Ergebnis für "Notes From The Underground" in Kunst & Unterhaltung

Best known for his sinuous pop hit 'Walk on the Wild Side', Lou Reed was one of the most original and innovative songwriters of the rock era - a sardonic chronicler of underground culture and the dark side of human nature.

Notes from Underground is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Àpropos of the Wet Snow," and ...

Notes From The Underground is a music-adjacent exploration featuring interviews with individuals working with and in music who are not musicians. Join an all-start cast of CFUV volunteers as they discover the breadth of musics impact.

Notes from Underground is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Àpropos of the Wet Snow," and ...

From the golden-haired, curly-headed half of Simon & Garfunkel - a memoir (of sorts): artful, moving, lyrical; the making of a musician; the evolution of a man, a portrait of a lifelong friendship and collaboration that became one of the most successful singing duos of their time. Art Garfunkel writes about his life before, during, and after Simon & Garfunkel...about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound.

From the sugar rush of Tokyo’s idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this audiobook by Japan Times music columnist Ian F. Martin offers a witty and tender look at the issues that shape Japanese music today. With insights into the evolution of J-pop as well as its history, infrastructure, and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas.