More To The Story: Growing up in Los Angeles in the 1980s and ’90s, a daughter and granddaughter of social justice activists, Chanda Prescod-Weinstein fell in love with math and the physical sciences and developed a profound curiosity about the cosmos (though the smoggy night sky of her childhood blocked her view of the stars). She soon developed a detailed plan for her life that led to a career writing and teaching about physics and gender studies at the University of New Hampshire. Today, Prescod-Weinstein’s work stands out for the ways she weaves her identity as queer, Black, and Jewish into her work. In her latest book, The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie, Prescod-Weinstein brings a Black feminist lens to cosmology, quantum physics, poetry, and popular culture to help unlock the mysteries of the physical universe. On this week’s More To The Story, Prescod-Weinstein talks about the need for diversity and inclusivity in the sciences and puts science fiction’s various hypotheses for space travel to the test with host Al Letson.

Read: The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie (Pantheon)

Read: Has America Lived Up to Its Founding Promise? (Reveal)

Watch: How We Could Solve the Dark Matter Mystery (TED Talks)

Read: The Disordered Cosmos: A Journey Into Dark Matter, Spacetime, and Dreams Deferred (Bold Type Books)

Learn more: Chanda Prescod-Weinstein’s personal website

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Elizabeth Freeman was an enslaved person living in Massachusetts when the Declaration of Independence was signed 250 years ago. The document’s famous words “all men are created equal” did not apply to her, but she thought they should.

“She is somebody who heard the words of the declaration, knew that they were real in her life, and argued for that to be true,” says Errin Haines, editor-at-large at The 19th. Eventually, Freeman fought to abolish slavery in Massachusetts.

This week on Reveal, as America marks 250 years since its founding, we share stories of people who were denied equality and the battles they fought to attain it. In addition to Freeman’s story, we hear about one of the first Native American communities to encounter white settlers more than 400 years ago and learn why the fight for the Equal Rights Amendment for women continues to this day.

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The second Trump administration has made tearing down parts of the federal government a priority. And some of those efforts have been literal. In October, President Donald Trump ordered the demolition of the White House’s East Wing to make way for the construction of a massive 90,000-square-foot ballroom. He’s also overseen a now-problematic overhaul of the Lincoln Memorial Reflecting Pool, given the White House a gilded makeover, bulldozed the famed Rose Garden, and even has plans for a so-called “Arc de Trump” that mirrors France’s Arc de Triomphe. So what’s behind all of this? Art historian Erin Thompson—author of Smashing Statues: The Rise and Fall of America’s Public Monuments—says that whether it’s Romans repurposing idols of leaders who had fallen out of favor or the glorification of Civil War officers in the American South, monuments and public aesthetics aren’t just about the past. They’re about symbolizing power today.

On this week’s More To The Story, Thompson sits down with host Al Letson to discuss why Trump has decked out the White House in gold (so much gold), the rise and recent fall of Confederate monuments, and whether she thinks the Arc de Trump will ever get built.

This is an update of an episode that first aired in December 2025.

Producers: Josh Sanburn and Artis Curiskis | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Listen: Fancy Galleries, Fake Art (Reveal)

Listen: Will the National Parks Survive Trump? (Reveal)

Read: Smashing Statues: The Rise and Fall of America’s Public Monuments (W. W. Norton & Company)

Read: America’s Tech Right Is Obsessed With Building Giant Statues (Bloomberg)

Read: Nearly 100 Confederate Monuments Were Toppled in 2020. What Happened to Them? (Mother Jones)

Note: If you buy a book using our Bookshop link, a small share of the proceeds supports our journalism.

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The World Cup is here.

For the first time, the tournament is happening in three countries at once: the United States, Mexico, and Canada. It’s bigger than ever, with more teams, more games, more viewers, and more money on the line.

This special World Cup episode of Reveal looks beyond the spectacle of the beautiful game to the organization behind it: FIFA. The global soccer body stands to take in billions from the tournament, while fans face soaring ticket prices and host cities pay massive sums for transportation, security, and infrastructure.

“Sport is this incredible glue that brings people together,” human rights advocate Mustafa Qadri tells Reveal. But he says that also makes it “highly vulnerable to cynical people coming in and exploiting it for their own gain.”

