• The Infamous Stringdusters: Coming Home | MCP #319
    Feb 26 2026

    Korby talks with Travis Book and Andy Hall of The Infamous Stringdusters about their 20-year history, the new 20-song album, the shift from searching to coming home in their sound, being elder statesmen of progressive bluegrass, IBMA and the bluegrass support system, the democratic process of running a five-person band, self-promotion, the business side of music, the Black Keys documentary, basic decency on a tour bus, cover songs and context, Travis on fatherhood and sacrifice, honoring a calling versus chasing a dream, and the Telluride Troubadour contest. The full 5 peice band performs "Working Man Blues" live.



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    54 Min.
  • Caroline Jones: The Outsider's Way In | MCP #318
    Feb 19 2026

    Korby Lenker talks with singer-songwriter and Zac Brown Band member Caroline Jones about her new album Good Omen, growing up in Connecticut and discovering country music at the Bluebird, the tension between privilege and credibility, the craft of collaboration, Nashville session players, finding her co-writing tribe, the pursuit of instrumental mastery, flat-picking, Zac Brown as a "people collector," releasing her first major label record, navigating motherhood and touring, and the moral courage behind "No Tellin'." Caroline performs "No Tellin'" live on acoustic guitar.



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    53 Min.
  • Bre Kennedy: What If You're Already Wonderful? | MCP #317
    Feb 12 2026

    Korby talks with singer-songwriter Bre Kennedy about her new album The Alchemist, nearly quitting music, caregiving for her grandmother, reconnecting with her estranged mother, the song she wrote with Lori McKenna that started it all, Brandi Carlile's influence, letting go of metrics, and what it means to choose light when the industry won't choose it for you. Bre performs "Before I Have a Daughter" live on acoustic guitar.



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    51 Min.
  • Craig Shelburne: 100 Years of the Opry | MCP #316
    Feb 5 2026

    Craig Shelburne is a Nashville-based music journalist, author, and festival producer. He grew up in rural Nebraska, moved to Nashville in 1994, and spent 13 years at CMT where he launched the influential roots music blog CMT Edge. He's written for Rolling Stone, the Bluegrass Situation, MusicRow, the Country Music Hall of Fame and Museum, and many other outlets. Craig currently serves as festival producer for AmericanaFest, programming the nighttime showcases for the Americana Music Association. His first book, 100 Years of Grand Ole Opry: A Celebration of the Artists, the Fans, and the Home of Country Music, was published in April 2025. His next book, Killin' Time: My Life and Music—a memoir co-written with Clint Black—arrives May 19, 2026.

    In This Episode:

    Writing 100 years of Opry history in 18 months with historian Brenda Colladay

    The decision to tell the real story—setbacks, bad calls, and all

    Discovering the complete audio of James Brown's 1979 Opry performance

    Growing up on TNN in Nebraska and moving to Nashville at 19

    13 years at CMT and the launch of CMT Edge

    The art of the seven-minute interview: asking questions artists actually want to answer

    Programming AmericanaFest: 1,500 submissions, 200 slots, and the philosophy of fit

    Writing Clint Black's memoir on the tour bus

    Why no two Opry shows have ever been the same

    Links

    100 Years of Grand Ole Opry

    Americana Music Association

    The Bluegrass Situation



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    1 Std. und 17 Min.
  • Will Hoge: What Happens After You “Make It” | MCP #315 MCP #315
    Jan 29 2026

    For anyone who’s spent time around Nashville music over the last few decades, rocker Will Hoge is a familiar and trusted presence. He’s one of those artists whose name carries weight not because of hype, but because of longevity—someone who’s written great songs, toured relentlessly, survived multiple versions of the industry, and earned deep respect from musicians and listeners alike. Even if you don’t know his catalog intimately, you’ve likely felt his influence somewhere along the way. This conversation is less about where he’s been than about what it takes to stay awake inside a long creative life.

    One of the questions hovering beneath our conversation is what actually changes once the thing you’ve been working toward finally happens. Not success in the abstract, but the lived version of it: recognition, momentum, a song that lands. Will has been inside music long enough to know that “making it” doesn’t resolve anything. If anything, it complicates the story. In his case, it forced a reckoning with which parts of the work still felt alive—and which had begun to feel merely functional.

