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Sofia Streisand dropped into Playwright's Spotlight to discuss the U.S. premiere of her play Bluebeard's Castle (that I misspoke as Blackbeard's) November 1st through November 23rd. In this discussion, we discuss the difference between Russian, European, and American theatre, her journey from musical theatre to playwriting, writing multiple voices, and writing for specific actors and their cadence, mannerisms, and nuances. We unpack writing in a second language, the concept of and recognizing imposter syndrome, writing bilingually, refraining to avoid offense, and introducing sensitive topics. We follow up with "weight bearing" walls, inspirational feedback, when a show is born, the difficulty/benefits or wearing different hats, as well as adding layers and references. It's a brilliant interview discussing cultural aspects of playwriting we can all acquire from. Another great learning experience I know you will learn from. Enjoy!

Sofia Streisand is producer, director, and playwright born in St. Petersburg, Russia. She co-wrote the musical based on Alexander’s Pushkin’s masterpiece The Queen of Spades.

For tickets to Bluebeard's Castle at the Odyssey Theatre through November 23rd, visit - https://odysseytheatre.com/whats-on/bluebeards-castle/

To watch the video format of this episode, click - https://youtu.be/JaqIonYRzSI

Website and Socials for Sofia Streisand -

https://sofiastreisand.com/

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

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Ankita Raturi basked under the Playwright's Spotlight for the World Premiere of her play Neha & Neel. In this discussion we break down the concept of applied theatre and being a teaching artist, how it effects character, exercises that extrude character and whether or not the practice makes it into a piece. We unpack earning a monologue, the first steps of playwriting, writing bi-lingually, dramaturgical playwriting, and the audience's experience. We also discuss finding directors for foreign language pieces, writing multiple characters for one actor, discovering "magic" in grad school, self producing, keeping notes, ego, and good ideas, and clear guidelines and the ethics of paying fees to have one's work read. Ankita is a force to be reckoned with that every playwright can learn from. Enjoy!

For tickets to Neha and Neel at LATC in Los Angeles through November 16th, visit - https://www.latinotheaterco.org/nehaandneel

Ankita Raturi is a currently Queens-based writer and teaching artist. She writes hyper-theatrical works in English, Hindi/Urdu, and sometimes Bahasa Indonesia about living between cultural identities and contending with the ongoing legacies of colonization. She is the 2024 Winner of the Los Angeles New Play Project Award, and 2022 Winner of the Bret Adams and Paul Reisch Foundation’s Ollie Award. New play developments include Theater Mu, Playwrights’ Center, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, and Berkshire Theatre Group, just to name a few. She is currently practicing applied theatre as an actor-teacher with CUNY’s Creative Arts Team. B.F.A. in Drama: NYU/Tisch. M.F.A. in Playwriting at UC San Diego.

To watch the video format of this episode, visit - https://youtu.be/T19LZUw4vC4

Links to sites and resources mentioned in this episode -

New Play Project - https://lanpp.org

Bret Adams and Paul Reisch Foundation - https://www.bretnpaulfoundation.org/

Theater Mu - https://www.theatermu.org

Playwrights' Center - https://pwcenter.org

New York Theatre Workshop - https://www.nytw.org/

Roundabout Theatre Company - https://www.roundabouttheatre.org

Ma-Yi Theater Company - https://ma-yitheatre.org/

South Coast Rep - https://www.scr.org

Ensemble Studio Theatre - https://www.ensemblestudiotheatre.org/

Playwrights Realm - https://www.playwrightsrealm.org/

Berkshire Theatre Group - https://www.berkshiretheatregroup.org/

Clubbed Thumb - https://www.clubbedthumb.org/

New Play Exchange - https://newplayexchange.org

Socials for Ankita Raturi -

IG - @ankitawrites

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer


Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions


Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight


Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Playwright Crystal Skillman beamed into the Playwright's Spotlight from Indianapolis for the run of her World Premiere play The Rocket Men. We discuss how one becomes a 4-time NYT's Critics' Pick playwright, what it means to be a "theatrical" writer, writing design on the page and offering solutions, trusting and listening to your audience, the concept of "magic but no magic", and learning from seeing a production of your work. We also unpack the benefits (or challenges) of directors or producers taking a piece in a different direction, American vs European theatre, stealing from and taking a musical approach to general playwriting, the process of getting your work out there and operating like a theatre company. We touch on when it's time to publish, working on the puzzle, having challenging but achievable goals, the ecosystem of theatre, struggles of becoming a working playwright, writing exercises that build, and how writing in other mediums evolve and affect the economy in one's writing. Crystal offers an amazing alternative approach that many playwrights may not have considered. I know I learned quite a bit. Enjoy!

