Call 'Em Like Museum with Eric Johnson Titelbild

Call 'Em Like Museum with Eric Johnson

Call 'Em Like Museum with Eric Johnson

Von: LightningPod
Jetzt kostenlos hören, ohne Abo

Saisonale Sparangebote | 0,99 € pro Monat für die ersten 3 Monate

Danach 6,99 €/Monat. Bedingungen gelten. Monatlich kündbar.
Call 'Em Like Museum is a weekly podcast exploring how museums really work, and why we love them. Host Eric Johnson talks with museum directors, curators, experts, and passionate fans about what drives them, from homegrown passion projects to world-famous institutions. Each episode digs into museum curation, exhibit design, and the visitor experience — plus the essential question: What's actually worth buying in the gift shop? Season One spotlights museums in the San Francisco Bay Area, including the Walt Disney Family Museum, the de Young Museum, and the Winchester Mystery House.©️ 2026 Bumblebee Media LLC Kunst Welt
  • Hauntings, astronauts, and warplanes on the USS Hornet (with Laura Fies)
    Oct 20 2026

    "I consider ghost stories the clickbait of history," says Laura Fies, Executive Director of the USS Hornet Museum. While supernatural tales are a fun thrill for visitors, they also serve as a powerful accessory to historical education.

    "We will teach them history... We'll inject it somehow and they'll walk away knowing something more," Laura explains. "And if we have to wrap it into a ghost story, so be it."

    As a premier destination for history buffs, tourists, and paranormal investigators alike, the USS Hornet offers something for everybody: Spooky supernatural tours, massive military aircraft, carefully preserved World War II uniforms, and fascinating wartime artifacts—including the crew's original recipe for baking 7,000 donuts at sea.

    Today on Call 'Em Like Museum, Laura discusses the unique challenges of running a “midsize museum in a big museum body.” She explains how the Hornet’s exhibits successfully put visitors into the mindset of ordinary enlisted men during World War II, and highlights the crucial role the legendary ship played in recovering astronauts during the Apollo 11 and 12 space missions.

    Full transcript of this episode

    Subscribe to the newsletter

    This episode was hosted, produced, and edited by Eric Johnson from LightningPod

    Chapters

    • (00:00) - Introduction
    • (04:49) - Boarding the USS Hornet Museum
    • (08:55) - The Apollo 11 mobile quarantine facility
    • (11:00) - Daily life for a WWII sailor
    • (15:10) - Why the USS Hornet is considered haunted
    • (24:16) - Maintaining an 894-foot aircraft carrier
    • (34:39) - Operating the museum without federal funding
    • (41:11) - Baking 7,000 donuts during battle stations
    • (44:38) - Stealing ideas from other museums

    Music: www.purple-planet.com


    Images:
    Museum of Ice Cream
    Exploratorium
    Charles Schulz Museum
    NASA Snoopy Poster

    Mehr anzeigen Weniger anzeigen
    49 Min.
  • Everyday life & afterlife in ancient Egypt (with Renée Dreyfus)
    Oct 13 2026

    Vote for Call 'Em Like Museum in the 2026 Signal Awards


    If you learned about ancient Egypt in school, you likely heard a lot about pharaohs, tombs, and elaborate death rituals. A new exhibition at the de Young Museum juxtaposes this familiar royal history with the lives and afterlives of ordinary citizens. Here, you'll find golden jewelry and shining sarcophagi, but also everyday objects you have likely never seen before: a baby's rattle, a stone headrest, and a jar for cured meat.

    "We are learning so much more about how people lived who were not royalty," says Renée Dreyfus, the curator in charge of ancient art at Fine Arts Museums of San Francisco.

    Renée oversaw the American debut of "Treasures of the Pharaohs," which expands our understanding of ancient Egyptian culture, fueled by archaeologist Zahi Hawass's recent excavation of the Golden City near Luxor.

    Today on Call 'Em Like Museum, we talk about how ordinary people lived, worked, and prepared for an afterlife in ancient Egypt; Renée's collaborative work with global institutions like the Egyptian Museum in Cairo and the Luxor Museum; and what she has learned during her remarkable 50 years working at FAMSF. Plus: Why the most interesting object in the whole exhibition might just be a wooden chair.

    Full transcript of this episode

    Subscribe to the newsletter

    This episode was hosted, produced, and edited by Eric Johnson from LightningPod

    Chapters

    • (00:00) - Introduction
    • (04:07) - What museums means to Renée
    • (07:02) - Misconceptions about Ancient Egypt
    • (13:37) - The Golden City & regular people
    • (22:55) - Renée's favorite object in the exhibition
    • (31:46) - Curating King Tut 30 years apart
    • (37:34) - The Etruscans exhibit
    • (40:29) - What to buy in a museum gift shop

    Music: www.purple-planet.com


    Images:
    Several images courtesy Fine Arts Museums of San Francisco
    The de Young Museum
    The Legion of Honor
    Vincent Price
    Brooklyn Museum
    The Golden City of Aten
    Amenhotep III
    Zahi Hawass
    Sitamun


    Videos:
    Video from Treasures of the Pharaohs, courtesy of Fine Arts Museums of San Francisco

    Mehr anzeigen Weniger anzeigen
    43 Min.
  • How do we actually make museums more diverse? (with Peggy Levitt)
    Oct 6 2026
    Vote for Call 'Em Like Museum in the 2026 Signal AwardsGood museums are centers of art, culture, and education. But the richest and most famous museums are clustered in North America and Europe, and that matters more than you might realize.Sociologist and Wellesley College professor Peggy Levitt describes herself as a decenterer for just that reason. In her books "Artifacts and Allegiances" and "Move Over Mona Lisa," she has explored how art has been shaped by colonialism, globalization and inequality.In "Move Over Mona Lisa," Peggy asks what it might take to decenter this world. Historically, she explains, many well-intentioned museums have diversified their collection by invited artists from the Global South to relocate to Paris, London, or New York. But the center has not moved."There are people that are looking for a harder reform," Peggy says. "So they are happy to take less critical acclaim, less financial acclaim, if they can create their own institutions, their own networks of circulation, their own nodes of activity that don't rely on North America or Europe for permission or facilitation."Today on Call 'Em Like Museum, we talk about how museums can represent the whole world more fairly; whether artists in the Global South should entirely opt out of the existing systems; and the importance of "having a spine" when your museum comes under scrutiny from donors & politicians.Full transcript of this episodeSubscribe to the newsletterThis episode was hosted, produced, and edited by Eric Johnson from LightningPodChapters(00:00) - Introduction(04:11) - Museums and Nation Building(13:53) - Culture Wars at the Smithsonian(15:32) - How to Read Power in Museum Spaces(21:11) - Globalization, Colonialism, and Immigration(25:53) - Who Drives Change in Museums?(30:37) - Move Over, Mona Lisa: Decentering Art(36:49) - Opting Out of Traditional Centers of Power(40:41) - Standing Up to Museum Donors(42:38) - Gift Shops and Favorite MuseumsMusic: www.purple-planet.comPeggy's Books:Artifacts and Allegiances: How Museums Put the Nation and the World on DisplayMove Over, Mona Lisa: Reimagining What We Read, Look At, and LearnImages:Met Christmas TreeDanish VikingsMuseum of Islamic ArtNational Museum of SingaporeSmithsonian National Museum of American HistoryMusée nationale de l'histoire de l'immigration
    Mehr anzeigen Weniger anzeigen
    48 Min.
adbl_web_anon_alc_button_suppression_t1
Noch keine Rezensionen vorhanden