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Morse Code Podcast with Korby Lenker

Morse Code Podcast with Korby Lenker

Von: Deep talks and sharp performances with the best musicians and writers working today.
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Deep talks, sharp performances and empowering revelations from musicians and writers, live from East Nashville. Unpretentiously hosted by Korbykorby

korby.substack.comKorby Lenker
Kunst Musik
  • Ron Pope on Longevity, Embarrassment, and Doing the Work Anyway | MCP #312
    Jan 8 2026

    In this episode of The Morse Code Podcast, Korby Lenker sits down with Ron Pope for a wide-ranging conversation about longevity, independence, and what it actually takes to build a sustainable creative life.

    Ron reflects on his early success releasing music online, the lessons learned from major-label detours, and how he and his wife Blair ultimately rebuilt their career on their own terms. The conversation explores the less glamorous but essential parts of being an artist: discipline, embarrassment, learning the business, and staying in the work long after the spotlight shifts.

    They also talk about writing through grief, how parenthood has reshaped Ron’s relationship to touring and ambition, and why showing up consistently matters more than chasing moments. Toward the end of the episode, Ron performs a live acoustic version of “The Life in Your Years,” accompanied by Korby on baritone ukulele.

    Topics include:

    Building a long-term career outside the traditional music industry

    The role of embarrassment, discipline, and resilience in creative work

    Writing honestly through grief and loss

    Balancing art, family, and sustainability

    A live performance of “The Life in Your Years”



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 Std. und 15 Min.
  • Craig Havighurst - Listening Is a Creative Act | MCP #311
    Dec 18 2025
    Why does music move us — and why do we so often stop listening?On this episode of The Morse Code Podcast, Korby sits down with journalist, musician, and Musicality for Modern Humans author Craig Havighurst to talk about the art of deep listening: how attention, empathy, and vulnerability shape not just how we hear music, but how we live.They explore the decline of music education, the rise of algorithmic culture, and why America’s musical legacy is both unmatched and under-heard. Craig shares stories from decades in the field and offers a compelling case for why listening — really listening — still matters.Genres discussed: jazz, classical, bluegrass, jam bands, pop.Themes: creative attention, cultural shifts, musical literacy.Joy Fatigue and the Return of MysteryBasic to my intention — with this podcast, with the Morse Code project generally, and even in my actual writing and music — is my desire to encourage and inspire people to make art a part of their own lives. Sometimes that takes the form of me breaking down a piano arrangement for a Gillian Welch song, or just sharing a meaningful family moment with as much detail as I can. The underlying intention is pretty simple. I want people to feel more alive. I want to bring some kind of encouraging spirit to a world that can be cold and mean and worst of all, boring.It was obvious talking to Craig that he shares a version of that desire. Early on in Musicality for Modern Humans he makes a claim that it’s musicians that listen most intently to music. For Craig the guys you see at the club, nodding along with fixed stares and arms crossed— those guys are the gold standard. Craig wants you to listen with that same intensity, background knowledge, technical finesse — and he has some practical ideas on how to increase your sensitivity to music’s deeper pleasures.So yay I’m a musician who listens with some of the active ingredients Craig wants to put in everyone’s gigbag. But coming off this taping, I realized something serious: I have a lot to learn.First, a caveat: I probably do listen with more active attention than, say, your average Swifty. I mean, ever since I was exposed to the circle of fifths (and its more practical cousin, the Nashville number system), I can’t hear a song without automatically clocking its chord progression. For most of the songs you and I listen to, that’s not very hard. Still, I suppose that puts me more in the green room than the mezzanine.But I’m here to tell you: I don’t listen to nearly as much music as I should.Why is that?A couple reasons come to mind, one obvious, one ridiculous and maybe damning.First: I’m overwhelmed by the options. Maybe you handle this better but me? I’m drowning in choice. When you have access to everything, how do you pick anything? I’m seriously asking. For my part, I try to listen to my friends’ songs when they come, out or an album of a familiar band whose last album I liked. Mostly I go to shows and discover music live. It doesn’t hurt that I live within walking distance to two of my favorite clubs, The Basement East and the Five Spot.But honestly, and maybe this is a Gen X thing, clicking on a screen to hear digital music is just cold and sad. It doesn’t help that I had a terrible experience with in the early 2000s. Punchline: after spending thousands of dollars on iTunes purchases to replace the CDs of some of my favorite bands, my hard drive failed one day and I lost everything. I don’t think The Cloud existed back then, though I wouldn’t be surprised if it did and I was just oblivious. Either way it hurt my feelings. I’m probably still recovering from it 20 years later, good god.And for someone who grew up with physical albums — that beautiful artwork and the credits and all the ancillary bits that came with the actual music — that was part of the lore. If you’re over forty you know what I’m talking about. A track name on an iPod? Please. And even now with a one inch cover “image” someone made on their phone — I can’t see it as anything but a impoverishment of an earlier romance.But the other reason I don’t listen to enough music is, for me, it requires a lot. A lot of active attention. I’m not one of those people who can read or write or think while any kind of music plays in the background. I don’t go to coffee shops to study. My ideal workplace is a tomb. No seriously, you should see where I’m sitting right now.Whenever I listen to music, it’s almost always intentional. And if I’m being honest, after doing this for 25 years, it’s usually work. Especially when I listen to something for the first time. I’m embarrassed to write this. I hardly like anything (music, books, movies yeah I’m a real charmer), so listening to music usually means trying to pick out what’s good from everything dull and average, from all the almosts that collectively make it just another song.I think part of the reason why I have a ...
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    1 Std. und 8 Min.
  • How to See a Person: Stacie Huckeba on Todd Snider, Art, and Staying True | MCP #310
    Dec 11 2025

    I think one of the reasons I started this podcast was to talk to people like Stacie Huckeba.

    If you’ve been around the East Nashville creative scene for any length of time, you’ve seen her work — photos of Dolly Parton, Todd Snider, Elizabeth Cook, Jason Isbell, and countless others. What you may not know is that Stacie came into this line of work late, without a road map, and made a career out of instinct, trust, and relentless follow-through. And maybe the bigger surprise? Her photographs were just the start. She’s a storyteller, full stop — and in this episode, she shares some absolute gems.

    Help me keep bringing these inspiring conversations to life by becoming a paid subscriber to the Morse Code Podcast!

    We talked about the psychology of Todd — how he saw the world, how he needed to be seen, and how that understanding shaped their friendship. There’s a story about a backyard full of geese that’s as funny as it is heartbreaking, and there’s a moment toward the end — when she describes him waving at no one in particular — that might be the most tender thing I’ve heard anyone say about him.

    If you can, watch this one on YouTube. Stacie brought a collection of never-before-seen photos from her archive, and the conversation hits different when you can see the moments she captured. That said, the stories are the real point — and if you’re just listening, you’re still in for something special. Toward the end, we shift gears and talk about what it’s like to build a creative life from scratch — without a pedigree or a plan. If you’ve ever felt like it was too late to start, or like you didn’t quite have the right credentials, Stacie’s story might change your mind. It definitely made me feel braver.

    ~ Korby



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 Std.
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