For tickets to The Rocket Men at the Synchronicity Theatre in Atlanta, GA through November 2nd, visit - https://synchrotheatre.com/plays-events/season/rocket-men/

Crystal Skillman is an internationally award-winning and 4-time NYT Critics’ Pick playwright for her plays CUT, GEEK, KING KIRBY, and OPEN. Other works include MARY & MAX THE MUSICAL, RAIN AND ZOE SAVE THE WORLD and THE ROCKET MEN received a National New Play Network World Premiere with Phoenix Theatre Cultural Centre in Indianapolis.

To watch the video format of this episode, visit - https://youtu.be/QvVDndAVgZA

Resources mentioned in this video -

National New Play Network - https://nnpn.org

Phoenix Theatre Cultural Centre - https://www.phoenixtheatre.org

Synchronicity Theatre - https://synchrotheatre.com

Angels Theatre Company - https://angelscompany.org

Website and Socials for Crystal Skillman -

www.crystalskillman.com

IG - @crystalskillman
X - @CrystalSkillman
FB - https://www.facebook.com/crystal.skillman

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through LACPFest - www.lacpfest.com

Support the show

Send us a text

SEASON5, EPISODE 1!!!

Wow. Hard to believe. This is an episode recorded months ago saved for this very occasion. Kudos to Cameron Scott for connecting me to John. This is a very special episode taking writing to a new level that every playwright can benefit from. John takes writing to levels I don't think we've ever tackled in past episodes, but you will have to listen to Campfire Radio Theater to fully grasp his approach. If you're not familiar with Campfire Radio Theater and are a horror fan, subscribe now. You won't be disappointed.

In this conversation, we delve into the background and generation of Campfire Radio Theater and the benefit of technology, the internet, and how it's helped a dying medium and its resurgence. We discuss self-producing and current outlets, the difference between cinema and radio dramas, and the process of the latter. John also shares how to break down story and beats as well as keeping track of information in addition to formulas and what makes a slow burner.

There's so much more to unpack for an episode I've been saving for a season beginner. It's playwriting in a whole other dimension. I promise you'll learn more than you expect. My number one point of advice - subscribe to Campfire Radio Theater, and as always, Enjoy!

John Ballentine is a radio dramatist, producer, and screenwriter. His award-winning horror podcast, Campfire Radio Theater, which he writes, sound designs, and produces. There are over 45 episodes since Campfire Radio’s launch in 2011.

For the video format of this episode visit -https://youtu.be/P_TYcnBi6ZE

Website and Socials for John Ballentine, visit https://campfireradiotheater.podbean.com/

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through LACPFest - www.lacpfest.com

Support the show

Send us a text

Israel López Reyes swung by the studio before the opening of his recent commission to discuss his background leading up to it and his success as an Angeleno playwright. We discuss his journey from actor to playwright, how he fell into theatre and his discovery to figuring out story and telling stories that matter. We unpack the evolution of emerging playwrights, the process and approach to character, the elements of structure, learning from the Greats, mastering the craft as well as tricks and tools, and the equation and formula to playwriting. We also touch on community as a market, raising stakes, receiving commissions, the purpose of a mentor, and writing for your "species." It's an impactful conversation that every playwright can benefit from. Enjoy!

Israel López Reyes is a playwright and actor born and raised in Los Angeles, CA. He is currently a commissioned writer with the Latino Theater Company as part of the Circle of Imaginistas. In addition to The Little King of Norwalk other worka includes Queen of Califas, South Gate and The Rehabilitation of Walter. His plays have been developed with the Oregon Shakespeare Festival's Black Swan Lab/Latinx Play Project, the Latinx Theatre Alliance Los Angeles, Company of Angels, LA City College New Visions New Voices, and the Latino Theater Company at the Los Angeles Theatre Center. He received his B.A. in English from Southern Methodist University and his M.F.A. in Acting from UCLA School of Theater, Film & Television. He has also taught courses in theater at UCLA School of Theater Film & Television and Los Angeles City College.

For tickets to The Little King of Norwalk at the Latino Theater Company, September 25th - November 2nd, visit - https://purchase.latinotheaterco.org/EventAvailability?EventId=345&ref=bookNow&scroll=timeAndDates

To watch the video format of this episode, visit - https://youtu.be/IgzoQwjQ7r0

Website and Socials for Israel López Reyes -

IG - ⁨@IsraelLopezreyes⁩

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through LACPFest - www.lacpfest.com

Support the show

Send us a text

Filmmaker turned playwright, David Kohner Zuckerman, dropped into Playwright's Spotlight to talk about the World Premiere of his play Parallel Process. In this interview, we talk unpack his journey from film to stage and how it affect his writing, his approach to naturalism and honesty to his writing, and how his acting and directing applied to his writing. We also touched on his collaborating with his cast, how rehearsals affected his structure, and being a first time playwright. We end on the struggles of unanticipated recasting, the logistics of Equity, approaching naturalism and realism as a playwright, and pacing on the page.
As always, it's a discussion that touch on a new subject I think everyone will benefit from. Enjoy!

