Ergebnis für "Status" in Belletristik

In 80 Tagen aus dem Bett. Stefanie Sargnagel kommt aus dem Internet und ist die erste deutschsprachige Autorin, die im Netz eine Form für sich gefunden hat, die passt, als Literatur funktioniert und ein großes Publikum erreicht. Stefanie Sargnagel schreibt radikal subjektiv, bisweilen aggressiv und sehr klug über das sogenannte einfache Leben, über Männer und Frauen, über Aussichtslosigkeit und Depression. Das ist oft zum Brüllen komisch und manchmal tragisch. Statusmeldungen ist wie ein Gipfeltreffen zwischen Christine Nöstlinger und Heinz Strunk, aus dem beide mit einem Mordskater hervorgehen.

Status-6: Poseidon’s Shadow An International Techno-Thriller by Michael J. Melton THEY DIDN’T LOSE CONTROL. THEY JUST LET YOU THINK THEY DID. When Russia “accidentally” leaks that ten of its doomsday torpedoes—autonomous, undetectable, and nuclear—have been stolen by terrorists, the world panics. But the truth is even more terrifying: the weapons were never lost. They were deployed. Across oceans. Beneath cities. Waiting. As NATO scrambles to respond, satellites begin to go dark. Bliznets, Russia’s ghost satellites, hijack Western communications.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Family caregivers are, oftentimes, ruthlessly challenged by uninvolved family members who are quick to condemn, but reticent to offer assistance. Such is the case for Colleen Strand, a widow who recently found her own footing who takes on the task of caring for her father Patrick Quinn, recently diagnosed with Alzheimer's disease. Her older brother Jonathan criticizes Colleen at every turn and verbally abuses the father when he has the gall to exhibit symptoms of his disease.

When Harry Andrews meets Martin Haggerty, two human statues collide in a battle that will transform the Chelmsley High Street into a battlefield of the absurd. What starts as a simple act of jealous sabotage becomes a life-consuming obsession that will push them beyond the limits of dignity, sanity, and the law.