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No Plot, Just Filth

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No Plot, Just Filth

Von: Maven Ashcroft
Gesprochen von: CA Montana
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Seven nights. Seven strangers. Zero interest in slowing down.

No Plot, Just Filth is exactly what it says — a collection of standalone erotic interludes with no buildup you don't want and no aftermath you didn't ask for. Whatever you're craving, one of these seven will scratch it.

18+ only. Explicit content throughout.

  1. Velvet Lotus: Three Queens, One Toy (MFFF) Bangkok's most exclusive club doesn't run on money — it runs on control. Lek, Mali, and Nok have a rule for every first-timer: you don't touch unless they say so. One tourist is about to learn exactly how far that rule goes, and how little say he has in what happens after.
  2. Bound in Velvet and Vengeance (MF )She shows up early, on purpose, because she knows what that does to him. He ties her up because she asked — but by the end of the night, neither of them is sure who's really giving the orders.
  3. Bound to Her Dark Desires (FF) Lena doesn't approach women — she selects them. One look across a crowded club, one crooked finger, and a stranger finds herself following a whip and a promise into a back room built for exactly this.
  4. The Gazebo's Price (FMMMMM) An old park gazebo has a reputation, and tonight she's here to find out if it's earned. One man becomes two, then three, then more — each one taking his turn, each one raising the price.
  5. Thicker Than Blood (MFM) A jazz club pickup goes exactly as planned — until his brother walks in and the plan changes completely. Some things, it turns out, run in the family.
  6. The Art of Surrender (MF) Damian doesn't do slow. Neither does she — not tonight, not with a lie about her job already on her tongue and his hand already on the small of her back. One night, no names that matter, no regrets in the morning.
  7. Whiskey and Leather (FM) He's always been the one in control — in the boardroom, and everywhere after. Elena has other plans. Three knocks, one hotel room, and a crop he brought for himself that ends up being used on him instead.

©2026 Maven Ashcroft (P)2026 Maven Ashcroft
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