Ergebnis für "opera" in Biografien & Erinnerungen

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

A job as a deckhand on a shark fishing boat in Bass Strait for law student Chris Howse, begets a quest to keep a journal of his dreams as a way of exploring who he is and what he should do and as an antidote to a seemingly lazy zeitgeist. Via the shark boats, the occupation of a barrister at the Victorian Bar and work as a tram conductor in Melbourne (in that order), his dreams lead him to the heart of Aboriginal Australia at the Katherine Regional Aboriginal Legal Aid Service and subsequently to Darwin and the bush courts of the Northern Territory, acting on behalf of the Aboriginal people.

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him, "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.

The inspirational wisdom Oprah Winfrey shares in her monthly O., The Oprah Magazine column updated, curated, and collected for the first time in a beautiful keepsake book. After film critic Gene Siskel asked her, "What do you know for sure?" Oprah Winfrey began writing the "What I Know For Sure"...

At long last, millions of Dune fans can now hear the unpublished chapters and scenes from Dune and Dune Messiah. The Road to Dune also includes the original correspondence between Frank Herbert and famed editor John W. Campbell, Jr.; excerpts from Herbert's correspondence during his years-long struggle to get his innovative work published; and the article, "They Stopped the Moving Sands", Herbert's original inspiration for Dune.

Read by the author, acclaimed conductor Jane Glover. 'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna Lumley An expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old...

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

In this fearless and hilarious memoir, legendary trumpeter Mark Gould, former co-principal trumpet of the Met Orchestra for nearly three decades, takes listeners behind the gold-leaf curtain of the world’s most secretive opera house. With sharp wit and total honesty, Gould reveals what it’s really like to spend 29 years buried beneath the stage in the biggest opera house on earth—sharing tight quarters with world-famous singers, unpredictable conductors, and a brass section built on equal parts brilliance and chaos.

'I can vividly remember the last steps of the last ballet, walking off the stage led by a mother and knowing the decision I had to make. That was my last dance.' Mary Li (ne� McKendry) is an international ballet star and a mother like no other. She became a household name when her husband Li...

Romance, biografia, argumento cinematográfico, 'O selvagem da ópera' tem como protagonista o compositor Antônio Carlos Gomes, autor de O Guarani e de outras óperas hoje esquecidas, como a Fosca, Salvator Rosa, Maria Tudor e Lo Schiavo. Acompanhando sua trajetória em capítulos breves, Rubem Fonseca leva o leitor à segunda metade do século XIX, revelando desde os bastidores da Corte no Rio de Janeiro, na qual o jovem e talentoso músico ganha os favores do imperador-mecenas e de sua amante, a condessa de Barral, até sua conquista do mundo operístico italiano.

"Opera er en slags følelsernes fitnesscenter. Her kan vi træne både vores kærlighedsmuskel og vores angstmuskel. Ligesom vi går i fitnesscentret for at træne vores fysiske muskler, så vi er i form til at møde tilværelsen. Men det er ligesom nede i fitnesscentret: Det nytter ikke noget at stå og kigge på maskinerne. Man skal selv gøre arbejdet." Kasper Holten er en eksperimenterende og ofte kontroversiel instruktør og operachef. Hans bog er ikke en operaguide.

The author is a retired academic who has had a life-long passion for opera and who has attended many performances at home and abroad. The book draws on his numerous and geographically diverse experiences. It contrasts opera-going in different, predominantly European, countries and over time, from the 1960s to the present day.

Maria Callas, born Maria Anna Cecilia Sophia Kalogeropoulos (December 2, 1923 to September 16, 1977) was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. The following recordings are from 1959 and 1962 TV interviews.

Solomea Krushelnytska was hailed as the world's leading dramatic soprano during the Golden Age of opera at the turn of the 20th century. Born in 1872 into a family with eight children in a small village in Western Ukraine, she studied opera and battled her way to superstardom while performing with opera legends like composer Giacomo Puccini, director Arturo Toscanini, and tenor Enrico Caruso.

The Hard Bargain describes in vivid detail and elegant prose the clash of wills between a famous father and his hard-driving middle son. Richard Tucker, the American superstar tenor from the golden age of the Metropolitan Opera, demanded that his son become a surgeon. Rejecting his fathers wishes, David wanted to follow his father onto the opera stage.

De Chirico fu forse l'artista più controverso del secolo scorso, ma il suo percorso personale appare oggi di una coerenza inflessibile. Inventore delle avanguardie a Parigi nei primissimi anni Dieci, agli attacchi dei suoi contemporanei rispose con un'autonomia intellettuale orgogliosa e rabbiosa, che lo rese un outsider del mondo dell'arte. Questa monografia, rigorosa e lucida, ci restituisce un ritratto chiaro, agile ed essenziale dell'arte di de Chirico, e si presenta come il contributo fondamentale alla comprensione della sua opera.

For almost 30 years, Lynne McGranger has been entertaining, enthralling and bringing smiles to TV viewers all around the world. A veteran of Home and Away, a popular soap opera syndicated to more than 80 countries, Lynne was recently acknowledged as a 'TV actor legend' when she became the longest-serving female cast member of any Australian TV show. Her beloved character, Irene Roberts, has been a font of wisdom, good humour and unforgettable lines for decades. But Lynne's story goes far beyond Summer Bay.

In this “heartrending, passionate, and surprisingly humorous account of the conjunction between art and death” (Andrew Solomon, New York Times bestselling author), acclaimed opera singer Charity Tillemann-Dick recounts her remarkable journey from struggling to draw a single breath to singing...

This audio-biography sets out to explain the timeless popularity of the operettas of Gilbert and Sullivan: a colorful partnership of the most successful writers in the history of light music. It highlights Gilbert’s mastery of language - his wit, his turn of phrase, his brilliant lyrics (alternately very funny and deeply moving) - and the special melodic gift which enabled Arthur Sullivan to write music of such beauty and style. While each was a master of his craft, it was the combination that created magic sparks.

As the world reckons with racism and sexism, opera luminaries including director Peter Sellars, bass-baritone Davóne Tines and conductor/soprano Barbara Hannigan dig into what’s changing — and what needs to change — in opera, and why now is the time for evolution and disruption in the centuries-old art form.