David Kohner Zuckerman is a playwright and veteran filmmaker whose credits include A Perfect Christmas, Strictly Sexual, and Chump Change. The World Premiere of his play Parallel Process opens at the Odyssey Theatre in Los Angeles September 19th and runs through October 26th.

For tickets to Parallel Process at the Odyssey Theater visit - https://www.parallelprocesstheplay.com/

To watch the video format of this episode, visit - https://youtu.be/qbxPgofKxs4

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer


Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions


Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight


Playwriting services through LACPFest - www.lacpfest.com

Support the show

Send us a text

Playwright Stuart Brown streamed into Playwright's Spotlight for a second time after technical difficulties with sound, but I hope delved a little deeper this time around. We discuss the Connecticut Theatre Market, being a critic and a playwright and how the former affected the latter, honesty as a critic, and advice to theatre companies on getting critics in seats. We also explore how being a critic helped his writing when he began to pursue playwriting, keeping your audience engaged, implementing twists and what makes a good one, and what makes a three dimensional character. We wrap things up learning curves and openness to making improvements, the success of the Questions game in Rosencrantz and Guildenstern are Dead, his approach to Murder Mystery and keeping it simple, and writing a red herring and whether or not there are rules. We close it up discussing his online Broadway radio station - SoundsofBroadway.com. It's a question filled conversation with a plethora of information. Enjoy!

Stuart Brown is an award-winning Connecticut playwright whose 10-Minute works have been staged in his home state as well as California, Florida, Massachusetts, New Jersey, Rhode Island, Texas and via the British podcast, Theatrical Shenanigans. He is a theater critic with the Outer Critics Circle and the Connecticut Critics Circle and also runs the 24/7 online Broadway radio station, SoundsofBroadway.com, featuring the best from Off-Broadway, Broadway, and London stages. Plays included The Suitcase, House Hunted, and his newest play Lady Jigsaw received a staged reading at the Square One Theatre in Stratford, CT on July 10 and will lead the Chestnut Playhouse Theater’s 5th annual Playwriting Festival on September 5th.

For tickets to Lady Jigsaw at the Chestnut Street Playhouse on Sept. 5, visit -
https://www.chestnutstreetplayhouse.org/

For tickets to an evening of Stu's nine 10-minute plays at The Arts at Angeloria's on Sept. 12, visit, https://www.theartsatangelorias.com/

To watch the video format of this episode, visit - https://youtu.be/R5wJb0RrRO0

Websites and Socials for Stuart Brown -

http://stuartjbrown.com/
IG: @stuartjbrown_author

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through LACPFest - www.lacpfest.com

Support the show

Send us a text

Playwright. Screenplay Writer, and Novelist Lawrence C. Connolly streamed into Playwright's Spotlight and, as always, we touched base on many topics not covered in previous episodes. It never ceases to amaze me. In this discussion, we delve into adapting a novel and the allegory of Frankenstein, staging multiple locations on stage, the process of outlining a five-act play, approaching cross-talk amongst multiple characters, and the musicality of dialogue. We also we unpack flow state. the magic writing, staging and graphics on the stage as well as letting dialogue drive the dialogue and how to eliminate parentheticals. We wrap with the evolution of his writing career, the Doorway Effect, the Pittsburgh Market, and his approach of lighting and sound on the page. It's just another insightful episode where you'll walk away with more playwriting knowledge. Enjoy!

Lawrence Connolly is a novelist, screenwriter, and playwright. He is a writer on the podcast Mystery Theatre by Prime Stage Theatre which premiered his adaptation of Mary Shelly’s Frankenstein, and he was recently commissioned a play based on the life and works of Edgar Allan Poe, opens in November 2025 at Pittsburgh’s New Hazelett Theatre.

To watch the video format of this episode, visit - https://youtu.be/cjzOiW27laA

Resources mentioned in this episode -

Pittsburgh Public Theater -
https://ppt.org

Websites and Socials for Lawrence Connolly -
https://lawrencecconnolly.com

FB - https://www.facebook.com/LawrenceCConnolly
IG - @lawrence_c_connolly

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer


Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la

FB - fb.com/playnoir
- fb.com/punkmonkeyproductions


Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight


Playwriting services through LACPFest - www.lacpfest.com

Support the show