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Railsea

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Railsea

Von: China Miéville
Gesprochen von: Jonathan Cowley
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On board the moletrain Medes, Sham Yes ap Soorap watches in awe as he witnesses his first moldywarpe hunt: the giant mole bursting from the earth, the harpoonists targeting their prey, the battle resulting in one’s death and the other’s glory. But no matter how spectacular it is, Sham can't shake the sense that there is more to life than traveling the endless rails of the railsea–even if his captain can think only of the hunt for the ivory-coloured mole she’s been chasing since it took her arm all those years ago. When they come across a wrecked train, at first it's a welcome distraction. But what Sham finds in the derelict—a series of pictures hinting at something, somewhere, that should be impossible—leads to considerably more than he'd bargained for. Soon he's hunted on all sides, by pirates, trainsfolk, monsters and salvage-scrabblers. And it might not be just Sham's life that's about to change. It could be the whole of the railsea.

From China Miéville comes a novel for readers of all ages, a gripping and brilliantly imagined take on Herman Melville's Moby-Dick that confirms his status as "the most original and talented voice to appear in several years." (Science Fiction Chronicle) Abenteuer Belletristik Coming of Age Fantasy & Magie Literatur & Belletristik Science Fiction Science Fiction & Fantasy
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Kritikerstimmen

“Other names besides [Herman] Melville’s will surely come to mind as you read this thrilling tale—there’s Dune’s Frank Herbert. . . . But in this, as in all of his works, Miéville has that special knack for evoking other writers even while making the story wholly his own.”—Los Angeles Times

“[Miéville] gives all readers a lot to dig into here, be it emotional drama, Godzilla-esque monster carnage, or the high adventure that comes only with riding the rails.”—USA Today

“Superb . . . massively imaginative.”—Publishers Weekly (starred review)

“Riveting . . . a great adventure.”—NPR

“Wildly inventive . . . Every sentence is packed with wit.”—The Guardian (London)
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