    We talked about how easily momentum can replace intention. How a career can keep expanding even as your connection to it kind of thins out. Will was candid about the period when larger audiences and bigger opportunities didn’t bring deeper satisfaction, and how unsettling it was to realize that the things he’d chased for years were no longer aligned with who he was becoming. What emerged instead was a slower, more deliberate approach, one that values attention over scale and clarity over repetition.

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    That recalibration was sharpened by a near fatal mo-ped accident that stopped everything cold. For a long stretch, music wasn’t just uncertain—it was impossible. Recovery meant relearning his body, his breath, and eventually his voice. Said Will: “I used to be able to sing my way out of a B-minus song.” After the accident, that wasn’t true anymore. The margin was gone. What remained was the work itself—the writing, the choices, the discipline of not letting power substitute for clarity. Limitation, in that sense, became a teacher.

    This episode isn’t about hits or industry mechanics. It’s about longevity—what it takes to keep showing up without turning yourself into a product, and how staying honest often means letting go of versions of success that no longer fit. You can watch the full conversation here: and Will’s in-studio performance of “Another Planet” here.

    After the Conversation

    If this episode resonated, I wrote a longer personal continuation in this week’s After the Conversation. It’s less about career arcs and more about the bigger story—why I keep having these conversations, what I’m actually searching for now, and how wisdom tends to reveal itself slowly. There’s also a bonfire analogy I’m not sure works.Read After the Conversation here.



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    1 Std. und 10 Min.
  • Packy Lundholm: Unpacking My Favorite Record of 2025 | MCP #314
    Jan 22 2026

    Packy Lundholm joins Korby Lenker for a deep musical conversation about taste, restraint, and how meaningful records actually get made.

    Korby first took notice of Packy after seeing him open for Phil Cook at The Blue Room in Nashville—an immediately clarifying moment that revealed both his musical depth and quiet authority on the instrument.

    The conversation then turns to What It Takes, Korby’s favorite record of 2025 by Mae Erlewine, produced by Theo Katzman. Packy breaks down how the album was made and why it feels different from so many modern studio recordings—less polished, more human, and deeply musical.

    From there, the episode opens into a wide‑ranging discussion about tone, self‑editing, collaboration, and why the best musical decisions are often the ones nobody notices. If you care about making work that’s honest rather than impressive, this episode will resonate.

    🎸 Live Performance: Packy performs “65 Deluxe,” recorded live on the podcast in Nick Drake’s CGCFCE tuning.

    🎧 Watch the full episode on YouTube or listen wherever you get podcasts.📝 Paid subscribers can also read After the Conversation, a personal reflection from Korby on what this episode stirred in his own creative life.



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    1 Std. und 12 Min.
  • Jerry Pentecost: The Long Game | MCP #312
    Jan 15 2026

    In this week’s episode of The Morse Code Podcast, host Korby Lenker sits down with drummer, bandleader, and musical connector Jerry Pentecost. Known for his years with Old Crow Medicine Show and as well as touring with Bob Dylan, Jerry shares the unexpected path that led him from cover gigs on Printer’s Alley to the biggest stages in American music.

    This conversation explores the tension between loyalty and growth, how Jerry found his voice as a musical director, and what it means to be a Black artist working inside the Americana scene. It’s also about doing the work — showing up, staying humble, and trusting the long arc of a creative life.

    👉 Subscribe for bonus segments and reflections from Korby at morsecodepodcast.com



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    1 Std. und 21 Min.
  • Ron Pope on Longevity, Embarrassment, and Doing the Work Anyway | MCP #312
    Jan 8 2026

    In this episode of The Morse Code Podcast, Korby Lenker sits down with Ron Pope for a wide-ranging conversation about longevity, independence, and what it actually takes to build a sustainable creative life.

    Ron reflects on his early success releasing music online, the lessons learned from major-label detours, and how he and his wife Blair ultimately rebuilt their career on their own terms. The conversation explores the less glamorous but essential parts of being an artist: discipline, embarrassment, learning the business, and staying in the work long after the spotlight shifts.

    They also talk about writing through grief, how parenthood has reshaped Ron’s relationship to touring and ambition, and why showing up consistently matters more than chasing moments. Toward the end of the episode, Ron performs a live acoustic version of “The Life in Your Years,” accompanied by Korby on baritone ukulele.

    Topics include:

    Building a long-term career outside the traditional music industry

    The role of embarrassment, discipline, and resilience in creative work

    Writing honestly through grief and loss

    Balancing art, family, and sustainability

    A live performance of “The Life in Your Years”



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    1 Std. und 15 Min.