Ergebnis für "opera" in Musik

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

Die Zauberflöte ist eine der bekanntesten Opern und ein zeitloses Meisterwerk. Schon Kinder pfeifen den „Vogelfänger” und die Rachearie der Königin mit ihren waghalsigen Koloraturen ist unvergesslich. Die Musik Mozarts gepaart mit Schikaneders märchenhaften Libretto sorgt – damals wie heute – für ein Erlebnis, dem man sich nicht entziehen kann. Doch wie war das noch gleich? Warum zürnt die Königin der Nacht dem weisen Sarastro? Warum hat der eigentlich nochmal Pamina in seinen Tempel entführt? Diese Fragen und noch viele mehr wollen wir beantworten.

Die Hochzeit des Figaro gilt als Höhepunkt der Oper und eines der größten Werke des Genies Mozart. Es begründet die Zusammenarbeit zweier Meister ihres Fachs: Des Komponisten Mozarts, mit dem Librettisten Lorenzo da Ponte. Die literarische Vorlage war ein Skandalstück, das den Autoren ins Gefängnis brachte, der Zensur zum Opfer fiel und überhaupt für Furore sorgte. Ludwig XVI urteilte: „Wenn ich dieses Stück genehmigen würde, müsste ich konsequenterweise gleich die Bastille einreißen.“

Rigoletto gilt als das erste Meisterwerk von Giuseppe Verdi und begründet seinen Weltruhm. Bereits bei der Uraufführung, im Jahr 1851 am Teatro La Fenice in Venedig, feierte sie einen überwältigenden Erfolg und wurde in den folgenden Jahren in ganz Europa aufgeführt. Das Libretto stammt von Francesco Maria Piave und beruht auf dem Melodrama Le roi s’amuse von Victor Hugo. Die Oper steht bis heute im Programm zahlreicher Opernhäuser und ist nach wie vor eine der meistgespielten italienischen Opern.

Take a captivating journey into the world of opera—from its dramatic origins and legendary voices to its grand spectacles and modern reinventions. Whether you're a lifelong aficionado or a curious newcomer, this six-part series hits every high note.For more fascinating and engaging podcasts, visit: https://www.quietperiodplease.com/Click here to browse handpicked Amazon finds inspired by this podcast series! https://amzn.to/4iH8F6y

Through a deft compilation of primary sources—letters, memoirs, and personal accounts from composers, librettists, and performers—Michael Rose re-creates for his readers the circumstances that gave rise to fifteen operatic milestones. From Monteverdi and Mozart to Puccini and Berg, each chapter focuses on a well-known opera and tells the story that lies behind its creation.

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him, "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.

From its humble beginnings in the 17th-century Along the way, it has embraced nearly every trend to be found in Western concert music.In this series of twenty-four 45-minute lectures, Professor Greenberg guides you on a survey of the symphony.

Here is the colorful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations. This absorbing history is illustrated by over 100 musical examples by Naxos artists as well as some of the greatest singers of the 20th century, including Enrico Caruso and Fyodor Chaliapin.

Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future. Drawing on interviews with dozens of opera insiders—as well as...

Read by the author, acclaimed conductor Jane Glover. 'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna Lumley An expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old...

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

Wagner’s Ring cycle is the most ambitious work in the history of music: four operas that combine to tell a single epic story. Based in legend, it has become a legend in its own right: a supreme challenge for conductors, singers, opera producers, and indeed for audiences. But for all its grandeur and complexity, The Ring is far more accessible than many music lovers think.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

The Flying Dutchman is the perfect opera with which to approach the operatic mountain that is Richard Wagner. It is short, has a great story (the legend of the Dutch captain doomed to sail forever unless redeemed through love), and the striking score has many pre-echoes of Wagner's later great music dramas. It contains wonderful tunes in its arias, ensembles, and big choruses, and the orchestral writing - from the gale that blows out of the Overture to the final theme of "Redemption through Love" - will "blow you away".

Con uno stile raffinato e trascinante, Vittorio Sermonti "spiega al popolo" quattordici opere di Verdi, "il più spudorato genio della musica per teatro", dal Nabucco all'Otello, passando per l'Aida, il Rigoletto, il Trovatore e la Traviata. Ci fa riscoprire i celebri melodrammi attraverso il racconto della trama e persino della musica, l'analisi dei personaggi, riferimenti alla vita e alle lettere di Verdi, accenni alle vicende del libretto, notizie sparse sulle prime esecuzioni, annotazioni storiche sull'Italia del Risorgimento e dell'Unità.

This invaluable primer will introduce the uninitiated to the mysteries of opera and help more experienced fans to expand their understanding and deepen their appreciation of the art form.

Desde suas origens, no século XVI, a ópera sempre foi uma paixão extravagante e cara. Ela também produziu algumas das mais sublimes obras de arte, de Monteverdi a Philip Glass, passando por Mozart, Wagner, Puccini e tantos outros. Com texto original em inglês de Richard Fawkes, este audiolivro conta a história da ópera desde suas origens, abordando a vida e a obra dos grandes compositores. O texto trata também das importantes manifestações na área da opereta.