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The Need for Words

Voice and the Text

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The Need for Words

Von: Patsy Rodenburg
Gesprochen von: Patsy Rodenburg
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Bloomsbury presents The Need for Words, written and read by Patsy Rodenburg.

As one of the world’s leading voice coaches, Patsy Rodenburg describes practical ways to approach language, using Shakespeare, Romantic poetry, modern prose and a range of other texts to help each of us discover our own unique need for words.

In Part One Rodenburg attacks the myth that there is only one correct way to speak by clearing away the blocks that can make language inaccessible. Part Two, a series of language and text exercises, connects the voice to the shape and quality of individual words and phrases.

Drawing on Rodenburg’s time spent coaching in the worlds of business and politics, this edition reflects on how the way we use words has changed since the book was first published. It brings a renewed focus on the language of power, spoken in the worlds of politicians and company directors. This gives readers an insight into the potency of clear, direct communication. Language and text exercises provide readers with unmediated access to this new research, allowing them to practice and master the language and words that drive the modern world.

Foreword by Antony Sher.©1993 Patsy Rodenburg (P)2026 Bloomsbury Publishing PLC
Unterhaltung & Darstellende Künste
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Kritikerstimmen

I know Patsy to be a gifted voice and speech coach. In The Need for Words she provides practical and imaginative means for getting to the heart of the text and making the necessity for the language to be strongly felt by audiences. I do recommend it to anyone who needs to use words with clarity and passion.
Playwrights, a complacent lot, tend to think that their text says it all. Grudgingly conceding the role of the director, they still think the words speak for themselves. They don't, and in this excellent book, Patsy Rodenburg shows why.
The Need for Words is an astonishing book. It takes you on an extraordinary voyage of discovery through the worlds of language and texts. Every actor and non-actor should know it and read it.
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