Ergebnis gesprochen von "Jessica Bright" in Alle Kategorien

Lady Janet Fraser didn't earn her reputation as Scotland's most notorious sinner by following the rules. A former mistress of King James IV, she's content to live her life from pleasure to pleasure. Even if those pleasures - and people - are forbidden.

Struggling to support her family after her husband’s death, Caroline Harding attracts the attention of the ruthless Captain Francis Grafton who offers her a devil’s bargain to pay back her debts to him. Outwitting her enigmatic employer and unwillingly gaining his approval significantly changes her life for the better, but can she win his loyalty and his heart when he appears to care for nothing but profit?

Archer Tierney has devoted his life to becoming one of the most powerful men in London. He's cutthroat and merciless to anyone who crosses him and ruthless in his determination to always maintain the upper hand over friends and foes alike. There's no situation he can't control, no battle he can't win. Until one fierce woman enters his carefully guarded world, leaving danger and desire in her wake and bringing Archer to his knees.

In the months since their father, Rory, died, the MacLeod sisters have had to contend with bands of smugglers convinced he left a treasure buried within the walls of their home at Castle Cairncross. Only the most mystifying occurrences have foiled the thieves—stirring whispers that the sisters are sorceresses. Yet, they have no treasure, nor are they witches. However, each inexplicably possesses a unique ability. The eldest, Catriona, is a brilliant healer and alchemist—a skill she is about to put to unforeseen use.

She is Catriona, Countess of Glenkirk, the dazzling green-eyed beauty whose silken sensuality fires the passion of men's very souls—making her a pawn in a dangerous game of royal intrigue. Wife to a count, unwilling mistress to the king, she has the undying love of the most courageous lord in all of Scotland . . .

When Fiona Hay offers Angus Gordon her virtue in exchange for a dowry for her sisters, she so intrigues the rogue that he demands a higher payment: She will be his mistress. Thus begins a battle of wills and sensual delights. Destiny soon draws the ardent lovers into the turbulent court of King James. But soon the king's political schemes force Fiona away from the man she loves...and into the arms of a wild and passionate highlander, The MacDonald of Nairn. Will this coldhearted and callous betrayal forever destroy Fiona's chance at happiness?

Scandal. Intrigue. Love matches. The Governess Bureau was never supposed to be full of these things, but over the last few years, no fewer than five matches have been made. It's something the proprietress, Miss Vivienne Clarke, simply cannot allow to continue. With only one client remaining for the previously esteemed Governess Bureau now it has been called into disrepute, Vivienne has no choice but to take on the assignment herself; caring for the daughter of Edwin, Viscount Bysshe.

When you wake up with no memories from the last ten years, what do you do? For Miss Rachel Herriot, she has only one option—to be sent to a quiet manor house with one charge, Violet, to care for. A little governessing and recuperation, that's all she needs. Unfortunately, that's not what she'll get. Waiting for her at Quintrell Hall is not the idyllic quiet country life she was promised, but a gentleman called Timothy Astor. Mysterious, frequently absent from his home, and kissing her passionately in corridors with no introduction, Mr. Astor is not what Rachel expected.

Hampshire, 1818. To her family, Olivia Middleton is a problem of the most vexing sort. With her older two sisters married off, Olivia is now the target of her mother's matrimonial scheming. Shy and somewhat plain, Olivia prefers the thrill of a gothic novel to the hunt for a husband. And as far as her family is concerned, something must be done. But Olivia has no interest in the men paraded before her—except, perhaps, the sought-after bachelor William Cross. But she's not about to inflate his already oversized ego by telling him so.

Anne Middleton never plays by the rules. She is willful when she should be obedient and unabashed when she should be decorous. Worse still, she can never resist a good wager . . . or a very naughty book. And Confessions of a Courtesan is about as risqué as a book can be. Michael Grey—Earl of Thornhill—had once courted Anne's sweet and modest sister. But whilst Anne is certainly no lady of decorum, her bold impulsiveness slips through his armor, and propriety is forgotten. Now he too is immersed in the book of forbidden delights, where each page is an invitation to sin.

