In this episode, Dean Horswell chats with Dr. Nuria Godón about her most recent co-edited book, Dulce Dueño [Sweet Master] (Stockcero, 2025), and the importance of offering an accessible, critical, and annotated Spanish edition of the last novel by Spanish-Galician writer Emilia Pardo Bazán. The conversation highlights the novel's interpretation as a female Bildungsroman, moving beyond Pardo Bazán’s traditional naturalism toward modernist aesthetics. Co-edited with Dr. Carmen Pereira-Muro (Texas Tech University), the edition brings readers closer to the author’s feminist, critical, and prophetic vision across fields such as literature, gender and religious studies, philosophy, cultural history, and the health sciences. The episode concludes with an early look at Dr. Godón’s current research on water narratives and the literary portrayal of Spanish towns and communities submerged and displaced by dam construction.

Nuria Godón is Professor of Spanish and Hispanic Studies at Florida Atlantic University. Her research focuses on counterhegemonic discourses and questions of cultural identity in Hispanic literature and film. She has published more than twenty scholarly essays and four volumes on gender-related issues, including her monograph La pasión esclava: Alianzas masoquistas en La Regenta [Enslaved Passions: Masochist Alliances in La Regenta] (Purdue University Press, 2017). Among her most recent publications is the critical and annotated edition of the modernist novel Dulce Dueño [Sweet Master] by Emilia Pardo Bazán, co-edited with Carmen Pereira-Muro (Stockcero, 2025). Among her current projects are a monograph on submerged towns in Spain and a co-edited volume with Carrie Ruiz on the representation of contagious diseases in Spanish literature.

In this episode, Dean Horswell chats with Dr. Nuria Godón about her most recent co-edited book, Dulce Dueño [Sweet Master] (Stockcero, 2025), and the importance of offering an accessible, critical, and annotated Spanish edition of the last novel by Spanish-Galician writer Emilia Pardo Bazán. The conversation highlights the novel's interpretation as a female Bildungsroman, moving beyond Pardo Bazán’s traditional naturalism toward modernist aesthetics. Co-edited with Dr. Carmen Pereira-Muro (Texas Tech University), the edition brings readers closer to the author’s feminist, critical, and prophetic vision across fields such as literature, gender and religious studies, philosophy, cultural history, and the health sciences. The episode concludes with an early look at Dr. Godón’s current research on water narratives and the literary portrayal of Spanish towns and communities submerged and displaced by dam construction.

Nuria Godón is Professor of Spanish and Hispanic Studies at Florida Atlantic University. Her research focuses on counterhegemonic discourses and questions of cultural identity in Hispanic literature and film. She has published more than twenty scholarly essays and four volumes on gender-related issues, including her monograph La pasión esclava: Alianzas masoquistas en La Regenta [Enslaved Passions: Masochist Alliances in La Regenta] (Purdue University Press, 2017). Among her most recent publications is the critical and annotated edition of the modernist novel Dulce Dueño [Sweet Master] by Emilia Pardo Bazán, co-edited with Carmen Pereira-Muro (Stockcero, 2025). Among her current projects are a monograph on submerged towns in Spain and a co-edited volume with Carrie Ruiz on the representation of contagious diseases in Spanish literature.

In this episode, Dean Horswell chats with Rachel Harris about her recent research on the IDF archive and the early formation of Israeli film culture. Their conversation moves beyond the finished article to the process itself: what it means to actually undertake archival research, to work inside military and state archives, and to piece together a history from fragmentary, uneven, and sometimes resistant sources. They discuss the intellectual and methodological stakes of reading institutional archives critically, the challenges of access and interpretation, and how archival discoveries can reshape established narratives about cinema, nation-building, and cultural production. The episode offers a behind-the-scenes look at how archival work happens—and why it matters.

Rachel S. Harris occupies the Gimelstob Eminent Scholar Chair for Judaic Studies, and is a Professor of Film and Multimedia Studies at Florida Atlantic University where she also directs the Program in Jewish Studies. Prior to this, she was an Associate Professor of Comparative and World Literature and The Program in Jewish Culture & Society at the University of Illinois, Urbana-Champaign (2009-2022). She was also was the Shoshana Shrier Distinguished Visiting Professor at Toronto University. She is active in the Association for Jewish Studies where she served as the chair of the Women's Caucus (2017-2019) and the Association for Israel Studies where she served two terms on the board (2015-2019) and Chaired the 37th Association for Israel Studies Annual Conference "Pluralistic Israel: Women, Minorities and Diversity" in 2021. She has served on the committee for the Yonathan Shapiro Award for Best Book in Israel Studies (2019-2022) and as its chair (2021-2022).

Harris is the author of Warriors, Witches, Whores: Women in Israeli Cinema (2017) and An Ideological Death: Suicide in Israeli Literature (2014). She is the co-editor of Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema (2021) with Dan Chyutin which won The Janovics Center Best Book Award for Outstanding Humanities Research in Transnational Film and Theatre Studies, 2021. She edited Teaching the Arab-Israeli Conflict (2019), and with Ranen Omer-Sherman she edited Narratives of Dissent: War in Contemporary Israeli Arts and Culture (2012).

She is the editor in chief of the Journal of Jewish Identities.