Ergebnis für "Märchen" in Literatur des Absurden

Fairy tales are as old as language itself. Long, long ago, storytellers all around the world told tales of wonder both to enchant and entertain us, and also to teach us that – if we are good and kind and courageous enough – we can change the world for the better. For this is what fairy tales do. They give us hope. As we travel through the dark and dangerous world of the fairy tale, as we fight dragons and outwit ogres and save our sisters and brothers, we learn that we are capable of anything.

Oscar Teabag-Dooven, former Velvet Paw of Asquith and occasional poet, is ready to leave the chaos behind. Having faced tendony beasts, collapsing palaces, poetic terrorists, and exploding pastries, he’d much prefer foccussing on the opening night of his theatrical debut. Unfortunately, the world has other ideas.

Lost in the Wonderland is a journey through strange roads, wild rivers, and half-remembered songs. It begins with a botched bank robbery and spirals into a netherworld where music is seeded and rises in the airwaves. When the worlds collide, the spell shatters, leaving the odd, the brave, and the broken-hearted to search for their lost spark, through misguided choices, stolen Christmas nativities, roadside attractions, pills, and flamethrowers. Blending magical realism with mythic undertones, Lost in the Wonderland follows people caught between worlds, driven by longing and the need to belong.