Ergebnis für "The Cinema" in Geschlechterforschung

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Firebrand NY Times columnist and bestselling author Lindy West unpacks the beloved rom-coms and cult classics we love in order to dissect the culture we've created. Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal...

A bold look at the unexpected ways porn shapes our lives, with a feminist defense, drawn from Erika Lust’s decades in adult filmmaking, that argues for a more ethical porn that can transform sexual politics For more than two decades, Erika Lust has been pushing back against shame and...

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.