This week, reporters Alex Shephard, Tim Murphy of Mother Jones, and Reveal producer Artis Curiskis follow the money, power, and politics behind the World Cup—and ask who gets to be part of the world’s biggest game.

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More To The Story: When Bryan Stevenson moved to Montgomery, Alabama, in the 1980s, the city—one of America’s most prominent slave trading spaces before the Civil War—had dozens of Confederate monuments and memorials, but nothing commemorating slavery. Today, thanks to Stevenson’s efforts, the city looks much different. Over the last decade, the executive director of the Equal Justice Initiative has transformed parts of Montgomery through markers acknowledging the legacy of slavery while also building the Legacy Sites, a series of museums and memorials that commemorate America’s dark history of lynching, slaveholding, and racial terror across the South.

On this week’s More To The Story, Stevenson talks about the importance of memorializing America’s full history as the Trump administration attempts to erase slavery and lynching from the nation’s museums and why he sees today’s narrative struggle for racial justice as a generational battle.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Read: Trump’s War on History (Mother Jones)

Listen: Mississippi Goddam: The Ballad of Billey Joe (Reveal)

Read: Just Mercy: A Story of Justice and Redemption (One World)

Learn more: Equal Justice Initiative

Learn more: The Legacy Sites

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Decades before Covid-19, the AIDS epidemic tore through communities in the US and around the world. It has killed some 40 million people and continues to take lives today. But early on, research and public policy focused on AIDS as a gay men’s disease, overlooking other vulnerable groups—including communities of color and women.

This month marks 45 years since the Centers for Disease Control and Prevention published its first report about a mysterious illness that would eventually be called AIDS. So we’re bringing back Blindspot: The Plague in the Shadows, from reporters Kai Wright and Lizzy Ratner, which chronicles the first years of the HIV epidemic in New York City.

One of the most influential activists for women with AIDS was Katrina Haslip, a prisoner at a maximum-security prison in upstate New York. In the 1980s, Haslip and other incarcerated women started a support group to educate each other about HIV and AIDS.

Haslip took her activism beyond prison walls after her release in 1990, even meeting with CDC leaders. One of the main goals was to change the definition of AIDS, which at the time excluded many symptoms that appeared in HIV-positive women. This meant that women with AIDS often did not qualify for government benefits such as Medicaid and disability insurance.

The podcast series Blindspot: The Plague in the Shadows is a co-production of The History Channel and WNYC Studios.

This is an update of an episode that originally aired in February 2024.

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More To The Story: Heather Cox Richardson is one of today’s unlikeliest social media stars. The Boston College historian has been teaching and writing about 19th-century America, Reconstruction, and the Civil War for decades. But it was only in 2019 that her work took off when she began writing her daily newsletter, Letters from an American, a no-nonsense analysis of the news through the lens of US history. The newsletter became one of the most popular on Substack. And today, Richardson has millions of loyal fans who rely on her to make sense of American politics and provide a little sanity and democratic reassurance even as she herself is concerned about the direction of the country today. On this week’s More To The Story, Richardson talks about the decades-long failure to hold corrupt American leaders accountable, the still-resonant death of Reconstruction, and what she sees as the tragic hypocrisy of Thomas Jefferson.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Daniel King | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Read: Trump’s War on History (Mother Jones)

Listen: As the Trump Administration Erases History, These Writers Are Keeping It Alive (Reveal)

Read: Letters from an American (Substack)

Read: Democracy Awakening: Notes on the State of America (Penguin Books)

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Every week, a group of men in their late 60s meets at the Corner Cafe in Elizabethtown, North Carolina. One important reason for these meetups is to discuss what’s going on in their community.

Local news has virtually dried up in their rural county, as well as neighboring counties, and some residents say they’re being left in the dark and don’t feel equipped to make informed decisions.

“I’m not gonna vote if I can’t get the information,” says Penny Abernathy.

Like in much of the country, roughly two-thirds of North Carolina’s counties are considered news deserts. And the lack of local journalism isn’t just making it harder for people to stay informed; it’s exacerbating a crisis of trust in the news media.

This week on Reveal, we partner with the podcast Scene on Radio and its hosts John Biewen and Chenjerai Kumanyika to understand how American journalism got here and what can be done to repair the cracked foundation of the Fourth Estate.

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