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The Garden

Our 4,000 Year Quest for Paradise

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The Garden

Von: Jonathan Bate
Gesprochen von: Jonathan Bate
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'A stroll round 4,000 years of gardens, from Eden to Monet… It is panoramic in scope but also delights in getting down and dirty with the detail' THE TIMES

The Times'Fascinating in its literary focus and magisterial in its sweep, The Garden is a must-have book' SUE STUART SMITH

From the Garden of Eden to Gethsemane, from the Hanging Gardens of Babylon to the pleasure gardens of Versailles, from the Zen gardens of Kyoto to the landscapes of Capability Brown and New York's High Line, the garden has always been far more than somewhere to grow things. It is where humanity has worked out its relationship with the natural world — the place where culture, spirituality and nature converge. An inspiration for poets, painters and philosophers across four thousand years and every civilisation on earth.

In this magnificent work of scholarship, one of our greatest literary critics and cultural historians takes us on an extraordinary journey through the gardens of both the world and the human imagination. Sweeping in scope and ambition, this sumptuous and richly illustrated book reveals the garden as a place where we have always worked out our deepest longings for beauty, order, innocence and belonging. Drawing on poetry, painting, philosophy, mythology and religion — from Ovid and the Song of Solomon to Shakespeare, Jane Austen and Emily Dickinson — he shows how the garden has inspired our greatest art and consoled us in our darkest hours.

Here is the space where, as Andrew Marvell wrote, we may annihilate ‘all that's made / To a green thought in a green shade’ — that perfect, paradoxical stillness in which the mind empties itself into nature and finds itself restored.

Gardening is the most popular leisure activity in Britain. More than 27 million of us tend a plot, a window box, a rooftop or a patch of earth. Illustrated with more than 150 beautiful images, this book reminds us that it is to the garden, private and public, that we turn for solace, sustenance and sanity. It is a reminder that wherever we human beings have settled, we have reached, instinctively, towards the garden.

©2026 Jonathan Bate (P)2026 HarperCollins Publishers
Anthropologie Gartenarbeit & Gartenbau Popularkultur Sozialwissenschaften Welt Wissenschaft
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Kritikerstimmen

'A stroll round 4,000 years of gardens, from Eden to Monet… It is panoramic in scope — even Capability Brown could not have improved on this 4,000-year vista — but also delights in getting down and dirty with the detail. The millennia are subdivided into 32 chapters, many of which feel like gems in themselves'
The Times
‘It is both scholarly and relaxed, ambitious and kindly, bringing complicated ideas and feelings down to earth and grounding us in the humble human joy of real and imagined gardens'
Spectator
‘The book’s prose is clear, elegant and punctuated by humour'
TLS
‘From Eden to New York’s High Line, this richly illustrated cultural history explores 4,000 years of gardens – and what they reveal about humankind’s relationship with nature'
i Paper
PRAISE FOR BRIGHT STAR, GREEN LIGHT:
‘Keats is unmissably present throughout Fitzgerald’s work … [Bate] borrows a classic form to pay tribute to the broadest, extratemporal similarities between Keats and … Fitzgerald’
Sunday Times
‘Keats was Fitzgerald’s guiding star … An energetic and highly engaging game of literary ping-pong across the ages. Life, writing and inspiration are served and returned in a rapid rally of ideas … What an immensely charismatic pair they are … Powerful … Go now, read this book’
Laura Freeman, The Times
‘A daring, dizzying attempt to connect Keats and F Scott Fitzgerald has plenty to take pleasure in … Bate, whose recent biography of Wordsworth I admired, is at his best when he zeroes in on the work: his feeling for it, by being so exacting, is infectious, especially in the case of Keats … But in the end, the principal achievement of this pairing is to remind us of the way that literature connects us’
Rachel Cooke, Observer
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