In this episode, Perrin sits down with Craig McGowan, a Brisbane-based landscape photographer who balances a career spent in offices and meetings with a passion for some of the world's most remote places, from the frozen landscapes of Ellesmere Island to the old growth forests of Tasmania.

Craig talks about how a teenage Olympus OM-1 and a library full of technical books first drew him to photography, the free Saturday morning photo walks in Fremantle that introduced him to a community of fellow photographers, and the Patagonia workshop where a woman using a camera she barely knew how to operate completely changed how he thought about composition.

He gets into why he heads out when the forecast looks bad, the morning his fingers stopped working while photographing musk oxen at minus 30 degrees, and how printing his work during COVID became the single biggest influence on his photography. He also shares why he states that every image is made without AI, the little jetty he has photographed hundreds of times, and the multi-year forest project that keeps drawing him back to Tasmania.

Check out the episode article here

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In this episode, Perrin sits down with John Shephard, a panoramic landscape photographer who has spent over 30 years shooting exclusively on slide film with swing lens and rotating lens cameras, a format that has all but disappeared from serious landscape work today.

John talks about his four year apprenticeship under renowned panoramic photographer Ken Duncan, including a trial by fire two week trip that taught him what real dedication to the craft looks like, and the moment Ken sent him to shoot the closed Statue of Liberty with a single instruction: figure it out.

He gets into what makes his swing lens Noblex and fixed lens Hasselblad X-Pan 2 so different from standard cameras, why he still shoots on Velvia 50 slide film for its rich saturation despite how difficult it is to source, and the decades-long America Wide book project that has taken him across all 50 states. He also opens up about his closing philosophy on photography: staying out of his own way, remaining open to what a place wants to show him, and never wanting to feel like he has mastered anything at all.

Check out the episode article here

Want to talk photography with me outside the show? Join the Great Big Photography World community. I'm in there regularly, and you'll get your own free photography listing page for others to discover you too. Free through December 2026: https://greatbigphotographyworld.com/

In this episode, Perrin sits down with Felix Inden, a German landscape and nature photographer who has spent over a decade chasing dynamic weather and demanding conditions around the world, building a career that blends photography expeditions, workshops, and years of patience in the field.

Felix talks about why some of his favorite images sit unedited for up to ten years before he's finally ready to work on them, how a background in mountain biking taught him to stay out in rough weather rather than retreat from it, and the field method he developed for quickly reading a scene, from finding a dominant anchor subject to keeping distracting elements away from the edges of the frame.

He gets into what it means to be full time in photography without necessarily being a full time photographer, the imposter syndrome that creeps in when a shot doesn't turn out the way he pictured it, and why he has learned to let go of Plan A and embrace whatever the day actually gives him.

Check out the episode article here

Want to talk photography with me outside the show? Join the Great Big Photography World community. I'm in there regularly, and you'll get your own free photography listing page for others to discover you too. Free through December 2026: https://greatbigphotographyworld.com/