Play Ground Titelbild

Play Ground

Play Ground

Von: Nancy Netherwood & Sam Webber
Jetzt kostenlos hören, ohne Abo

A fortnightly theatre bookclub hosted by Nancy Netherwood and Sam Webber. Every other Thursday we take a deep dive into a different play from a range of genres, writers, times and places - join in the conversation over on Instagram @playground_pod


© 2026 Play Ground
Kunst Unterhaltung & Darstellende Künste
  • The Duchess of Malfi by John Webster
    Jul 15 2026

    Send us Fan Mail

    The Duchess. Hot, recently widowed, and swearing blind to her villainous brothers that she would never ever even THINK of marrying again. Anyway, 3 minutes later she marries the (presumably also hot) Antonio in secret, and over the next 5 acts all hell breaks loose.

    We talk demons, revenge tragedies, and a whole list of iconic lines from dying characters.


    Content Warnings: Murder/Sexism/Incest/Illness/Suicide/Child Murder/Dismemberment/Mental Illness/Torture

    Have some feedback? A play you'd like us to cover?

    Find us @playground_pod on Instagram
    Chat to host Nancy @N_Netherwood on various
    Chat to host Sam @Samwebbercool2 on Instagram


    Theme Music this time: Konstantinos Paliatsaras - The Duchess of Malfi Song

    Mehr anzeigen Weniger anzeigen
    1 Std. und 9 Min.
  • Vincent River by Philip Ridley
    Jul 1 2026

    Send us Fan Mail

    A dilapidated flat in East London. 17 year old Davey has followed 53 year old Anita home. Over an intense hour stories are revealed, connections are formed, and they both work through an intense amount of grief. There are some jokes, as in all good plays, but be warned this is a fairly bleak one.

    We talk shame, storytelling, and Philip Ridley's penchant for tough old lady characters.


    Content Warnings: Homophobia/Hate Crime/Murder/Sexism/Sex/Terminal Illness/Hospitals/Pedophilia/AIDS/HIV/Grief/Amputation/Birth Trauma


    The grief essay we mention: Mustafa, Esma. (2026). GRIEF IN PHILIP RIDLEY'S VINCENT RIVER. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 35. 10.35379/cusosbil.1653643.


    Have some feedback? A play you'd like us to cover?

    Find us @playground_pod on Instagram
    Chat to host Nancy @N_Netherwood on various
    Chat to host Sam @Samwebbercool2 on Instagram


    Theme Music: j'ai peur de mes cordes devenues toiles by Rrrrrose Azerty https://loyaltyfreakmusic.com/
    License: Creative Commons — Attribution 4.0 International
    Free Download / Stream: https://links.al/nKM
    Music promoted by Audio Library: https://links.al/youtube

    Mehr anzeigen Weniger anzeigen
    50 Min.
  • R.U.R. Rossum's Universal Robots by Karel Čapek
    Jun 17 2026

    Send us Fan Mail

    The distant future. The year 2000. Robots have been invented, subjugated, and produced in the millions. And they're very angry. This play not only invented the word 'Robot' (near enough), it's also an absolute banger of a comedy about industrial greed, workers revolutions, and the pitfalls of being just a simple girl.

    We talk robots, incredibly metal (as in hardcore) stage directions, and the impeccable timing of the 1940s mail system.


    Content Warnings: Death/Murder/Slavery/War/Sexism/Gore/A.I./Nazis


    Have some feedback? A play you'd like us to cover?

    Find us @playground_pod on Instagram
    Chat to host Nancy @N_Netherwood on various
    Chat to host Sam @Samwebbercool2 on Instagram

    Mehr anzeigen Weniger anzeigen
    55 Min.
adbl_web_anon_alc_button_suppression_t1
Noch keine Rezensionen vorhanden