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  • Lillian Guerra, "Patriots and Traitors in Revolutionary Cuba, 1961-1981" (U Pittsburgh Press, 2023)
    Feb 22 2026
    Authorities in postrevolutionary Cuba worked to establish a binary society in which citizens were either patriots or traitors. This all-or-nothing approach reflected in the familiar slogan “patria o muerte” (fatherland or death) has recently been challenged in protests that have adopted the theme song “patria y vida” (fatherland and life), a collaboration by exiles that, predictably, has been banned in Cuba itself. In Patriots & Traitors in Revolutionary Cuba, 1961-1981 (University of Pittsburgh Press, 2023) Lillian Guerra excavates the rise of a Soviet-advised Communist culture controlled by state institutions and the creation of a multidimensional system of state security whose functions embedded themselves into daily activities and individual consciousness and reinforced these binaries. But despite public performance of patriotism, the life experience of many Cubans was somewhere in between. Guerra explores these in-between spaces and looks at Cuban citizens’ complicity with authoritarianism, leaders’ exploitation of an earnest anti-imperialist nationalism, and the duality of an existence that contains elements of both support and betrayal of a nation and of an ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 Std. und 36 Min.
  • Cecilia Márquez, "Making the Latino South: A History of Racial Formation" (UNC Press, 2023)
    Feb 22 2026
    The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In Making the Latino South: A History of Racial Formation (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category. Anna E. Lindner (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    48 Min.
  • Darién J. Davis, "'Black Orpheus' and the Globalization of Afro-Brazilian Culture" (Rutgers UP, 2026)
    Feb 18 2026
    “Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    56 Min.
  • David M. Henkin, "Out of the Ballpark: How to Think about Baseball" (Oxford UP, 2026)
    Feb 18 2026
    All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance. Out of the Ballpark: How to Think about Baseball (Oxford University Press, 2026) reconsiders the character, meaning, and delights of the game by exploring both baseball's unusual features and the sport's many resonances with other aspects of modern life. To this end, it abandons several assumptions and mythologies that underlie most approaches to histories of baseball: that it is unique among sports and fundamentally different from other kinds of entertainment; that it is specific to the United States; that it has changed fundamentally in recent years; and that the keys to understanding it lie primarily in examining what happens on the field of play. Instead, David M. Henkin moves across time and space to examine baseball's history since the nineteenth century and beyond US borders. He takes readers inside the structures of clubs and leagues, interprets the sacred scripture of rulebooks, and illuminates some of baseball's rites and rituals that are often associated with honor and manhood. He charts baseball's significance along the routes of American and Japanese imperial expansion and the shifting maps of race and ethnicity in the US. Baseball is found at negotiating tables that pit capital against labor and in pivotal moments in the history of mass media. Here, we are shown how baseball might offer a complex and capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world. David M. Henkin is Professor of History at the University of California, Berkeley, where he has taught courses on society and culture in nineteenth-century America for close to three decades. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 Std. und 3 Min.
  • Leslie James, "The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960" (Harvard UP, 2025)
    Feb 6 2026
    In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony’s capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    55 Min.
  • Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)
    Feb 3 2026
    Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 Std. und 18 Min.
  • Danielle N. Boaz, "Voodoo: The History of a Racial Slur" (Oxford UP, 2023)
    Feb 1 2026
    Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic. In Voodoo: The History of a Racial Slur (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 Std. und 2 Min.
  • Alaina M. Morgan, "Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora" (UNC Press, 2025)
    Jan 27 2026
    Alaina Morgan's Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora (UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s Muhammad Speaks, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new imagined geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 Std. und 11 Min.