Cold, arrogant, and demanding Henry Eldridge, Marquess of Riverton, would never dally with a mere servant. But when Henry is injured in a horrible fire, his pretty housekeeper Cassandra nurses him back to health, throwing them together, day and night. As he slowly heals from his burns, their friendship blossoms, and the class walls between them start to crumble. Cassandra is surprised by glimpses of a kind and thoughtful man beneath her employer's hard façade—and even more surprised when she develops tender feelings for him. But anything between lord and servant is impossible....

Infamous courtesan Julia Forsythe is the former mistress of a ruthless marquess. She's also expecting his child. But while she longs to flee from his cold clutches, the welfare of her unborn babe prevents it. Now she must find a way to remain a "mistress" in name, if not in deed. Fifteen years ago, Adam Radcliff once shared a close friendship with Julia. Now they stand worlds apart in both lives and statuses, sharing only the memory of that old friendship. But even as Julia slips out of the marquess's lascivious clutches, she finds herself seeking the pleasure of Adam's company.

When a beautiful stranger ducks into his bookshop during a rainstorm, Cale Cameron, well-known rake, is instantly attracted to her. Elizabeth, Lady Thornhill, is restless and hungers for something she cannot name. Society would never accept a countess and a mere bookseller, so they agree to a one week affair to indulge their desire. As their passion ignites and their connection grows, Elizabeth threatens the one thing Cale has protected above all else—his heart.

Black women have never been more visible or more publicly celebrated. But for every milestone, every magazine cover, every new face elected to public office, the reality of everyday life for black women remains a complex, conflicted, contradiction-laden experience. An American journalist who has been living in London for a decade, Kenya Hunt has made a career of distilling moments, movements, and cultural moods into words. Her work takes the difficult and the indefinable and makes it accessible; it is razor sharp cultural observation threaded through evocative and relatable stories.

In the vein of Roxane Gay’s Bad Feminist, but wholly its own, Girl is a provocative, heartbreaking and frequently hilarious collection of original essays on what it means to be Black, a woman, a mother and a global citizen in today’s ever-changing world. Black women have never been more visible or more publicly celebrated. But for every new milestone, every magazine cover, every box office record smashed, the reality of everyday life remains a complex, nuanced, contradiction-laden experience.

Raised in a foundling home and now proprietor of a successful club, Gabriel Cadieux hasn’t ever been welcomed by polite society. But when he discovers he’s the legitimate heir to a dukedom, he must make a choice: accept the debt-ridden title and the trappings of the peerage who shunned him or decline and leave his six rebellious half sisters to fend for themselves. As much as he hates the idea, Gabriel can’t abandon his siblings, even if it means making a deal with the most frustrating—and aggravatingly beautiful—woman he’s ever met.

Lady Phoebe Fairchild is well aware that the ton would be appalled to learn of a young lady of quality involved in a trade. Therefore, she resorts to selling her beautiful handmade gowns under a fictitious name: Madame Dupree. So when circumstances force her to visit the estate of William Darby, the Viscount of Summerfield, to design ball gowns for his sisters, she assumes Madame's identity. Phoebe's discomfort in her new position as hired help is nothing compared to her visceral attraction to the viscount himself.

Lady Greer Fairchild's only hope of avoiding marriage to the first bidder lies in journeying into the untamed Welsh countryside in search of an inheritance she's not sure even exists—one reportedly controlled by Rhodrick Glendower, Earl of Radnor, also known as the Prince of Powys. Rumor has it that the prince is rough, ruthless—even a murderer. But Greer never imagined that the brute would refuse to let her leave his remote castle until she has proven her identity.

An enforcer for his kind, Dominic’s job is to protect Succubi’s from other immortal races and hide them from the humans. His job simple, until a rogue female hits his radar and sets off every protective instinct he has.

The young ladies of the Fairchild family have just learned that their stepfather has absconded with their late mother's fortune. Ava, the eldest, decides to take matters into her own hands and hunts down the notoriously wealthy rakehell Jared Broderick, the Marquis of Middleton and heir to a dukedom. Much to her shock and delight, the marquis sweeps her into a whirlwind romance and proposes marriage. But after their passionate wedding night, Ava discovers Jared has ulterior motives of his own.