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James Elden's Playwright's Spotlight

James Elden's Playwright's Spotlight

Von: James Elden
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Playwright Spotlight features a new playwright every episode to discuss the tools of the trade and solutions to the obstacles we face as writers in hopes of making us all better and more successful playwrights.

© 2026 James Elden's Playwright's Spotlight
Kunst Unterhaltung & Darstellende Künste
  • Rings of Connection, Center the Work, and Building Trust and Sharing the Why - Playwright's Spotlight with Adrienne Torf and Raymond O. Caldwell
    Jan 27 2026

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    Playwright, pianist, and composer along with her collaborator Raymond O. Caldwell who is a director, producer, and artistic director of The Fountain Theatre in Los Angeles, CA, stopped by the studio to discuss their latest project - Poetry for the People: The June Jordan Experience. While our conversation did have a few technical setbacks, we were able to get back on track about their budding relationship, Adrienne's personal and collaborative relationship with June, building the team that would encapsulate the life and poetry of June as well as her importance to society and her concept of the "rings of connection." We unpack the process of combining conflicting visions in collaboration, the importance of trust and sharing a vision, and centering on the work. We also discuss introducing new elements durning the last few weeks of rehearsal, the evolution of different iterations, surprise revelations, unconventional storytelling, creating a through line from unconnected sources, and the secret to smooth transitions. It's wonderful back-and-forth that becomes a little silly at the end, but the whole conversation is insightful and entertaining. Enjoy!

    For tickets to Poetry for the People at the Fountain Theatre in Los Angeles from January 27th through March 29th, visit - https://www.fountaintheatre.com/events/poetry-for-the-people

    Adrienne Torf, is a playwright, pianist, and composer. In 2022, Adrienne co-devised the theater piece Poetry for the People: The June Jordan Experience with Raymond O. Caldwell at Theater Alliance in Washington DC. The show was awarded the 2023 Helen Hayes Theater Washington Award for Outstanding New Play or Musical Adaptation and enjoyed a second run in 2024. It is slated to run at the Fountain Theatre in Los Angeles in early 2026.Also set for production in 2026 is For Women Serving Time, an extended poem/opera for which she composed the score, with text by Fatemeh Keshavarz, produced by IN Series Opera in Washington, DC. Her community-collaboration performance piece The Awesome Difficult Work of Love, which was produced in Madison WI (2008), San Francisco (2012) and Sedona, AZ (2022), and will be produced in Flint, MI in Spring, 2026.

    Raymond O. Caldwell has written and adapted new works for Theater Alliance and the Kennedy Center, including Look Both Ways: A Tale Told in Ten Blocks from the book by 2024 MacArthur recipient Jason Reynolds. Prior to joining the Fountain Theatre he was the artistic director at Theater Alliance for six seasons where he directed, developed, and produced. He expanded the company’s digital footprint during the pandemic, developing, directing, and producing new works from emerging local artists.

    Links to sites and resources mentioned in this episode -

    www.fountaintheatre.com

    Socials for Adrienne Torf and Raymond O. Caldwell -

    www.adriennetorf.com
    IG - @adriennetorf
    FB - https://www.facebook.com/adriennetorf

    www.raymondocaldwell.com
    IG - @raymondocaldwell
    FB - https://www.facebook.com/raymondocaldwell

    Websites and socials for James Elden, Punk Monkey Production,s and Playwright's Spotlight -

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -


    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight


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    1 Std. und 14 Min.
  • Awards, AI, Adjusting for Casting, and Always Maybe - Playwright's Spotlight with Catherine Butterfield
    Jan 13 2026

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    After an excruciating knee-tweak, Catherine Butterfield streamed into the Playwright's Spotlight being laid up on the couch. Proof that playwrights will go above and beyond, so we were unable to do the originally planned in-person interview. In this episode, we breakdown layering stories in the same location throughout different eras, when it's time to share and direct one's work, and "stumbling" upon commissions and opportunities. We also delve into New York being a musical theatre bastion, the effect of AI on creativity, receiving, achieving, and the benefits of awards, and seeking out competitions. We dive into major city and smaller markets, the pros and cons of Equity Theatre, never locking decisions down, multiple drafts and plot twists, and adjusting for casting. If there are layers in playwriting, there are definitely layers to this interview. Enjoy!

    Catherine Butterfield is a playwright, screenwriter, and director. Her play Joined at the Head won the George E. Oppenheimer/New York Newsday Award for outstanding play by a first-time playwright. She has also received the Kennedy Center-American Express award for outstanding promise as a playwright; the Kaufman & Hart Award for best new American comedy for her play The Sleeper; and the Davie Award for best new play in regional theater for Life in the Trees. Her play Top of the World was a semi-finalist in the 2018 Eugene O'Neill playwriting competition and has been optioned for production in New York. Other plays include Electra, Revisited, include Life Expectancy, It Has to Be You, The Sleeper, Where the Truth Lies, Snowing at Delphi and Life in the Trees published by Dramatists Play Service, Samuel French and Playscripts, Inc.

    Her play Brownstone opens January 24th and runs through February 28th at the Atwater Village Theater in Los Angeles, CA. For tickets, visit - https://openfisttheatre.my.salesforce-sites.com/ticket#/events/calendar

    Website and Socials for Catherine Butterfield -

    www.catherinebutterfield.com

    IG - @catherine.butterfield
    FB - https://www.facebook.com/catherine.butterfield.129
    Bluesky - @cbutterfield.bsky.social

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight

    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

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    1 Std.
  • Gatekeepers, Pushing the Line, Independent vs Mainstream, and the Limitations of Specificity - Playwright's Spotlight with Isaac Laskin
    Dec 9 2025

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    In this episode, musical theatre playwright Isaac Laskin stopped by Playwright's Spotlight to talk about the the development and evolution of his hit L.A. musical Hey, Morgan. He dispels the rumor of being challenged to write a musical about a dear friend, how the origination started as individual standalone songs about his roommate and how it later evolved into a musical. We unpack its growth from a short-run, small-theater production into a bigger, longer running show which included a copy of the soundtrack for the audience to leave with. We discuss the logistics of the cast album, writing multilayered/tracked songs, comedy in the current climate, pushing the envelope and crossing the line, and putting it out into the public for outside production. It's an inspiring conversation, where even the most simple concepts and turn into much more ambitious projects. Enjoy!

    Isaac Laskin is a musical playwright, actor, director, musician, and screenwriter. His hit musical Hey Morgan ran the LA circuit at The Attic Theater in January 2011 and made a revival at the Black Dalia Theatre from 2011 through 2012. He is a former English Teacher at the prestigious Harvard-Westlake Upper School in Los Angeles.


    To watch the video format of this episode, visit - https://youtu.be/IqpqINTDCfY


    Links to sites and resources mentioned in this episode -

    The Geffen - https://www.geffenplayhouse.org

    Hey, Morgan on iTunes - https://music.apple.com/us/album/hey-morgan-original-cast-recording/1532877933

    Hey, Morgan on Spotify - https://open.spotify.com/artist/1wHV2oNiYxDpAgt68w9IYV?si=YIsPEbaVQ5WvlkbHzpsyKQ

    The Lincoln Bedroom on iTunes - https://music.apple.com/us/album/broken-record/1493495387

    Websites and socials for James Elden, PMP, and Playwright's Spotlight -

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la
    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight

    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html


    Support the show

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    52 Min.
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