Ergebnis gesprochen von "Naomi" in Alle Kategorien

Susy Branch (Tavi Gevinson) and Nick Lansing (Adam DiMarco) aren’t into each other, but they share a similar problem. Susy is a down-on-her-luck socialite who doesn’t want to get a real job, and Nick is a struggling writer who’s tired of tutoring the kids of the one percent. All of their wealthier friends are getting married, to seemingly lucrative results. So, Susy and Nick devise a plan: have a wedding.

As the eldest son of the Duke of Langford, Nathaniel Gresham sees his arranged marriage to Lady Violet Devere as just another obligation to fulfil – highly suitable, if unexciting. But as Violet sets out to transform herself from dowdy wallflower to dazzling young duchess-to-be, proper Nathaniel sets out to prove he's a match for his new bride's vivacity and daring.

Tin is the most famous fae in Oz for all the wrong reasons. Cursed with a stone heart, he is the perfect assassin: ruthless, efficient, and merciless with thousands of kills to his name. When his old friend Lion offers him a small fortune to deliver Dorothy to the South for his lover to wear the girl’s head as her own, Tin doesn’t hesitate to accept the unsavory deal.

She’s a witch with no powers. He’s a shape-shifting vampire. Trusting him could save her... or cost her everything. Brielle Gerrick can’t access her magic. In an effort to awaken her powers, she gets sucked into a time portal—to a castle in Spain in the year 1735. The castle is attacked by demons. Their leader is a shape-shifting vampire named Leo Serrano, an arrogant creep who enjoys taunting Brielle. When Brielle’s dark powers awaken, the others in the castle turn on her. They try to capture her and uncover the source of her magic before it unleashes itself.

Author and narrator of The Power, Naomi Alderman and Adjoa Andoh, join Laurence Howell in the Audible Studios for a discussion about the audiobook version of this dystopian novel.

I tell myself that Max couldn’t kill anyone. He’s a family man now, different to who he was before. Even so, I should go to the police right away. But I can’t. Because if I do, I’m scared they’ll start to suspect me. How much do I really know about the girl in room 12? And if the truth comes out, how far will I go to protect my precious family?

Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable. He’s wrong. Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with a fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty.

Three weeks ago, Lola put her soul on the line to save her sister and stop an abusive blood mage from making himself a god. But while she managed to derail the worst of Victor’s plans, the rest of the world still sees her old master as the hero. To make matters worse, the Nightmare King Alberich has entirely escaped his prison and is now leading the Wild Hunt on a rampage of fear and chaos across the skies of Europe.

This collection includes ten plays by Arthur Miller. In The Crucible, Stacy Keach and Richard Dreyfuss lead an all-star cast in Miller’s searing play about witchcraft that famously mirrors the anti-Communist hysteria that held the United States in its grip. Death of a Salesman follows Willy Loman, the iconic traveling salesman whose family is torn apart by his desperate obsession with greatness. In Incident at Vichy, in Nazi-occupied France, nine men are detained under a shadowy pretext and face a terrifying fate.

At Ozma’s birth, the witch, Mombi, abducted and cast a spell on her, turning the infant into a male. Only when Ozma broke the witch’s curse did she discover who she is—the True Queen of Oz. Her freedom is short-lived when the Wizard, hungry for her power, imprisons her in a dark, brutal world, cut off from Jack and her magic. Jack, too, was stolen as a child, forced to toil as Mombi’s slave. When he believed his lover died, Jack loses himself to an array of companions, while plotting his escape from Mombi.

Tin is the most famous fae in Oz for all the wrong reasons. Cursed with a stone heart, he is the perfect assassin: ruthless, efficient, and merciless, with thousands of kills to his name. When his old friend, Lion, offers him a small fortune to deliver Dorothy to the South for his lover to wear the girl’s head as her own, Tin doesn’t hesitate to accept the unsavory deal. Magic has hidden dangerous lies behind glamor, trapped innocents in curses, and left the land of Oz in turmoil — none more so than the South.

If a country's Gross Domestic Product increases each year, but so does the percentage of its people deprived of basic education, health care, and other opportunities, is that country really making progress? If we rely on conventional economic indicators, can we ever grasp how the world's billions of individuals are really managing? In this powerful critique, Martha Nussbaum argues that our dominant theories of development have given us policies that ignore our most basic human needs for dignity and self-respect.

In the world’s most magical metropolis where spirits run noodle shops and cash-strapped dragons stage photo-ops for tourists, people still think fairies are nothing but stories, and that’s exactly how the fairies like it. It’s a lot easier to feast on humanity’s dreams when no one believes you exist. But while this arrangement works splendidly for most fair folk, Lola isn’t one of the lucky ones.

Issaka has returned home to Timbouctou and a devastating al-Qaeda raid. His only hope for survival is Faro, a stunning, blue-beaded supernatural entity who rises free from the flames of her imprisoning book as it burns. Compelled to follow Faro, Issaka is opening his eyes to their shared history and the ancestral wisdom of his own past.

Lord Randolph Gresham has come to London for one reason only – to find a suitable wife. Verity Sinclair may be intelligent, beautiful and full of spirit, but her father knows a secret about Randolph that makes her entirely unsuitable as his bride. Not right for him at all, never, not a chance. Verity knows that Lord Randolph lives in a country parish, and she wants nothing more than to escape to town. He may be fascinating, attractive, rich and the son of a duke, but she'll never marry him, nor will she talk to him, flirt with him, walk with him or dine with him.

It's September—National Honey Month—in Moraine, Wisconsin. After her mentor in the honey business is found dead in his apiary, beekeeper Story Fischer must sort through a swarm of suspects, including her ex-husband. With a little help (and sometimes hindrance) from family and friends, Story must find her way out of a very sticky situation.

A bestselling author and rabbi’s profoundly affecting exploration of the meaning and purpose of the soul, inspired by the famous correspondence between Albert Einstein and a grieving rabbi. “A human being is part of the whole, called by us ‘Universe,’ a part limited in time and space. He...

1922. Ladies’ assistant Mabel Canning is delighted to accompany young heiress Roxy to a glamorous ballroom event. When she arrives, Mabel can’t wait to practice her foxtrot skills. But a mysterious man warns her that Roxy is in danger. And he’s dead before the music stops... After a narrow escape, Roxy stumbles into Mabel’s arms with her daffodil-yellow dress splashed with blood. Never one to rely on the police, Mabel swiftly gathers the murder club ladies on a hunt for clues. Can they catch the killer before they strike again?

1945. Fen Churche follows her dreams and sails for New York. She books passage on a steam ship from France to America, excited to dance the night away in the glamorous ballroom and play games on deck. Nothing will stand in the way of her trip, not even when an eccentric heiress’s diamond tiara goes missing....

A NEW YORK TIMES NOTABLE BOOK FINALIST FOR THE WOMEN'S PRIZE FOR NONFICTION “Riveting . . . a powerful snapshot of four young Chinese women attempting to assert control over the direction of their lives.” —The New York Times Book Review “As powerfully intimate as it is politically...