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One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Ocean Vuongs neues, atemberaubendes Werk nach dem Welterfolg von Auf Erden sind wir kurz grandios. Der queere Hai, Sohn einer vietnamesischen Mutter, lebt in East Gladness, einer heruntergekommenen Industriestadt in New England. Überall hängen die Schilder der Obama-Kampagne "Yes, we can", doch Hai schluckt Pillen und denkt an Selbstmord. Bis er Grazina aus Litauen kennenlernt, eine Überlebende des Zweiten Weltkriegs, in deren Kopf noch die Stimmen der Opfer schwirren. Beide verbindet eine innere Verwundung.

"Lass mich von vorn anfangen. Ma ..." Der Brief eines Sohnes an die vietnamesische Mutter, die ihn nie lesen wird. Die Tochter eines amerikanischen Soldaten und eines vietnamesischen Bauernmädchens ist Analphabetin, kann kaum Englisch und arbeitet in einem Nagelstudio. Sie ist das Produkt eines vergessenen Krieges. Der Sohn, ein schmächtiger Außenseiter, erzählt – von der Schizophrenie der Großmutter, den geschundenen Händen der prügelnden Mutter und seiner tragischen ersten Liebe zu einem amerikanischen Jungen.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

The Emperor of Gladness follows a wayward young man in New England who, out of sheer chance, becomes the caretaker for an 82-year-old widow living with dementia. Hallmarks of Vuong's writing - formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness - are on full display in this masterful story of friendship and how much we’re willing to risk to possess one of life’s most treasured mercies: a second chance.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Un joven que se descubre a sí mismo en su doble condición de inmigrante y homosexual. Un libro valiente y conmovedor. Un hijo le escribe una larga carta a su madre, que no sabe leer. La carta es en realidad un examen de conciencia, un repaso a los elementos clave que han ido conformando su identidad: como hijo de una familia de vietnamitas que huyeron de su país rumbo a Estados Unidos y como joven que descubre y asume su homosexualidad.

In an audiobook that challenges everything you thought you knew, W. Chan Kim and Renee Mauborgne assert that tomorrow's leading companies will succeed, not by battling their rivals for market share in the bloody "red ocean" of a shrinking profit pool, but by creating "blue oceans" of untapped new market spaces ripe for growth.

Der herzzerreißende Auftakt der Between us-Reihe von Nina Bilinszki: Was macht das Leben aus, wenn dein größter Traum zerstört wurde? Avery Cole will nichts anderes als Ballett tanzen, doch dann zerstört ein schwerer Autounfall ihren Lebenstraum. Sie wird nie wieder tanzen können. Am Boden zerstört beginnt Avery ein Studium am LaGuardia Community College - obwohl sie eigentlich gar nicht weiß, was sie mit ihrem Leben anfangen soll. Und dann begegnet sie in ihrer ersten Vorlesung auch noch einem Typen, der arrogante Kommentare über ihre Verletzung ablässt.

Zeit ist Geld – das gilt in Ocean City buchstäblich. Als Jackson und Crockie einen Weg finden, die Zeitkonten zu hacken, werden sie zu Gejagten des Geheimdiensts und geraten in ein perfides politisches Spiel. Eine packende Action-Trilogie von den renommierten Kinder- und Jugendbuchautoren Christian Tielmann und Frank Maria Reifenberg, die gemeinsam unter dem Pseudonym R. T. Acron schreiben.

In the first line of Ocean State, we learn that a high school student was murdered, and we find out who did it. The story that unfolds from there with incredible momentum is thus one of the buildup to and fallout from the murder, told through the alternating perspectives of the four women at its heart. The murderer Angel, her mother Carol, and the victim Birdy, all come alive on the page as they converge in a climax both tragic and inevitable. Watching over it all is the retrospective testimony of Angel’s younger sister, Marie.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Three young brothers leave Los Angeles in the dead of night for Iran, taken by their father from their mother to a country and an ancestral home they barely recognize. They return to the Valley months later, spit back into American life and changed in inexorable ways. Under the California sun, our protagonist, the youngest brother, begins to piece together a childhood shattered by his father's violence, a queer adolescence marked by a shy, secret love affair with a boy he meets on the basketball court, and his ever-changing status as a Muslim in America.

La guerra, l'amore per una madre e per la lingua d'adozione, l'emigrazione, la violenza, l'identità, la scoperta del corpo e della perdita, una vita intera a capire cosa significa diventare cittadini di un altro paese: il romanzo d'esordio del poeta Ocean Vuong (T.S. Eliot Prize 2017) è la rivelazione dell'ultima stagione editoriale negli Stati Uniti, considerato dalla critica l'emblema di cosa può essere il romanzo americano. Little Dog, la voce di questo romanzo di esordio tradotto in tutto il mondo, ricostruisce in una lettera alla madre la storia della sua famiglia.

Born in, and named after, Thailand's Khao-I-Dang refugee camp, Y-Dang Troeung was - aged one - the last of 60,000 Cambodian refugees admitted to Canada, fleeing her homeland in the aftermath of Pol Pot's brutal Khmer Rouge regime. In Canada, Y-Dang became a literal poster child for the benevolence of the Canadian refugee project - and, implicitly, the unknowable horrors of Khmer Rouge-era Cambodia. In Landbridge, a family and personal memoir of astonishing power, Y-Dang grapples with a life lived in the shadow of pre-constructed narratives.