Lancaster, Pennsylvania-born, Nashville-based songwriter Maya de Vitry has been on Basic Folk a half dozen times (she's only second to our fave man-bestie Mark Erelli), because we are so obsessed with her songwriting perspective, from her time in the Stray Birds to her solo work. Every time she's on the show, we try and do something special. She's been on with her siblings (Nina & Lyle), her partner (Ethan Jodziewicz), and her musical besties (Shelby Means & Joel Timmons). When we heard about her fifth studio album, 'All My Faith,' we knew we had to raise the Basic Folk bar on one of the best working songwriters today. When I (Cindy) first heard Maya play these songs live, I thought they were next level. Even though I'm not a musician or songwriter of any kind, I really wanted to know why they were so incredible. I thought it would be a cool exercise to get other songwriter friends of Maya's together to dig deep and explain what's happening with Maya's writing. What is it about the lyrics, the phrasing, the melodies that is really outstanding?

Maya was down with this idea and invited Ana Egge, Caitlin Canty, John Craigie, Kristin Andreassen, and Oliver Wood on this episode of Basic Folk, so we could hear from some of HER favorite writers about these new songs. We had everyone here listen to the record a few times before recording the podcast; Maya shared the lyrics, album credits, and a track-by-track write up for the songs. She chose three songs for each person to specifically dig into, but of course everyone is free to share comments on any songs. We knew it was going to be a great experience, but it turned out even better than we had hoped. The insight these writers share intensify Maya's new songs and give an even greater understanding of why they make such an impact.

Notes from Maya:

I still can’t believe that across several time zones and with their own busy touring schedules, Oliver Wood, Caitlin Canty, Kristin Andreassen, Ana Egge, and John Craigie were down to make this happen. Cindy Howes of Basic Folk dreamed up this idea for me to ask 5 of my favorite songwriters to talk about my record. I met Caitlin Canty the first time I went to NERFA with The Stray Birds, I first heard an Ana Egge song on a Slaid Cleaves CD from the Lancaster Public Library back in PA, Kristin Andreassen writes some of the most timeless feeling melodies you’ll ever hear and created the transformational Miles of Music camp, John Craigie invited me out to open shows for him and I learned so much from him and his brilliant songwriting, and Oliver Wood’s voice and writing and sense of phrasing and space has been in my bones since high school when I would go to see his then-duo with his brother Chris. I’ll never stop going on about how music exists in an ecosystem, and for as much as we talk about independence, interdependence is where it’s at — and the fact is I just wouldn’t be who I am without the influence, mentorship, encouragement, and experiences of other musicians in my community. These are 5 songwriters and music makers whose craft — and ways of being — I admire so deeply.

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Lizzie No, Kaïa Kater, Nathan Evans Fox, Olivia Ellen Lloyd, Tray Wellington, A.J. Haynes, and more are featured on the new compilation album 'Outlaws’ Almanac,' a response to the 250th anniversary of the United States of America. Led by executive producer Lizzie No, the project features a diverse range of songwriters and storytellers working in broadly-defined folk, Americana, and roots traditions. Lizzie envisioned the compilation as an opportunity to be in conversation with the American project, taking an oft-overlooked perspective. Their curation centers Black, brown, Indigenous, queer, rural, and women’s voices, with traditional and contemporary music melding in a manner that brings to mind America’s promise of being a melting pot.

Lizzie and Kimaya join Basic Folk for a candid and vulnerable conversation about the project and its inspirations. We talked about how they each relate to outlaws and the difference between them and those tasked with protection within the law. We also talked about the significance of the album art by Mia Kristen, a folk art-inspired painting of a woman with a guitar riding a donkey surrounded by corn and flowers. I (Cindy) get into the details of some of the bungled celebrations of America's major birthdays (namely the 100th and the 200th) and why those celebrations continually leave out marginalized and overlooked voices. We talk about how there are Black people in the future and why that is actually a radical idea in 2026. We end with a light hearted Lightning Round called "IS THIS OUTLAW?" Thanks to Lizzie and Kimaya for being so open and honest in this intense and special conversation.

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Back in the mid 2000's Alela Diane's Gospel Pirate album was ringing my bell and apparently, it was ringing a lot of other people's bells, too, especially Europeans. Alela's debut album went gold in France and she's been able to maintain a pretty decent audience and career across the Atlantic. Meanwhile, at home in The States (she's based in Portland, OR), after 2013, she remained relatively unknown and undiscovered and that was just fine with her. She worked on her music, occasionally flew over to Europe to tour, played local gigs and raised her two daughters with her husband in their 1892 victorian mansion. While they were renovating their crazy old house, they also got their daughters' a landline and a CD player each along with their old CD collections. Everything was pretty chill and great. Then her friend and mentor Michael Hurley, the godfather of freak folk, died last year at the age of 83.

After playing a tribute show to Michael, she started connecting with her Portland music community. She would go to shows, inviting people like Anna Tivel over, starting to collaborate with others in town. This all led to her new album, Who’s Keeping Time? This time around, she is really going full stop on a huge tour where she will be gone roughly 40% of the time from May through December of this year. It feels like a huge return for the singer-songwriter who is feeling so inspired by creating, collaborating and being in community again.

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