. This comes after the famous Master-Slave section as well as sections about Stoicism and Skepticism, and it depicts a dividedness within the self stemming from a faulty view of the relation between self and world.

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