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Ravenous

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Ravenous

Von: Dax Dagger
Gesprochen von: Christopher Ragland
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Stranger Things meets Misery in this twisted, cosmic horror

'This felt like being beaten about the head by a pillowcase filled with WTF!' ⭐⭐⭐⭐⭐

'Tears the roof off the haunted house genre.' T.J. PAYNE

'Will confirm your deepest fears.' DANE ERBACH

Some stories should stay unfinished.

Whistler Dodd is dead. The acclaimed horror author is survived only by his final, unfinished, manuscript.

Kirk Quade has the opportunity of a lifetime. The struggling author must finish writing the book if he wants to receive a two-book deal with Dodd’s publisher.

There’s just one rule: if Dodd turns up, don’t let him finish the novel. Sequestered in the dead author's house, Kirk is determined to prove himself. But as he delves into Dodd's haunting world, he uncovers more than just words on a page.

The monsters lurking in the shadows are very real – and they’re hungry. Time is running out and Kirk must choose between achieving everything he’s ever dreamed of, or saving his sanity – and the world.

'Fun, bloody and ambitious … had a hell of a good time.' KEITH ROSSON

'Wild, unpredictable … dives headlong into the mouth of madness.' COLLIN ARMSTRONG

©2026 Karin Nordin Horror
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Kritikerstimmen

‘Tears the roof off the haunted house genre with a tale that twists and morphs like the cruelest of nightmares, proving that nothing is more unnerving than a peek inside a horror writer’s imagination.’ T.J. Payne, author of Intercepts
'Fun, bloody and ambitious, Ravenous pays homage to cosmic horror and the pitfalls of the writer's life in equal measure. Had a hell of a good time with this one.' Keith Rosson, author of Coffin Moon
'Feels like a steady stroll into insanity. If you've ever wondered about the dark realities that lurk behind your favorite horror novels, Ravenous will confirm your deepest fears.' Dane Erbach, author of Meat Bees
'Mind-bending, bone-snapping … dives headlong into the mouth of madness. Wild, unpredictable and deeply human, it pulls rugs and doubles back on itself with devilish precision.' Collin Armstrong, author of Polybius
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