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A travelling 'Odditorium' is struggling to make ends meet, and as a change of tactic the performers start trying to make themselves as normal as can be. If you can see how bleak this is about to get, then congratulations on having more insight than Riley, the owner of this circus.

We talk fables, otherness, and the futility of trying to fit in.

Content Warnings: Domestic abuse/Transphobia/Ableism/Child Abuse/Forced Surgery

Have some feedback? A play you'd like us to cover?

Chat to host Nancy @N_Netherwood on various
Chat to host Sam @Samwebbercool2 on Instagram (and go find @rootlingtheatre for his puppet antics)

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Cillian Murphy somehow remains looking beautiful through this deeply intense and gruelling play - first performed in 1999 by Walsh himself, we very specifically take a look at the revised/updated 2011 version which took the intimate one-person show and blew it up to National Theatre size.

We talk the victim mentality, routine as self-expression, and bootleg theatre recordings.

Have some feedback? A play you'd like us to cover?

Chat to host Nancy @N_Netherwood on various
Chat to host Sam @Samwebbercool2 on Instagram (and go find @rootlingtheatre for his puppet antics)

Send us a text

Is this a play? Performance art? Essay? Real or not real? This play/text/email chain was originally presented as a live performance and digital experience combination, then printed onto paper, and now thrust back onto the internet by us in the form of audio podcast exploration. Heavy.

We talk chronic illness, the digital body, and the horrors/freedoms that the internet brings. Also, how cool Eve Leigh is in general. Eve Leigh we love you, if you see this please hit us up.

Have some feedback? A play you'd like us to cover?

Chat to host Nancy @N_Netherwood on various
Chat to host Sam @Samwebbercool2 on Instagram (and go find @rootlingtheatre for his puppet antics)