Ergebnis gesprochen von "Patrick James" in Alle Kategorien

Bernardo has gone and his intelligent house misses him desperately. Designed to meet all her master's needs, she is his cook, maid, secretary, lover, and secret refuge from the world. Now she struggles to cope with his loss. On the edge of madness, she is saved by the arrival of a damaged young girl, who will teach her what it means to be human.

In this wild and funny tale, a sentient television show is struggling to survive the death of her main character. Her ratings are plummeting, her live audience is comatose, her new star has stage fright, and her guest star is gleefully upstaging her entire cast. What's a show to do? Maybe cut a deal with the devil?

A man in a bar has a headache, but it's not from drink. Rather, it is because in the distant future, a collective consciousness is experimenting with his cryogenically-preserved corpse. What's the cure for being dead?

Waiting in a doctor's office sure can suck the life out of you. Unless...."Could Be Worse" is a never-before-published story, written and narrated by Hugo and Nebula Award-winner James Patrick Kelly.

In Illusive Secrets2: Embracing Your True Self, McDonald continues his candid demonstration of the capacity self-honesty has to change our lives. Through each self-deception McDonald shares, he empowers us to look at our own lives with transformative honesty and tempts us to find the small measure of willingness needed to meet our true selves.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. Combining personal memoir and ethnographic storytelling, Modern Families tells a variety of unconventional family-creation tales - adoption and assisted reproduction, gay and straight parents, coupled and single, and multi-parent families - set against the social, legal, and economic contexts in which they were made.

The kinds of families we see today are different than they were even a decade ago, some fantastically so, as paths to parenthood have been rejiggered by technology, activism, and law. In Modern Families, Joshua Gamson brings us extraordinary family creation tales - his own included - that illuminate this changing world of contemporary kinship. We meet a child with two mothers, made with one mother's egg and the sperm of a man none of them has ever met and carried by the other mother.

In the third volume of Exordium, this swashbuckling space opera continues with Brandon and the Rifter crew of the Telvarna arriving at the Panarchic Navy's headquarters. The Rifters are imprisoned, and Brandon finds himself, as sole heir to the Phoenix Throne, fighting a battle of symbols, his only weapon his wits as he strives against the powerful and sophisticated aristocrats who hide lethal intent behind urbanity and style.

In this last volume, the desperate fight to recover the Panarchy of the Thousand Suns is about to commence. Brandon hai-Arkad has been crowned emperor, but his throne remains in the hands of his enemy, Jerrod Eusabian of Dol'jhar. The fleet has been gathered, the order of battle drawn. Brandon will reclaim his father's empire or face annihilation. This is the exciting conclusion to the Exordium series.

In this rewritten fourth volume, the Panarchy is in shambles, coalescing at the military base Ares. Not only has Brandon inherited this political tinderbox, but he also must face the escalating threat from the invading Dol'jharians and their Rifter allies before they can power up the ancient artifact they call the Suneater. But moving with secret, deadly precision against Brandon is a traitor who will do anything for power. Meanwhile Brandon has fallen in love, but everyone thinks it's with the wrong person.

Harlem is perhaps the most famous, iconic neighborhood in the United States. A bastion of freedom and the capital of black America, Harlem's 20th-century renaissance changed our arts, culture, and politics forever. But this is only one of the many chapters in a wonderfully rich and varied history. In Harlem, historian Jonathan Gill presents the first complete chronicle of this remarkable place.

Having reclaimed her throne, Queen Myriam is now desperate to find her missing grandmother. Over Ganry's protests, she embarks on a dangerous rescue mission. But with an unexpected threat, and mysterious forces at work, even Ganry's sword may not be enough to protect her.

In the magical world of Khanerenth, there's a long way to go before Sasha and her dream prince, Jehan, can get to perfect. Jehan's deception has left her unable to trust him and grimly determined to search for her missing father. Jehan only wants to protect Sasha from the dangerous undercover mission he's undertaken to heal the broken kingdom, but he knows she can't afford to listen to him - not when he's the one living a lie.